Like most of the 1987 line, Blast-Attak completely escaped my notice as a kid. He’s definitely one of the more unusual Masters of the Universe characters. He has a strong steampunk vibe and a color palette not often seen in the MOTU line.
Design & Development
The earliest known concept of for a MOTU blast-apart figure appears below, in a piece by Mark Jones, illustrated February 26, 1985, shown in The Power and the Honor Foundation Catalog. This version of the character has a human face, and wears a costume festooned with spikes. You can see his trigger cord coming off of his back in the drawing below:
Later in the year a more familiar iteration appeared, this time illustrated by Richard Lepik on November 26, 1985. This is quite close to the actual toy, although it is more detailed (especially around the shoulders). This image again comes from The Power and the Honor Foundation, and was included in The Art of He-Man, published by Dark Horse. The character’s working name at this point was “Crack-Pot.”
You can see the finalized iteration of the design in the cross sell artwork below:
Blast-Attak could be “detonated” via a remote cable. The cable would connect to his back. A trigger/wire running through the cord would released release the spring-loaded latches holding the figure’s torso together. The patent was filed September 16, 1986, and you can see the illustrations for it below:
Toy & Packaging
Blast-Attak came with a large red poleax that continues with the steam punk theme on the figure itself. His trigger cable was actually reused from the Bravestarr Fort Kerium playset, which used the cable to “blow up” a safe.
His packaging, typical of 1986 and 1987 figures, included an illustration of the character on the front as well as the back:
According to the 1987 Style Guide, Blast-Attak was affiliated with the Evil Warriors. He is described like this:
Power: Ability to blast apart to attack and knock down enemies who approach him from both sides at once.
Character Profile: Blast-Attak is a robotic muscleman with an extremely short fuse. He loves to surprise enemies with his sudden split-apart power.
Comics & Stories
Blast-Attak came packed with Revenge of the Snake Men. Contrary to what the style guide says, here Blast-Attak is a creation of King Hiss and is aligned with the Snake Men (images below are from Dark Horse and from He-Man.org).
In the Fall 1987 issues of the US MOTU Magazine, Blast-Attak appears in the story Rescue King Randor. In the story Blast-Attak is working with both the Snake Men and the Evil Warriors, and all of the are directed by Skeletor:
The same alliances seem to be in place in The Dark Power of Skeletor, which appears in the Fall 1988 issues of MOTU Magazine:
In the seventh issue of the 1987 Star Comics MOTU series, Blast-Attak is aligned with the Evil Warriors. His power is used primarily to avoid downward sword strikes.
He appears again with Ninjor and Scare Glow in the MOTU Newspaper story, Ninjor Stalks by Night:
Blast Attak appears in posters by both Earl Norem and William George, shown respectively:
Because he was at the tail end of the line, he’s not depicted in all that many stories or art pieces, but I’ve included a representative sample, including the advertising line art below:
For more history behind the character, see Jukka Issakainen’s excellent video:
Blast-Attak in Action
Øyvind Meisfjord has graciously contributed the following image and video showing Blast-Attak in action:
The Masters of the Universe Origins exclusive Power-Con “Lord of Power” five pack was announced in 2019 as an exclusive for the 2020 Power-Con. Little did we know that COVID-19 would cancel just about every large gathering for 2020. Power-Con was, for the first, time held virtually this year. The 5-pack (as well as an exclusive MOTU Origins She-Ra with rooted hair) could be ordered by anyone either through the Power-Con website or through Big Bad Toy Store.
So what’s this Lords of Power business? Back in 2017, a rather incredible set of pictures surfaced, showing early Masters of the Universe prototypes, which were called “Lords of Power” at the time. Shared by Andy Youssi (son of freelance display artist John Youssi) these images come from a collection of slides set in a View-Master-like apparatus. The prototypes were in several cases quite different from the final toys, and were designed by Mark Taylor and sculpted by Tony Guerrero. You can read all about it in the article I wrote about it at the time.
The packaging for the set was gorgeously illustrated by Axel Giménez with colors by Nate Baertsch. It ships in a brown external box, with a scene on the front inspired by promotional artwork by Errol McCarthy. The illustrations on the back are a nod to cross sell artwork by Alfredo Alcala that appeared on the backs of the first four minicomics. Jukka Issakainen notes that the poses of the five characters are also loosely based on Mark Taylor’s original B-sheet concept art.
The internal packaging is based on vintage action figure carrying cases. The front of the packaging is a color version of the front of the brown mailer box:
The back of the packaging shows the other three figures included in the set:
Inside the case, the figures are set in clear plastic inserts, in battle poses. I couldn’t quite capture them adequately on camera due to the reflection from the plastic, so here is a promotional image from Mattel:
The artwork inside is a homage to various panels from the original Alfredo Alcala/Don Glut minicomics. Beast Man’s pose in packaging is even based on that material:
The vehicle in Man-At-Arms’ section is based on on old Mark Taylor prototype vehicle, designed before he brought in Ted Mayer to design vehicles like Battle Ram and Wind Raider:
The bottom of the case features credits for the various toy and packaging designers who worked on this project:
And now, on to the figures!
