Heroic Warriors

Thunder Punch He-Man: Heroic leader with loud power punch (1985)

Written by Adam McCombs

Name: Thunder Punch He-Man
Faction: Heroic Warriors
Approximate US release date: August 8, 1985

Thunder Punch He-Man was the “deluxe” version of He-Man that everyone in my grade school peer group coveted. The counterpart to Dragon Blaster Skeletor, Thunder Punch He-Man had a new and exciting action feature – you could load a ring of caps (of the kind typically used in toy revolvers of the era) into his backpack, twist his waist back, and he would spring forward with a power punch and a loud bang. It was quite the upgrade over the power punch feature typical of the line.

There were actually two commercials for Thunder Punch He-Man. The first was quite in line with the style of most MOTU commercials from 1982-1985, Gregorian chant and all. The second features an unfortunate attempt at making He-Man cooler by adding a rap:

Design & Development

I’m not sure ultimately who created the visual look for Thunder Punch He-Man. The idea for giving He-Man the action feature may have begun with Roger Sweet, who created this illustration using the standard Mark Taylor He-Man visual design (but with the updated HM symbol on the chest, from the Battle Armor variant):

Image source: The Power and the Honor Foundation

There is a second piece of concept art related to Thunder Punch He-Man, below. The artist is unknown unfortunately (I checked with both Ted Mayer and Mark Taylor, and neither know who might have drawn it). The Thunder Punch costume is certainly recognizable. The shield is round, unlike the production shield, but it does look like caps are integrated into it somehow. Interestingly, He-Man is given an articulated jaw in the illustration below. Update: the concept art below is not for actual figures, but rather for a cardboard store display. A big thanks to Emiliano Santalucia for the correction!

Image source: Tomart’s Action Figure Digest

On January 3, 1985, Mattel filed a Patent Claim for Thunder Punch He-Man’s action feature. The inventors are listed as Larry H. Renger and Mike T. McKittrick. The gist of the design is that when the torso was twisted back, a spring loaded hammer inside the chest would cock. Upon releasing the torso, it would twist back to center and the hammer would be released, striking against the cap loaded in the backpack and making a loud bang sound to coincide with He-Man’s punch.

A close to final design for the figure can be seen in the cross sell art for the figure, as shown below. Really the only difference here from the production figure is that this one is shown with a gray sword and silver shield, while the actual figure was produced with a gold sword. Some versions had a vac metal silver shield, and others had a vac metal gold shield:

Cross sell art closeup, from The Art of He-Man

Action Figure

From Mattel’s 1985 dealer catalog

Silver shield version

Sculpt wise, the figure featured all new parts apart from the head and sword. The legs were based on the original, but he was given bigger feet to make him more stable. The sculpt unfortunately on the arms and torso is a bit soft and unfinished looking compared to the original. Befitting his action feature, his right fist is closed, ready at any time for a thunder punch. He also has painted bracers, something previous versions didn’t get.

His boots have white fur tops, which was actually how He-Man had been previously illustrated by Rudy Obrero and R.L. Allen. Earl Norem would occasionally depict him like that as well:

He has a new harness design, sculpted onto the chest rather than as a separate piece. He keeps the “H” logo that first appeared on Battle Armor He-Man, and which also appeared on the side of the Dragon Walker and on Flying Fists He-Man. The symbol looks like a blend between an H and an M.

His power sword can fit in his shield, but the shield can also be used to carry a ring of caps.

Packaging

Thunder Punch He-Man came on an oversized card, with art on the front by William George, and art on the back by Errol McCarthy:

Line art by William George. Image source: He-Man.org

Artwork by William George, image courtesy of Jukka Issakainen
Line art by Errol McCarthy. Image source: He-Man.org

Errol McCarthy also made several other illustrations featuring Thunder Punch He-Man:

The figure came with two rings of caps, but you could also purchase more He-Man branded caps on a separate card (made by Larami). The figure would work with any brand, as long as it was the same size and formation (images via He-Man.org):

Thunder Punch He-Man was also released in two gift sets – one with Orko and one with Roboto.

Style Guide

The 1987 Style Guide makes mention of He-Man’s thunder punch power, as well as his Battle Armor and his Power Sword:

Weapons: His Sword of Power is fused with the combined wisdom and strength of all ancient Eternian Elders. The Battle Armor designed for him by Man-At-Arms allows him to withstand the mightiest blows of battle and the special gift from the Sorceress allows He-Man to deliver a punch so powerful, it creates a thunderous boom that strikes fear in the hearts of all who are evil and helps He-Man blast through barriers of all kinds.

