Name: Rokkon Faction: Heroic Warriors Approximate US release date: February 2, 1986
The last Masters of the Universe figures I would ever get as a kid were Rokkon, Stonedar and Modulok, for my birthday in 1986. All three were a surprise, and they were all a bit out in left field compared to the figures I had until that point, which mostly reused the same few basic muscular body types that originated with He-Man, Skeletor and Beast Man.
Image source: Orange Slime
Of the two rock/comet warriors, Stonedar was my favorite, mostly because I liked the cratered surface of his outer shell, as opposed to the quartz-like surface of Rokkon’s shell.
It seems that 1986 was the year of the transforming rock toys. That same year, Hasbro released their Inhumanoids toyline, with the heroic character Granok, who could transform from a pile of rocks into a tall rock creature. Tonka also released their Rock Lords toyline, a spinoff from the GoBots series:
Rock Lords Crackpot figureInhumanoids Granok
These transforming rock toys seem to get regularly panned in articles about 80s toys today (particularly the Rock Lords), but I’ve always liked them. Granok was the only character I owned from the Inhumanoids line, and he was one of my favorite toys growing up. He didn’t make a very convincing pile of rocks, but he was a pretty great-looking rock warrior. Rokkon was kind of the opposite – he made for a very convincing comet or rock, but as a warrior he looked a bit awkward.
Design & Development
Rokkon emerged from a series of designs for transforming rock characters by Ted Mayer. None of the extant concepts below is identical to either Stonedar or Rokkon, but the basic idea is evident:
Image source: The Power and the Honor Foundation CatalogImage source: Tomart’s Action Figure Digest
Both Ted Mayer and Roger Sweet are listed as inventors on the patent application, which was filed January 14, 1986.
Rokkon was sculpted by Eddy Mosqueda, a designer at Mattel. At the Lords of Power Facebook page, Eddy chimed in with the following information and picture:
I sculpted the “Rock-On” figure when I was working at Mattel. I still own a Tooling Copy of it.
Here is a photo of a Rokkon “Test-Shot” in beige that I still own. I’m still going to have to get the Tooling Copy and photograph it when I get it from a box, in a larger box, in a closet, in my basement!
Eddy Mosqueda
Image source: Eddy Mosqueda, shared at the Lords of Power Facebook page
Action Figure
The figure itself has an eye-catching blue, orange, silver and purple color scheme. The cross sell art and early catalog photos of the toy (below) show with without pupils and with a light purple gun:
Image source: Grayskull Museum
The figure has a crystalline outer surface, suggestive of some exotic mineral or outer space rock. Rokkon’s transformation into a rock was achieved simply by posing him in the fetal position. For me the play pattern with Rokkon was to leave him as a boulder until an unsuspecting evil warrior walked by. Then Rokkon would leap into action, getting the best of the bad guy using the element of surprise.
Packaging
Rokkon was initially packaged on a card that proclaimed him a “Young heroic battling boulder.” The front of the card said, “Invincible boulder transforms into master of defense!” However, on subsequent versions, Rokkon was called a “Young heroic comet warrior” and “Invincible meteor transforms into mighty warrior.”
The change may have been made to capitalize on Halley’s Comet, which passed close to the earth in 1986 (thanks to Matthew Martin for pointing out that connection to me). The first version (below, left) features artwork by Errol McCarthy (I believe) on the front, while the second version features artwork by William George on the front.
Image courtesy of Jukka Issakainen
Comics & Characterization:
In the minicomic that accompanied the figure, Rock People to the Rescue, Stonedar and Rokkon would hurl themselves downhill in rock form at their enemies. In this issue they put the hurt on Kobra Khan and Webstor, which is in contrast to later stories that would paint the rock warriors as pacifists.
In Escape From The Slime Pit, the rock people are pacifists who hesitate even to defend themselves from the Evil Horde. In the end they defeat the Horde by dazzling them with their shiny armor – a feature that is also mentioned on the back of the packaging. It’s not the most compelling idea for an attack strategy. It perhaps doesn’t help that the armor on the toy isn’t particularly shiny, making the “feature” feel like something of a stretch.
The 1987 Style Guide described Rokkon this way:
Power: Transforms from mighty meteorite into warrior. As a meteor, he can roll into battle to surprise attackers. His rocky body can deflect laser blasts.
Character Profile: Member of the Comet Warriors, a race from another planet.
EDIT: Thanks to Jukka Issakainen for providing a higher-quality image of Rokkon and Stonedar’s Style Guide page.
There was also a fact file published on both comet warriors in the 1989 UK MOTU Annual:
Image source: He-Man.org
Animation
Rokkon did not appear in the original Filmation He-Man series, but he did make a couple of appearances in She-Ra. As in the Slime Pit comic and style guide, the rock people are characterized as pacifists. They come to Etheria because the star of their home solar system is on the verge of exploding. The comet warriors immediately get into trouble with the Evil Horde.
In the model sheet below, we see that Rokkon’s early working name in the series was Flint. The name may have been changed because of the G.I. Joe character with the same name:
Other Artwork
Earl Norem illustrated both Stonedar and Rokkon for a poster for the winter 1986 Masters of the Universe Magazine, and, as Matthew Martin pointed out in my previous article about Stonedar, the scene is reminiscent of the illustration that Errol McCarthy did for the style guide (or perhaps, considering the dates, it’s actually vice versa).
Rokkon also appears in William George’s Eternia poster:
Image courtesy of Jukka Issakainen
Image source: Steve Macrocranios
Rokkon in Action
Øyvind Meisfjord has kindly contributed the following image and video of Rokkon in action:
Special thanks to Larry Hubbard for providing the Rokkon figure photographed for this article.
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Name: Laser Power He-Man Faction: Heroic Warriors Approximate US release date: None – released in Europe in 1988
Laser Power He-Man was released Italy and Spain a year after the end of the Masters of the Universe toyline in the US. He was a figure most North American fans were not aware of until they discovered it online years later. That was certainly true for me. Because the figure was produced in limited numbers overseas, it’s one of the most expensive vintage He-Man toys to acquire today. (Update: I’m also informed that there was some distribution of Laser Power He-Man in Switzerland. Thanks to Olmo for the information.)
Design & Development
In my interview with David Wolfram, he gave some great information behind the development of the Laser Power He-Man, and his evil counterpart, Laser-Light Skeletor:
Laser light Skeletor and the corresponding He-Man were both done for the international markets. The domestic MOTU line was essentially dead after the 1986 (or maybe 1987, it is hard to remember precisely). Pre-Toy Fair, which was a Mattel-only event held in August in Scottsdale for many years. I remember the marketing person saying that no domestic buyers even wanted to go in the gallery.
However, the international markets were a couple of years behind in their product cycle, so they wanted a few pieces of new news. It just so happens that one of the new MOTU segments we had been looking at was a “Power Crystal” segment with crystals “powering” vehicles, interacting with playsets, etc. The He-man and Skeletor were borrowed from that segment.
While MOTU was tanking domestically, it was still going strong internationally, which was a year behind in the product cycle. This was done to have something new for that market. LISA (the light transmitting plastic) was a fairly new “shiny toy” for the designers at the time, so that was the hook for that segment. I think Martin did the final He-Man design. I frankly don’t remember for what purpose I did that awful He-Man illustration for, but I’m sure that it was after the fact (and most likely rushed), and I’m sorry that it has survived.
David Wolfram
A few things to unpack there. David mentions some artwork that he did for Laser Power He-Man. Martin Arriola was the actual designer of the figure, but David did a study of the character, seen below. The concept has white boots and a kind of white collar at this stage of his design. He has the familiar combined “HM” emblem on his belt, used on figures like Battle Armor and Thunder Punch He-Man:
Artwork by David Wolfram. Image source: The Art of He-Man/The Power and the Honor Foundation
David also mentions a power crystal segment, where crystals would be used to power playsets and interact with toys. We certainly see evidence of that in concept art by James McElroy for various crystal powered vehicles and playsets, and in an early Laser Power He-Man prototype:
Crystal powered capture accessory, by James McElroy. Image source: The Power and the Honor Foundation/Dark HorseCrystal powered Battle Base, by James McElroy. Image source: The Power and the Honor Foundation. Laser Power He-Man is shown with the playset.
There was some discussion of making the He-Man “crystal segment” into an interactive TV series, as noted in the concept art below. Mattel abandoned that idea for He-Man and instead implemented it with Captain Power:
Image source: The Power and the Honor Foundation. Note that we see roughed out Laser Power He-Man and Laser Light Skeletor figures with the “Harm Arm”Captain Power ad. Image source: He-Man.org
The earliest known prototype for Laser Power He-Man keeps the general shape of the concept “collar” piece, but it’s turned into a backpack. His color scheme has a lot more blue in it, which will persist to the production toy.
Behind his head you can see the green crystal that his segment would have been based on. This prototype is a kind of kit bash, with arms from the original He-Man figure, hands borrowed from Rio Blast, and what looks like the original He-Man’s legs, hacked up and straightened out. The face looks pretty close to the original He-Man, but with updated hair.
Crystal-powered Laser Power He-Man prototype. Image source: Grayskull MuseumCrystal-powered Laser Power He-Man prototype. Image source: Grayskull MuseumImage source: Antieternia Facebook pageImage source: Grayskull MuseumImage source: La Cueva del Terror
In the next stage in Laser Power He-Man’s development, we see him with his final, newly sculpted body, which included silver gloves and a smaller belt. The green crystal was removed from his backpack, and some subtle changes were made to his harness. His face has also been modified. Instead of bearing his teeth, he’s been given a more placid expression.
