Mini Comics

Temple of Nepthu, Temple of Darkness

Written by Adam McCombs

“Temple of Nepthu” by the late, great Michael Halperin is a mini comic adaptation of the Filmation He-Man and the Masters of the Universe script for “Temple of the Sun.” The story features Nepthu, a Filmation villain of the week.

Nepthu after being transformed by the magical Sun Scarab.

In “Temple of the Sun,” Nepthu is a poor man who finds the eponymous temple in the Sands of Time. Finding the Sun Scarab artifact inside, he is transformed in appearance and gains magical power. Nephthu captures the Sorceress in her form as Zoar the falcon when she happens to be flying overhead. She sends a message telepathically to Prince Adam, who transforms into He-Man. Nepthu sends some sand demons to attack the heroes when the come to rescue the Sorceress. He-Man eventually defeats Nepthu by breaking the Sun Scarab. Zoar meanwhile had been transformed into crystal after she had tried to break free. She was returned to normal after the Sun Scarab was destroyed.

Now let’s take a look at Michael Halperin’s adaptation, “Temple of Nepthu.” Many thanks to Danielle Gelehrter for sharing this scan with me!

In Halperin’s version, Nepthu is actually an ancient wizard, not some poor traveler who was magically transformed. Halperin’s script was written June 8, 1983, just a month after the script for “Temple of the Sun” was approved. Perhaps the early draft for the Filmation episode also featured Nepthu as an ancient wizard – I don’t have any information to support that, however. The temple is Nepthu’s home, and he captures the Sorceress in falcon form when she flies too close to it over the Sands of Time. Nepthu views her capture as an omen of power. Meanwhile, the Sorceress telepathically calls for He-Man to come to her aid. He sets off with Teela, Man-At-Arms, Battle Cat and Ram Man on the Attak Trak.

In the story, Nepthu has a scarab with a jewel affixed to its back that he uses to magically attack the heroic warriors as they approach. He causes a magical sand storm to impede their progress, and then creates a giant scorpion. After defeating these elements, Man-At-Arms remarks that the temple appears only every 300 years.

He-Man uses his Power Sword to get into the temple. Upon entering, Nepthu sends Time Demons to attack the heroic warriors, described as living creatures made from clock parts. After defeating them, Nepthu threatens the Sorceress with the scarab if they come any closer. The Sorceress telepathically tells He-Man to “get the jewel of the desert — that makes the scarab strong.”

Meanwhile, Man-At-Arms leaped at Nepthu, causing him to drop the scarab. The scarab started to grow and began to attack the heroic warriors. After some fighting, He-Man managed to flip the insect on its back, causing it to lose its jewel. Without the magical stone, the scarab turns back into an ordinary bug and scampers away. Nepthu starts to lose his powers, and the Sorceress as Zoar the falcon is freed. The Time Demons start to dissipate and the Temple of Nepthu gradually vanishes away.

This story was repurposed into “Temple of Darkness.” Many of the same elements and plot points are there. However, Nepthu was replaced with Skeletor. The Temple’s name was changed to the Temple of Darkness. Instead of the Attak Trak, He-Man raced to the temple on the Road Ripper, while the others rode on separate Attak Traks. (I think this was done not only to promote the new Road Ripper vehicle, but also to address the reality that the Attak Trak toy seats only one figure.) There isn’t a giant scorpion, but Skeletor attacks the heroes with a magical sandstorm and the giant scarab. And like “Temple of Nepthu,” the scarab is defeated by flipping it over and popping the jewel from its back.

“Temple of Darkness” was written by Michael Halperin, with pencils by Larry Houston, inks by Gerald Forton, colors by Charles Simpson, letters by Stan Sakai. Here is the full list of Halperin’s mini comic credits, many of which were adapted from Filmation episode scripts (links go out to the full comic scans on He-Man.Org):

Thank you to the following individuals who are current Patreon supporters or Facebook subscribers!

  • Adalberto V. (Facebook)
  • Adam A. (Patreon)
  • Allen B. (Facebook)
  • Allison T. (Patreon)
  • Andy Y. (Facebook)
  • Asad (Patreon)
  • badtaste® (Patreon)
  • Barbarossa (Facebook)
  • Ben M. (Patreon)
  • Chris C. (Patreon & Facebook)
  • Chupakaibra (Patreon)
  • Cory from Make Shape Create (Patreon)
  • Dane R. (Patreon)
  • Eric H. (Patreon)
  • Erik B. (Patreon)
  • Garry H. (Patreon)
  • Gianluca V. (Patreon)
  • Gristlebeard M. (Patreon)
  • J Man (Patreon)
  • JackieX (Patreon)
  • Jacob T. (Patreon)
  • James C. (Patreon)
  • James Z. (Facebook)
  • João S. (Patreon)
  • Johnny L. (Facebook)
  • Jon E. (Patreon)
  • Juan P.V. (Patreon)
  • Kris K. (Facebook)
  • Lyca (Patreon)
  • Max I. (Patreon)
  • Michael M. (Patreon)
  • Mike G. (Patreon)
  • MotuOriginsCork (Patreon)
  • Nate B. (Patreon)
  • Oprah D. (Facebook)
  • Ove K. (Patreon)
  • Øyvind M. (Patreon & Facebook)
  • Patrick F. (Patreon)
  • Philip O. (Patreon)
  • Robert B. (Patreon)
  • Rich S. (Patreon)
  • Scott B. (Facebook)
  • Stephen B. (Facebook)
  • Steven K. (Patreon)
  • Tate W. (Patreon)
  • Todd G. (Facebook)
  • tupalev (Patreon)

Want to support the blog? Consider becoming a Patreon supporter or Facebook subscriber. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!