1987 Style Guide

Comics and Stories

The figure came packed with the minicomic, The Treachery of Modulok, which also came with Modulok, of course. In the story, when Prince Adam transforms to He-Man, he finds himself wearing his new Thunder Punch costume. The Sorceress explains that it’s a gift from Castle Grayskull. Later in the story, he uses his new power to punch through Hordak’s force field and stop Skeletor in his Land Shark from reaching Castle Grayskull:

Thunder Punch He-Man appears in the 1986 winter issue of Masters of the Universe Magazine, using his punching power to make a shortcut through Hordak’s maze:

Artwork

Thunder Punch He-Man appeared on a couple of posters by William George, in Joe Chiodo’s box art for Mantisaur, and in the box art for Monstroid (artist unknown):

Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by Joe Chiodo
Artist unknown

Thunder Punch He-Man to me isn’t the most visually exciting of the He-Man variants, but his action feature was one of the most fun to play with in the vintage MOTU line.

Thunder Punch He-Man in Action

Øyvind Meisfjord has graciously contributed the following image and video showing Thunder Punch He-Man in action:

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Evil Warriors

Saurod: Evil ‘Spark-Shooting’ Reptile (1987)

Written by Adam McCombs

Name: Saurod
Faction: Evil Warriors
Approximate US release date: August 8, 1987

I didn’t see the 1987 Masters of the Universe Movie (or really know anything about it, other than one was made) until probably the early 90s, when I saw it on TV. Even though I considered myself too old for toys at the time, I still felt a little affronted that the designs of the main characters had been changed so much. Despite myself, I stayed for it and watched the whole movie. It was actually a pretty fun little film. As an adult I can really appreciate the beauty of the new designs, even if I might question the wisdom of straying so far from the source material.

Of the newly introduced characters, Saurod was undoubtedly the coolest. What’s not to like about an armored lizard man that can shoot sparks from his mouth?

Design & Development

Saurod was designed for the movie by William Stout. Stout actually went through a number of lizard/dinosaur designs, and several were closer to beasts than to anything humanoid. All of his designs below are, in my opinion, gorgeous:

Image source: MOTU Art Facebook Page
Image source: MOTU Art Facebook Page

Stout’s lizard concept evolved into a more upright, human-like creature, initially with minimal armor and a muscular build:

Image source: The Power of Grayskull documentary, via Dušan M.
Image source: The Power of Grayskull documentary, via Dušan M.

The character continued to evolve to include a helmet and mask design, body armor, and slimmer build:

Image source: The Power of Grayskull documentary, via Dušan M.
Image source: The Power of Grayskull documentary, via Dušan M.

Claudio Mazzoli took Stout’s design (above) and turned it into a full-color painting:

Image Source: The Art of He-Man

The costume continued to evolve until the nearly final movie look, pictured below:

Image source: MOTU Art Facebook Page

The costume for the character (played by Pons Maar) was exquisitely detailed and quite convincing, even given the low budget for the film:

Image source: He-Man.org
Image source: He-Man.org
Saurod had retractable claws in the movie.

Sadly, in the Movie, Saurod didn’t get a lot screen time. Skeletor destroyed him as an example after his henchmen failed to recover the Cosmic Key:

Image source: He-Man.org

Mattel translated the movie design into an action feature, which was released in 1987. The prototype, shown below, is very similar to the final figure, except for the gun which is smaller and silver rather than black. They eyes are also round with white pupils:

Image via Grayskull Museum

The cross sell artwork was apparently based off of the prototype, as it features the same silver gun:

Toy & Packaging

The final toy was produced in a metallic bronze plastic, similar-looking to that used on various figures in the New Adventures of He-Man toyline (especially Hoove). The figure is sculpted with all new parts, just like the other two movie figures. Because he’s so radically different-looking from most other MOTU figures, he can look out of place on the shelf, but he does seem to fit well with late designs like Blast Attak and Laser Light Skeletor.