With He-Man, we’re essentially getting a repaint of the 2019 SDCC exclusive release, but without the boot knife and with fewer extras. For all of these figures there are a few liberties taken compared to the source material. The concept He-Man referenced was a bit paler than the mass produced He-Man, but he wasn’t quite this pale. He had a rather different axe (which was ported over from an earlier He-Man prototype that featured a horned helmet) and a closed left hand and no bracer on the left wrist. Otherwise the colors of his costume here are spot on. The head on this He-Man is probably the most authentic-looking He-Man head in the MOTU origins series so far.
Skeletor features a few new parts compared to the 2019 MOTU Origins release – he has an all-new head based on the “rotting face” original Skeletor prototype. He also has shin guards that appeared both in the prototype and in Alfredo Alcala-illustrated minicomics. The bat on his armor is painted yellow/green, which follows from both prototype and concept art. Unlike the prototype, this Skeletor features finned forearms (an oversight I assume – smooth forearms were already tooled for some of the Masters of the WWE figures and could have easily been used) and bare three-toed feet (the concept had bare five-toed feet). He has paler skin compared to the retail release MOTU Origins Skeletor, which in my opinion is an improvement.
Man-At-Arms is a fairly close representation of the prototype source material overall. He has newly sculpted chest armor with “fur” around the sides and a closed back, just like the prototype. The helmet is a pretty good representation of the prototype, minus a few stray paint details. His face is based on the vintage toy, where the prototype’s face was actually quite different. He reuses the left hand from Man-E-Faces to represent the extended orange armor on the prototype’s left hand. He also includes the large mace that was originally sculpted for the Masters of the Universe Classics Man-At-Arms. He includes a boot knife, which wasn’t in the prototype but was included in Mark Taylor’s original concept art.
Beast Man is quite different from any version of the toy that’s been released, past or present. The Lords of Power slide set was the first time we had seen a physical representation of the design. It’s based on very early Mark Taylor concept art for the character, which seems to have been made with reuse of the Big Jim Gorilla in mind (ultimately it wasn’t used for the prototype).
The overall colors and costume design for the Power-Con release are quite close to the prototype. The main liberty taken is with the feet, which are the quite flat, detail-free feet used in the retail version of MOTU Origins Beast Man. The prototype, by comparison, had sculpted toes. Additionally, the proportions of the prototype head were somewhat different, but the head on the Power-Con release gets the idea across.
Of all the figures in this set, I was the most excited for Mer-Man. We knew of this version from childhood because it appeared prominently in the original Alfredo Alcala minicomics. This concept design has long been one of my favorites, along with the cross-sell art version of Mer-Man, which was a modified version of that original concept. The Power-Con release, sculpt-wise, is quite close to the prototype. There are only a few minor differences.
The first difference is in the hands, which have five fingers rather than four, and reuse He-Man’s hands rather than Skeletor’s (I assume because He-Man’s left hand has flat, splayed fingers, so at least the pose of the original prototype can be replicated).
The armor is also a bit different – the detail over the shoulders seems like a nod to the vintage figure design rather than the concept design. The trunks are the smooth style reused from the Masters of the WWE line. The original had scales all around – this version for some reason has what looks like bubbles printed front and back. Printed scales would have been more appropriate. The original prototype also seems to have had darker coloring throughout the armor.
The difference that stands out the most is the coloring – it’s a dark blue-green, which may be a nod to Mark Taylor’s original B-sheet art. The original prototype had a much lighter blue-green color. Still, he’s a quite striking and beautiful figure (I nitpick my favorite figures the most):
This set certainly wasn’t cheap – as you may know, exclusives are produced in far lower numbers than retail figures, which drastically drives up the cost per figure. Still, if you’re a big fan of early prototypes and minicomics, these are a must have. This was the kind of figure I had in mind when the line was announced (like many others, I had the idea that “MOTU Origins” was a reference to early concept/minicomic designs, especially since the first two figures released in the SDCC two-pack were in that style). A suggestion for a future set: Oo-Larr, Sorceress (aka “Green Goddess”), blonde Teela, red Beast Man, and tan Stratos! A full “Alcala” style Skeletor would also be great!
I hope you enjoyed the review – here are some additional shots to close things out:
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The MOTU Origins line was originally slated to appear on Wal-Mart toy shelves in the fall of 2020. However some figures have already started appearing on Wal-Mart’s website, although finding them in stock seems almost impossible as collectors and resellers are picking them off as soon as they appear in stock.
Mattel released preview images of the figure several months back. That version had a few differences from the production figure. Those differences included: purple trunks (like the early 1982 release of Skeletor), airbrushed green face paint, and odd purple “socks” that extended up beyond his boots.