Reviews

Good Journey: A 1987 Movie-Style MOTU Fan Comic Series

I thought it would be fun to highlight a cool project from one of my Patreon supporters, Assad Shamsi. He’s written a fan comic series called Good Journey, which is set in the world of the 1987 Masters of the Universe movie. The comic is illustrated by Emily Stewart, and it’s available for free in its entirety here.

This will be a multi-part series, introducing characters into the 1987 movie world that didn’t actually appear there. The first comic is called “Forewarning,” and it’s illustrated with some really charming artwork. In terms of timeline, it’s set not too long after the defeat of Skeletor at the end of the original movie. The story begins with Gwildor, who in a panic, discovers he has lost his Cosmic Key.

We get a shot of Castle Grayskull, where the Sorceress warns He-Man that she senses danger. However, He-Man gets an alert from Gwildor, and has to leave.

He-Man arrives and helps Gwildor search his house. Using a tracking device, they hop onto the Wind Raider, which has been scaled down to look a bit like a flying motorcycle, and the tracker takes them to a cave at the foot of some mountains.

Who does He-Man encounter in the cave? I won’t spoil it here, but I’ll leave it to you to read the comic and find out. It’s a quick and charming read, and I encourage you to check it out!

Assad says that he plans to continue the storyline out into 7-10 issues, imagining it as if it were a movie divided up into multiple installments. He’s already done the script for the second issue, and Emily is currently working on the art. So look forward to more of these in the future!

Until next time, good journey!

Thank you to the following individuals who are current Patreon supporters or Facebook subscribers!

  • Adalberto V. (Facebook)
  • Adam A. (Patreon)
  • Allen B. (Facebook)
  • Allison T. (Patreon)
  • Andy Y. (Facebook)
  • Asad (Patreon)
  • badtaste® (Patreon)
  • Barbarossa (Facebook)
  • Ben M. (Patreon)
  • Chris C. (Patreon & Facebook)
  • Chupakaibra (Patreon)
  • Cory from Make Shape Create (Patreon)
  • Dane R. (Patreon)
  • Eric H. (Patreon)
  • Erik B. (Patreon)
  • Garry H. (Patreon)
  • Gianluca V. (Patreon)
  • Gristlebeard M. (Patreon)
  • J Man (Patreon)
  • JackieX (Patreon)
  • Jacob T. (Patreon)
  • James C. (Patreon)
  • James Z. (Facebook)
  • João S. (Patreon)
  • Johnny L. (Facebook)
  • Jon E. (Patreon)
  • Juan P.V. (Patreon)
  • Kris K. (Facebook)
  • Lyca (Patreon)
  • Max I. (Patreon)
  • Michael M. (Patreon)
  • Mike G. (Patreon)
  • MotuOriginsCork (Patreon)
  • Nate B. (Patreon)
  • Oprah D. (Facebook)
  • Ove K. (Patreon)
  • Øyvind M. (Patreon & Facebook)
  • Patrick F. (Patreon)
  • Philip O. (Patreon)
  • Robert B. (Patreon)
  • Rich S. (Patreon)
  • Scott B. (Facebook)
  • Stephen B. (Facebook)
  • Steven K. (Patreon)
  • Tate W. (Patreon)
  • Todd G. (Facebook)
  • tupalev (Patreon)

Want to support the blog? Consider becoming a Patreon supporter or Facebook subscriber. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!

Catalogs

1988 Mattel UK Catalog

Here is the 1988 Mattel UK Catalog. I’m including the pages for Masters of the Universe (which was still going in 1988 because Europe was at least a year behind the US in the product rollout schedule), Captain Power, Bravestarr, and Teddy Ruxpin. Of note in this issue are the prototype versions of Laser Power He-Man and Laser-Light Skeletor, the unreleased Entwiner playset, an unreleased red Power Sword role play toy, and several unreleased Bravestarr prototypes.

MOTU History

Tony Guerrero: April 2, 1923 – February 25, 2012

RIP to Tony Guerrero, the genius sculptor behind the first Masters of the Universe figures, who passed away 14 years ago today. Here are some quotes from He-Man designer/creator Mark Taylor about his friend Anthony G. Guerrero:

“My friend the sculptor Tony Guerrero was one of the best sculptors I’ve ever worked with ever. He was a friend of my father-in-law’s… he did all of the figures, he did them better than my B-sheets. A lot of you’ve seen my sketches, they they are certainly not shy and Tony when he did them he took them even a step further. Sometimes I’d look at it and I’d go holy mackerel that’s much better than my B-sheet.”

“And the other important guy for the line was Tony Guerrero. Tony Guerrero was a historic sculptor, who worked at Mattel, and it’s said that he also sculpted the first Barbie. Tony sculpted all the first figures himself, and he had that classical education about art and sculpture and he did an amazing job.”

“I was lucky. There was a great sculptor. His name was Tony Guerrero. He had known my wife’s family when he was growing up in Los Angeles. He’d known my wife’s family before he and I ever met. When we met, I speak a little Spanish and especially slang. And we got along great. He would take my drawings. He took one look at him and he says, I want to take a crack at this. His boss didn’t want him to. Nobody wanted him to. But he was a really good sculptor. So they’d give him some slack. And he started working with me and we started bringing stuff out. We started with the figures and we did something entirely different.”