Saurod can have varying degrees of a dark overspray on the armor. Sometimes it’s barely present, and other times it’s applied very liberally:

The details on the sculpture seem quite soft, especially compared to the movie costume. It does have quite a fun action feature – pushing the lever on the figures back causes sparks to shoot out of the mouth. The movie character, however, didn’t have this ability (he did have retractable claws). On the back of the packaging, the sparks are called out as a “laser”, although in the commercial he is said to shoot lightning from his mouth.

I presume the artwork on the front of the card was done by Bruce Timm, who did several similar pieces. The art on the back was done by Errol McCarthy.

Errol McCarthy original line art. Image source: He-Man.org

Saurod, along with Megator, was the last figure of the original MOTU line that Mattel filed a trademark on – April 27, 1987.

Comics and Stories

Saurod, Gwildor and Blade were all packaged with the same minicomic: The Cosmic Key. The story doesn’t have anything to do with the movie, however. A cosmic force called the Evil Cloud gives Skeletor evil powers, including the ability to summon Saurod and Blade, and He-Man must call on Gwildor to stop the power of the entity.

Saurod has a much heavier build in the comic than his actual toy had. That makes me think that perhaps at an earlier stage of design, Mattel had planned to with reuse one of the existing heavily muscled body types for the figure.

Update: Javier Peña in the comments noted that some of the panels in the above comic were retraced from “The Terror Claws Strike” (also “The Ultimate Battleground”), illustrated by Bruce Timm. Now Jukka Issakainen has shared this collage he created of the copied panels:

Image via Jukka Issakainen

Some versions of the minicomic actually had the Powers of Grayskull artwork on the back, which would have been the artwork on the front of the cards for He-Ro and Eldor, had they been produced:

Saurod makes a couple of appearances in the US Masters of the Universe Magazine. In the 1987 Summer issue, Saurod shoots actual lasers from his mouth, but is thwarted by Snout Spout:

In the 1988 Winter issue, Saurod and Blade team up with Hordak against He-Man and She-Ra:

In issue 10 of the 1987 Star Comics MOTU series, Saurod shoots out sparks, just like his action feature. They seem to have some kind of venomous quality, as they knock out Man-At-Arms and there appears to be no “antidote.”

Saurod also appears in the November 1987 Star Comics story, The Motion Picture, based on the plot from the film. The artwork replicates the movie designs (or prototype designs) only for the newly introduced characters. Established characters like He-Man, Skeletor and Evil-Lyn are drawn with their classic toy looks:

Saurod also appears in the He-Man newspaper comic strips. Thanks to Dušan M. for pointing that out. Dušan notes: “He’s bit more human-like and carries a flame thrower. Like with some other new characters, the colourist doesn’t seem to have had a proper colouring reference so his colours constantly change.”

Image source: Dark Horse

Advertising

Saurod showed up in a few ads and catalogs, although of course coming at the end of the line he doesn’t appear in all that many:

Image source: Orange Slime

Artwork

Saurod makes an appearance in William George’s Preternia poster, as well as in a movie poster by Earl Norem:

Artwork by William George
Artwork by Earl Norem

Saurod Resurrected

One curiosity: The Saurod costume was actually reused for another film: Star Hunter (1996), a low budget take on the Predator franchise. I learned about this via the Spanish language Blog de Salguero.

Star Hunter, 1996. The external armor is the same, but the pieces underneath have been changed.

Saurod In Action

Øyvind Meisfjord has contributed the following image and videos of Saurod in action:

This is the Italian release of Saurod, which has copper colored armor on its limbs.

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Heroic Warriors

Rio Blast: Heroic transforming gunslinger (1986)

Written by Adam McCombs

Name: Rio Blast
Faction: Heroic Warriors
Approximate US release date: November 5, 1986

Rio Blast is surely one of the most incongruent-looking figures in the Masters of the Universe toyline. From 1982 to 1985, the MOTU line had a certain consistency – barbarian fantasy meets science fiction. Generally the characters looked either like Frazetta-esque warriors and wizards/witches, retro-futuristic techno-men, or animal-human hybrid monsters.

So why all of a sudden a cowboy character? The same year that Rio Blast came out, Mattel put out the Bravestarr toyline, which was essentially a western set in space (Filmation came up with the concept and put out an accompanying cartoon in 1987). Perhaps that had some influence.