The mass produced figure fixed the odd “socks” and gave him black trunks (like the vintage Skeletor figures released later in 1982 and beyond). They also gave him paint masked green highlights on his face, rather than the soft airbrush look. Another new addition to the production figure is a series of black lines around his mouth representing the gaps between his teeth, which were also a feature of the vintage figure:
As you can see, this Origins representation of Skeletor is a pretty faithful recreation of the vintage Skeletor figure, albeit with an open mouth and of course a great deal of new articulation. He also has a great deal more red in his eyes:
Skeletor reuses quite a few parts from Origins He-Man, including the thighs, trunks, chest, and upper arms. He also features a new half-sword, which is the one departure from the vintage Skeletor – it’s based on the minicomic version of the sword, rather than the vintage toy. It fits together neatly with the half sword that comes with the retail release of MOTU Origins He-Man (look for a future review of this figure), although I had to dip the swords in hot water first to straighten them out:
The packaging is based on the classic red and blue “bursting rocks” card from the original 1980s line. The artwork on the back is by Axel Giménez and Francisco Etchart.
The figure is packed with a six-page minicomic entitled Beast Barage. The story is about a plot to kidnap Prince Adam, which is foiled by the heroic warriors. Apparently one new comic will be packed in with each wave of figures.
Interestingly, my Skeletor figure came with the above minicomic, but my 2020 He-Man figure (to appear in a future review) came with a revised version with different cover art and a corrected typo in the story:
As a vintage collector, the new MOTU Origins line is right up my alley. Skeletor especially is a joy to look at and to pose with his vibrant colors and vintage look. Given the interchangeability of the parts in these figures, I hope that future releases will include all kinds of variant heads and boots and other parts for us obsessive collectors to use to create our favorite incarnations of these characters.
I don’t seem to recall much about Terror Claws Skeletor from childhood, but he’s certainly one of the most flamboyant of the Skeletor variants released over the years. He’s often referred to by fans as “sports bra Skeletor”, but his armor, in fairness, is more like the 80s muscle shirt modeled by “Macho Man” Randy Savage, below:
Design & Development
Terror Claws Skeletor was, I believe, designed by Alan Tyler. In the Power and Honor Foundation catalog (below), we can see an early concept design showing how the figure’s action feature would work:
The design on the above armor is reminiscent of the bat design on Battle Armor Skeletor. The armor design would be altered on the final figure, however. We can see it represented (in unpainted form) in David Wolfram‘s Tyrantisaurus concept art, below:
The cross sell artwork for the figure represents the finalized design:
This interesting test test shot (photos by Mike Holbrook) shows the figure with light flesh tone skin and an orange and white costume:
Terror Claws Skeletor was trademarked on June 14, 1985, and the copyright for the figure was registered May 19, 1986.
Terror Claws Skeletor was the first Skeletor variant to have almost entirely newly sculpted parts. He has newly designed legs with much larger toes (Laser-Light Skeletor would use the same basic foot shape in its design) and ball-jointed legs. His armor (painted a light metallic purple is a part of his chest sculpt. His arms are based on previous Skeletor arms, but the hands and forearms were modified him to allow him to wear his Terror Claws.
Terror Claws Skeletor was released on an oversized card with an illustration on the front by William George. It was advertised as the “5th Anniversary Collector’s Edition”, which is interesting because Masters of the Universe to my knowledge was launched in 1982, four years earlier. However, some fans have theorized that MOTU actually was launched in late 1981, base on their memories. That’s also backed up by an old audio interview of Mark Taylor. I haven’t found any documentary evidence to really support that MOTU came out in 1981, but this is nevertheless something interesting that at least points in that direction.
The back of the card featured an illustration by Errol McCarthy, and illustrated the figure’s arm-swinging action feature:
The figure was also released in a gift set with Flying Fists He-Man, featuring artwork on the front against by William George:
In the figure’s accompanying minicomic, The Terror Claws Strike!, Spikor is commissioned by Skeletor to create a new weapon. The claws themselves look more or less like the toy (albeit with longer, segmented fingers, similar to those in the concept art), but the “beastly pincher” looks plain and mechanical, not like the skull weapon that came with the toy. Skeletor’s costume is also based on his animated look, rather than the actual Terror Claws figure.
The Terror Claws also appear in Escape From The Slime Pit. In the story, a slime-covered and brainwashed He-Man shows up to destroy Skeletor:
A rather comic depiction of the Terror Claws appears in the May 1, 1986 issue of Star Comics Masters of the Universe series. In the story, the “claws” look like floppy blue gloves:
Update: Øyvind Meisfjord mentions that a better illustration of the Terror Claws appears in a later issue of the Star Comics. He shares these images from his Norwegian copy:
Terror Claws Skeletor struggles with Flying Fists He-Man for the Cosmic Key in this (as far as I know) unproduced illustration by William George
They also appear front and center in William George’s Eternia poster:
They also appear on the box art for the Eternia playset, also illustrated by William George:
The figure also appears illustrated in this sticker from Spain:
Terror Claws Skeletor in Action
Øyvind Meisfjord has kindly contributed the following images and video of Terror Claws Skeletor in action: