In collaboration with Club Masters del Universo and Yo Tengo El Poder, and in celebration of the 35th anniversary of Masters of the Universe in Spain, I’d like to present the first Mattel/Congost dealer catalog, dating from 1984. Images come courtesy of Dani Ramón Abril. All of the photos in the catalog were taken in Spain, with the exception of the Attak Trak photo, which was originally taken for the 1983 US Mattel catalog. The catalog largely focuses on first wave figures and vehicles. Although those toys were first released in the US in 1982, this was their debut in Spain, so Mattel/Congost started with that wave. The only exception is Attak Trak, which in the US was a “wave 2” vehicle
The photos themselves include lots of great rocky dioramas, with a bit of fog to give the scenes some extra mystery and drama, making the figures seem larger than life in their Spanish market debut.
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Battle Punch He-Man was the first He-Man variant in the “New Adventures” reboot of the He-Man series. The name “Battle Punch” implies some kind of action feature, although the figure had none. He did have some unusual articulation that was marketed as a kind of action feature, but I’ll get into that just a bit later.
Design & Development
Battle Punch He-Man seems to have been designed by Mark Taylor, who also designed the original He-Man released in 1982. Shortly after the successful launch of the original Masters of the Universe toyline, Mark left Mattel (eventually working on the wildly successful Teenage Mutant Ninja Turtles toyline), but he returned as a vice president at about the time that New Adventures line was going full steam.
Mark Taylor’s design (above) has some of the broad elements that made it to the final toy, including the specific look of the boots and the sash around his torso. However, Mark’s design seems to depict a rather disheveled He-Man, with torn clothing and gauze wrap around his fists. He looks like a street fighter rather than a space fighter.
In some ways, Battle Punch He-Man is actually closer to the look of He-Man as he appeared in the Jetlag New Adventures of He-Man animated series than was the 1989 release of He-Man. That might have been coordinated, as the New Adventures series was released the the year before Battle Punch He-Man. The animated version essentially looks like Battle Punch He-Man with the sword (and occasionally, shield) of the 1989 release, but in gold.
Update: Dušan M. pointed out that this promotional art for The New Adventures of He-Man is even closer to Mark Taylor’s sketch. He also pointed out that the series debuted in 1989, not 1990:
Update #2: Robert Barbieri recently uncovered some early Jetlag animation concept artwork that was based on Mark Taylor’s concept. Note that this version has the traditional power sword:
We can see the further development of the figure design in the artwork below (artist unknown), first shown in Mattel’s 2009 SDCC Art Book. The concept art below is pretty close to the look of the final figure, with the exception of the shield. The shield has a stylized bird design on it, while the production shield would have the “New Adventures” He-Man triangular logo on it as as well as some sculpted battle damage.
He-Man was given a new power sword as well, with an asymmetrical hilt design.
Some similar artwork appears on these French party invitation cards, shared by Øyvind Meisfjord:
The cross sell artwork for the figure shows the finalized design that would be used for the mass-produced toy:
We can see the final hand-painted prototype for the figure in Mattel’s 1990 dealer catalogue:
Production Figure
Battle Punch He-Man is slightly bigger and bulkier compared to the 1989 version. He has some of the same standard articulation that most figures in the series had, including ball joints at the knees and hips. His main feature, however, was a diagonal articulation joint across his chest, which allowed you to manually wind him up for a punch (there was no spring-back action, so the entire action was manual), while making the figure look completely bizarre in the process. Used subtly, however, the articulation can slightly alter his pose and posture in useful ways.
Something has gone horribly wrong
The figure also featured a more pragmatic bit of articulation – a hinge joint at the wrist, allowing him to realistically hold his sword aloft for the first time.
Unlike the 1989 He-Man release, this version has a sculpted pony tail, which conforms to the Mark Taylor concept art as well as the animated depiction.
Packaging
The packaging for Battle Punch Figure features artwork on the front by (I believe) William George. I’m not sure who did the art and instructions on the back.
The back of the card includes a bit of a bio for Battle Punch He-Man:
The most powerful man in the universe! Only He-Man, with his ultra-energized sword and shield, can defeat Skeletor’s new weapons – the Disks of Doom. A stranger stranded in a strange place and time, He-Man has a lot to learn about the future world of Primus. And, the gentle people of this peace-loving planet have a lot to learn about the evil of Skeletor from He-Man.
Mission – To unite the Tri-Solar System against Skeletor and lead a star-legion of Galactic Guardians into combat to defend the last great civilization of mankind.
Battle Equipment: Powersword & Energy Shield
His backstory is all relatively straightforward. There is no explanation for why his power sword and shield looks so different compared to the previous release. Also on the back are the the instructions for his “action feature”:
I can’t imagine any kid had hours of fun playing with that particular feature, but I do think in terms of his overall costume design he is the best looking of the three “New Adventures” He-Man figures.
Other Appearances
Petteri Höglund helpfully pointed out that Battle Punch He-Man appears in the box art for several New Adventures oversized items, as well as on the cover of this promotional VHS tape:
Image courtesy of Petteri Höglund
Unfortunately I haven’t identified a lot of media associated with this variant. If I come across any comics or additional catalogs featuring the figure, I will certainly update this piece to include them.
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Name: Battle Bones Faction: Heroic Warriors/Evil Warriors Approximate US release date: March 31, 1985
Battle Bones is pretty unique among every other official Mattel release for the vintage line. It rides the line between an in-world beast and a fourth wall-breaking collector case.
I believe I got Battle Bones as a birthday present along with Night Stalker in the fall of 1985. Both of them were a complete surprise – I hadn’t heard of either toy before unwrapping them. I was pretty happy with both toys, although of the two Battle Bones was a bit more fun, simply because I could fit nearly all my figures in it. And of course I made Battle Bones “eat” plenty of bad guys along the way.
Design & Development
Battle Bones was designed by Ed Watts, who also designed Dragon Walker. Watts’ concept at (below) is very close to what was actually produced, although the body was elongated, a handle was added on the back, and the teeth, eyes and horns were somewhat modified:
Image Source: Dark Horse/The Power and the Honor Foundation
According to The Power and the Honor Foundation Catalog, one proposed early name for Battle Bones was “Dem Bones”. That name actually ended up in this Toy City ad, which appeared in The Ottawa Citizen, Saturday October 5, 1985:
A patent was filed for the toy on December 14, 1984. The inventors are listed as Michael W. Barbato, Tony Rhodes, and Edward W. Watts. Watts of course did the visual design, but apparently the concept was created by all three. From the abstract:
A holder for animated figures in the form of the simulated skeletal structure of a prehistoric beast, including a simulated rib cage having clip members at the extremities thereof. Each of the clip members is configured for frictionally retaining an animated figure toy at a portion of its anatomy, particularly the waist. The animated figure holder is provided with a handle for carrying, and includes a skull configured to provide storage space.
Production Toy
The production toy was shipped partially disassembled, requiring a few screws and a screwdriver in order to connect the handle and the front and back halves of the body.
Image source: Battlegrip.comImages via He-Man.org and Battlegrip.com
The toy can fit a total of twelve figures on clips on the ribs, six to a side. Like Stridor and Night Stalker, it’s mostly unarticulated, save for a hinge joint on the mouth, where accessories can be stored. The figure was cast in an off-white color, with no additional paint applications.
Argentinian manufacturer Top Toys apparently released a painted version of the toy, with a stripe of dark gray paint down the middle of the back and head. It’s known as “Camo Battle Bones” as a reference to “Kamo Khan“, but there doesn’t seem to be a lot of information about it.
Images via He-Man.org
Packaging
The box art for Battle Bones was illustrated by William George. Two separate scenes are depicted on the front of the the box – one with Battle Bones acting as a carrying case, with Evil and Heroic Warriors clipped in, and one with the figure transporting characters into battle:
As depicted in the box art, Battle Bones could be used by either heroic or evil warriors. That idea is fleshed out more in the minicomics, and repeated in a 1985 poster by William George (featured later in the article).
Advertisement & Catalogs
Battle Bones was of course featured in Mattel’s own catalogs, but also advertised by a number of different retailers:
Image source: Steve MacrocraniosImage Source: Super Shogun
Image source: He-Man.org
Minicomics
Battle Bones’ backstory is laid out in Skeletor’s Dragon, a minicomic that came packed with Dragon Blaster Skeletor. In the story, Skeletor raises a buried pile of dinosaur bones to life, and forces the undead creature to do his evil bidding.
Eventually the Sorceress frees Battle Bones from Skeletor’s spell, and we learn that the creature is good, not evil. Battle Bones speaks to the Heroic Warriors, delivering a surprisingly poignant backstory:
In the minicomic, The Stench of Evil, Battle Bones is chosen by He-Man to go up against Stinkor, because Battle Cat wouldn’t be able to stand the smell:
Magazine
Battle Bones appears in a 1985 German MOTU Magazine, which used photos and dioramas to tell stories:
Source: He-Man.org
German Audio Stories
Battle Bones makes an appearance in the 1986 Europa audio story, “Skeletors Sieg”:
Image courtesy of Jukka Issakainen
Stamp Case & Knock-Offs
HG Toys produced an adorable miniature Battle Bones Stamp Case for holding the various MOTU stamps that were released over the years:
The case was later bootlegged (with some slight modifications) as the Creepy Crawlers “Goop-A-Saurus”.
Artwork
Battle Bones appeared in a couple of posters that, like the box art, were illustrated by William George:
Image Courtesy of Jukka Issakainen
Image courtesy of Jukka Issakainen
Battle Bones also makes appearances in posters made available to members of the UK MOTU Fan Club:
Image source: He-Man.orgImage Source: He-Man.org
Battle Bones in Action
Øyvind Meisford contributed the following image and video of Battle Bones in action:
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Name: Tyrantisaurus Rex Faction: Preternia/Snake Men/Evil Warriors Approximate US release date: March 14, 1987
Although I missed most of the 1987 wave of Masters of the Universe figures, I did happen to catch Tyrantisaurus Rex. A remember being at a friend’s house, and he showed me his new purple cyborg dinosaur that could shoot a green drone from its belly. At the time I had moved on to G.I. Joe, but I thought it was a pretty cool looking toy. I actually happened upon the figure again, years later at a university reptile show intended for kids. There was a table full of dinosaur toys, and there in the heap was Tyrantisaurus.
Design & Development
The earliest design artwork for a MOTU T-Rex comes from Alan Tyler. His take on the concept is quite different from what followed. The design below doesn’t have any external cybernetic parts. Aside from the pop out opening in the back, it looks like a fairly realistic tyrannosaurus. The “drone” is actually an organic creature instead of a mechanical one.
Image source: The Power and the Honor Foundation
At some point the concept was turned over to David Wolfram. This was actually David’s first project for Masters of the Universe. As he explained in my interview with him:
I was in my last term at Art Center College of Design, and had a fairly light schedule, so I checked into freelance opportunities offered through the job placement department at AC (I can’t remember exactly what they were called), and saw an opportunity to work on a project for Mattel.
I went to Mattel, and met with Martin Arriola to discuss the project, which happened to be a dinosaur project for MOTU. Coincidentally, at my drawing board I had a small black and white TV, and as I was working on my school projects, I would always watch the afternoon MOTU cartoons, so I knew the property, plus I had a lifelong interest in dinosaurs, so I jumped at the opportunity. I worked on this project on a freelance basis until graduation, then I started working in-house at Mattel as a temp, which is the back door way that many people end up working there.
Here is my concept drawing for Tyrantisaurus Rex. It originally started out as a heroic vehicle, but marketing begrudgingly made the decision that it would be better suited for Skeletor.
David Wolfram
Image courtesy of David Wolfram
The above illustration by David Wolfram, dated November 21, 1985, is very close to the look of the actual production toy. The only obvious difference is the color of the gun, which is gray in the concept art.
Production Toy
We can see the translation of the concept design into mass-produced toy below, first in the cross sell artwork (a nearly photo-realistic drawing of the figure) and in the mass produced toy below.
Tyrantisaurus Rex cross sell artwork. Image source: The Art of He-Man1987 Mattel retail catalog. Image source: Orange SlimeSource: He-Man.it Forum
A hatch on the back of the figure opens up to allow an action figure to sit. A hatch on the stomach stores the “Dyna-Drone” (a wind-up spinning toy), which can be launched from the figure’s belly. There is a removable blue gun that attaches to the dinosaur’s right shoulder, and the mouth is articulated.
Packaging
The box art on the front of the packaging was illustrated by Warren Hile, who also worked on the Bionatops and Turbodactyl packaging:
I don’t know who did the artwork on the back of the packaging, but I’ve transcribed the backstory:
Travel back in time through a secret time portal-and discover the ORIGIN of THE POWERS OF GRAYSKULL! Learn how He-Man became so strong! And explore the magical world of Preternia – home of HE-RO, the Most Powerful WIZARD in the Universe!
Monstrous dinosaurs and fierce giants – both good and evil – struggle violently for control of this strange & hostile land! The dinosaurs in the time of HE-RO – Tyrantisaurus Rex, Bionatops and Turbodactyl – each posess a fantastic mechanical power. Can HE-RO master all the good magic of the Ancient Wizards and protect future Eternia from forever falling into the claws of evil?
Look for He-Ro and the Powers of Grayskull coming your way in 1987!
He-Ro was never released of course, although a replica of the unproduced figure will be available in 2019 from Super7. The giants mentioned in the text were Tytus and Megator, which ended up being offered for sale in Europe in 1988, but not in the US. Tyrantisaurus is depicted on the back and front of the box as being ridden by King Hiss, which was also the case in the minicomics, as we will see later.
There is also this profile of Tyrantisaurus Rex on the back:
Tyrantisaurus Rex: Profile: Most Terrifying Dinosaur in the land of Preternia Special weapon: Hidden Dyna-Drone bursts out of Belly! Bowls Over Enemies! Origin: Related to the Ferocious Tyrannosaurus Rex from Pre-Historic Earth!
The 1987 Style Guide had a similar description of the character
Comics & Stories
The Powers of Grayskull: The Legend Begins was to be the first of a “3 part saga.” Unfortunately with the cancellation of the line, the next two parts were never published. In the story, Skeletor followed He-Man and Sorceress back in time to ancient Preternia, where he allies with King Hiss and causes trouble. A battle ensues, with a disguised He-Man riding Bionatops and King Hiss on Tyrantisaurus.
Source: Dark Horse
In Journey To Preternia, in the 1987 Spring issue of MOTU Magazine, Skeletor and He-Man accidentally travel through a time portal, and end up allying with their respective dinosaurs and hashing things out in a predictable way. In this story, there are multiple Tyrantisauruses.
The Summer 1987 MOTU Magazine also had a story featuring multiple Tyrantisauruses:
Source: He-Man.org
Tyrantisaurus is colored green and presented as belonging to the Evil Horde in the He-Man newspaper comic series (thanks to Dušan M. and Øyvind Meisfjord for the heads up!). Once again we see multiples of the fearsome cyborg T-Rex:
The creature is also green in issue 3 of the 1987 UK MOTU comic series, again with a green color scheme. In the story, Tung Lashor refers to it as a “Warsaur”, which might be an early working name for the creature (thanks to Petteri H. for the tip).
“Warsaurs”
Artwork
Tyrantisaurus was featured on two covers of the US Masters of the Universe Magazine, which were illustrated by Earl Norem:
Source: He-Man.org Source: He-Man.org
William George also illustrated the dinosaur in his Preternia poster:
Image source: Jukka Issakainen
Errol McCarthy illustrated the figure for a T-shirt design (again in green, like the newspaper comic):
Source: He-Man.org
Tyrantisaurus is one of the cooler looking beasts of tail end of the line. Because he was produced in limited quantities, he’s quite pricey these days, but a must-have for any aspiring Preternia collector.
Image source: Grayskull Museum
Tyrantisaurus in Action
Øyvind Meisfjord has kindly shared the following image and videos of the Tyrantisaurus Rex in action:
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