Bravestarr. Image Source: Transformers-Universe.com

Design & Development

Rio Blast didn’t actually start out as a cowboy character. The concept, originally called Fire Power Man and designed by Ed Watts, was a villainous figure with a dark black and gold costume. The flip out gun feature was carried over to Rio Blast, but the look ended up being completely redesigned.

Image source: The Power and the Honor Foundation Catalog, Vol 1. Aside from the guns and the mustache, the design looks nothing like Rio Blast.

As noted in the above section from the Power and the Honor Foundation Catalog, this design would be used by Filmation to create the Colonel Blast Character. He was redesigned by the animation studio to better fit in with the Evil Horde:

Image source: Bustatoons

Update: quite a few pieces of concept art recently went up for sale at Heritage Auctions. The artwork is by John Hollis, who did the final design work on Rio Blast. In this concept artwork he’s called “Bionic Space Cowboy.” Hollis tried a number of different looks out, including giving him a mustache, no mustache, a space helmet, no helmet, and so forth.

A rough prototype was created using a Man-At-Arms figure. His head was swapped out for He-Man’s head, and I believe they cast some legs with gun cutouts and painted them brown to simulate pants.

We can see the finalized cowboy design for Rio Blast in the cross sell artwork below:

Image courtesy of Axel Giménez

Production Toy

Despite looking somewhat out of place in the MOTU line, Rio Blast is an impressive-looking figure. He’s well-sculpted and bristling with painted and sculpted detail, with no reused parts from other figures. Clearly Mattel went all out of this one:

As shown above, Rio Blast’s guns can be manually popped out of his thighs, wrists and chest. His four piece “blasterpak” can swing over his eyes, giving him even more guns and a targeting sight.

Packaging Artwork

The artwork on the front of Rio Blast’s card was done, I believe, by Bruce Timm, and the scene on the back was illustrated by Errol McCarthy:

Image Source: La Cueva Del Terror

Characterization & Backstory

Rio Blast was given a relatively elaborate backstory in the 1987 Style Guide:

Power: Has the ability to transform from normal warrior into an awesome arsenal of fire power. He’s the fastest draw in the universe.

Character profile: As the sole survivor of a group of heroic explorers in a starband near Eternia, Rio ended up as the “law” in that lost frontier. Flung by a metero to the surface of Eternia, Rio has naturally allied himself with He-Man in the battle against evil. Though Rio claims he “don’t like to shoot off my own guns,” he is a superb shot and like to remind the other Heroic Warriors of that as often as possible. His style occasionally gets in the way, but He-Man realizes he is an important ally. Unfortunately Rio Blast is nagged by the fact that he has left behind an untamed starband, and he often champs at the bit to get back. He-Man has promised Rio Blast to help get him home as soon as the warriors of Skeletor have been defeated once and for all.

Illustrated by Errol McCarthy

There was also a fact file published in the 1989 UK MOTU Annual:

Image source: He-Man.org

Comics & Artwork

Rio Blast came packed with a minicomic prominently featuring Rio Blast. The story doesn’t really reference the style guide backstory, other than saying that Rio used to be a lawman. In the story, Rio talks with an “old west” Texas accent and uses his guns to foil an attempt by Skeletor’s henchmen to drive some Eternian cattle away.

Rio Blast’s minicomic. Image source: Dark Horse
Original Inks. Image source: Dark Horse

Rio Blast is prominent in the 1987 Winter issue of Masters of the Universe Magazine, where he faces off against Ninjor:

Image source: He-Man.org

He also appears in several pieces of art done for the magazine by Earl Norem:

Rio Blast also shows up in issue 4 and 5 of the 1987 UK MOTU Magazine:

Update: Matthew M. has pointed out in the comments that Rio Blast appears in the November 1986 Star Comics story, Snakes Alive! In the story, we learn that Rio is terrified of Snakes, which King Hiss uses to his advantage:

Rio Blast makes an appearance in both William George’s Eternia box art and Eternia poster:

I was never all that interested in Rio Blast until I got one in hand. He’s now become my favorite Heroic Warrior of the 1986 lineup, despite feeling somewhat out of sync with the rest of the line.

Rio Blast advertising art

Rio Blast in Action

Øyvind Meisfjord has kindly contributed the following image and video of Rio Blast in action:

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Evil Warriors

Ninjor: Evil Ninja Warrior (1987)

Written by Adam McCombs

Name: Ninjor
Faction: Evil Warriors
Approximate US release date: November 27, 1986

Ninjor is perhaps the most G.I. Joe-like figure in the Masters of the Universe series. He certainly feels like He-Man’s answer to Snake Eyes or Storm Shadow. He doesn’t exactly fit with the general science/sword and sorcery motif of MOTU, but then of course by the last couple of years of the line it had become a something of a kitchen sink of ideas. Although grouped by Mattel with the 1987 wave of figures, he was released a little early, in late November, 1986.

Design & Development

Ninjor was designed by David Wolfram. In my interview with him, David had this to say regarding Ninjor:

Early on in my Mattel career , I was given the task to do four figures using minimal new tooling. They were Scareglow Skeletor, King Randor, Ninjor, and Clamp Champ. The four characters had already been conceived of and the concepts sold in, so all I had to do was to make it happen.

Part of that was going through the tooling banks to find parts to add to the appearance of the figures. I did get new tooling for Clamp Champ’s weapon, and for four heads. Hal Faulkner, one of our good outside sculpting vendors, sculpted the heads.

Ninjor was a dead ringer for Lee Van Cleef, who had done some karate or kung fu based show around that time, so we had to change that.

Production Toy

Ninjor cross sell art. Image courtesy of Axel Giménez.

Ninjor came with three weapons – a sword (borrowed from Jitsu), a bow and arrow (borrowed from the Eternia playset) and nunchucks. He also came with a cloth costume that obscured most of his face. He borrows the spring arm action feature from Fisto and Jitsu, which allows him to attack with his sword or nunchucks with his right hand. Jitsu was of course also a martial arts themed figure, although he looked more heavily armored rather than stealthy.

1984 Jitsu figure

The one piece of his design that separates Ninjor from a typical terrestrial ninja is his three-toed feet, borrowed from Dragon Blaster Skeletor.

Packaging Art

The illustration on the front of Ninjor’s card was done by Bruce Timm, while the scene on the back of the card was done by Errol McCarthy:

Original Errol McCarthy line art. Image source: He-Man.org

At one point Mattel was planning to reuse the Ninjor concept to create a white-costumed ninja warrior, making the Snake Eyes/Storm Shadow comparison all the more apt. However, these plans never came to fruition.

Minicomics

As in the card art and in the commercial at the beginning of this article, Ninjor was often portrayed as the nemesis of Clamp Champ. That is also evident in the comic that came packed with Ninjor, The Search For Keldor. In the story, Skeletor summons the “most evil beings from time and space” from another dimension to do his bidding:

In the comic, you can see Ninjor with the arms and legs of He-Man (all in black) rather than Skeletor. That may represent an earlier concept design for him.

Characterization and Additional Stories

The 1987 Style Guide (above, illustrated by Errol McCarthy) characterized Ninjor this way:

Power: Mastery of many martial arts weapons.

Character profile: This awful assassin has come from another world to serve Skeletor. His mission is to eliminate Heroic Warriors one by one, until He-Man no longer has any help in defending Eternia. Ninjor always moves with great speed, skill and silence.

In Masters of the Universe Adventure Magazine issue 9, Skeletor summons Scare Glow and Ninjor. As described in the style guide, Ninjor excels at stealthy attacks. In this issue he is depicted with a purple, green and white costume:

In Star Comics Masters of the Universe issue 7, Skeletor again summons Ninjor, along with Blast Attak. The two don’t immediately hit it off:

In the 1987 winter issue of the US MOTU Magazine, Ninjor makes another prominent appearance, where he manages to elude both Clamp Champ and Rio Blast:

Artwork & Advertisements

Coming so late in the Masters of the Universe line, Ninjor didn’t show up in a lot of artwork, but he was a background character in posters illustrated by William George, Earl Norem and Esteban Maroto:

Artwork by William George
Artwork by William George
Artwork by Earl Norem
Artwork by Earl Norem
Artwork by Esteban Maroto

Errol McCarthy went on to illustrate the character again, this time battling He-Man with his live-action movie costume:

Image source: He-Man.org

Ninjor also showed up in a few catalogs and advertisements:

Ninjor isn’t the most distinctive-looking figure in the world, but he does look rather smart and has some fun features and accessories.

Ninjor in Action

Øyvind Meisfjord has generously shared the following image and video of Ninjor in action:

Want to support the blog? Consider becoming a Patreon supporter. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!