Interestingly, a New Adventures sized version of this early Laser Power He-Man design was created by Mattel, as shown in the was prototype image below. Perhaps Mattel was originally considering using the Laser Power He-Man design as their New Adventures He-Man:
Image via Geeks Antiques
Action Figure
The final Laser Power He-Man figure design has a somewhat simplified harness/backpack design, and a much modified light up power sword design, but otherwise is fairly similar to the previous prototype:
Laser Power He-Man cross sell art, with unpainted gloves.
As with Laser Light Skeletor, the figure’s light up feature is activated by raising his right arm. A wire is snaked from the sword, under the armor on the right arm (which seems to exist only to hide the wire) and into the backpack. The light in the sword is powered by an AA battery that fits in the backpack.
The Italy release (shown below) has the newly sculpted head, which some have speculated is supposed to resemble Dolph Lundgren, who played He-Man in the 1987 Masters of the Universe Movie. Alternatively, it could resemble some actor who might have starred in the (never produced) interactive He-Man TV show. That’s purely speculative – they might not have had any actors in mind for the series.
Looking at this and the early prototype closely, however, I think the most likely interpretation is that it’s just supposed to look like the original He-Man’s face sculpt, but with a more neutral expression and updated hair.
Like Laser-Light Skeletor, all of Laser Power He-Man’s tooled parts are unique to the figure:
Image source: He-Man.orgReplicaReplica figure
Laser Power He-Man was also produced in Spain. The Spanish versions are marked Italy, but they can be easily distinguished by the fact that they use the original 1982 He-Man head sculpt (images and videos courtesy of “NoPatricioNo”):
Image via eBayThe figure has ball-jointed legs, as opposed to the rubber connectors used in most MOTU figures.
Packaging
Laser Power He-Man was sold on an oversized card. There’s some nice artwork on both front and back. The artwork on front appears to be by William George, per Axel Giménez and Jukka Issakainen.
Image source: He-Man.org Image source: He-Man.org Artwork by William George
The card art on the front and back differs just a bit from the actual figure. It shows He-Man with bare hands, a black hilt on his laser sword, and a kind of brass knuckles like strap around his right hand. No doubt this represents a late stage concept or prototype design.
Update: I got a bit more information about dates and card types for the Laser figures from Dani Ramón Abril, of Yo Tengo el Poder :
I wanted to comment The Lasers were sold in 1988 in Europe with Eurocard (England, Germany, Italy and France) and in 1989 in Iberocard (Spain and Portugal).
Spanish Advertising
The catalog that came packed with the Spanish figures cross sell art of both figures:
Image source: He-Man.org
The cross sell art also appears on these Spanish stickers:
The Yo Tengo el Poder site has unearthed a couple of other interesting Spanish ads featuring both laser figures:
There is also a great 1989 mini magazine published in Spain that features the Laser figures, which comes by way of La Cueva del Terror.
Masters of the Universe Club comic
The French Club Maitres de l’Univers magazine published a comic featuring early concept versions of Laser Power He-Man and Laser-Light Skeletor, alongside characters whose figures were released in 1987 (images are from Nathalie NHT):
Into the Future
Because Laser Power He-Man was only released in Europe and at the very tail end of the line, he doesn’t appear in many stories or comics. I think he has a pleasing futuristic design. Not as exciting as Laser-Light Skeletor perhaps, but overall a nice take on a space age He-Man.
In many ways, Laser Power He-Man represents an intermediate step in the evolution of the the New Adventures He-Man figure from the rebooted 1989 line. The “New Adventures” He-Man figure was also designed by Martin Arriola. His colors and costume are quite different from Laser Power He-Man, but he does feature a translucent “laser” sword, which persisted in Martin’s futuristic He-Man designs:
Right to left: New Adventures Thunder Punch He-Man, Battle Punch He-Man (designed by Mark Taylor), 1989 He-Man, and Laser Power He-Man (replica)
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Name: Thunder Punch He-Man Faction: Heroic Warriors Approximate US release date: August 8, 1985
Thunder Punch He-Man was the “deluxe” version of He-Man that everyone in my grade school peer group coveted. The counterpart to Dragon Blaster Skeletor, Thunder Punch He-Man had a new and exciting action feature – you could load a ring of caps (of the kind typically used in toy revolvers of the era) into his backpack, twist his waist back, and he would spring forward with a power punch and a loud bang. It was quite the upgrade over the power punch feature typical of the line.
There were actually two commercials for Thunder Punch He-Man. The first was quite in line with the style of most MOTU commercials from 1982-1985, Gregorian chant and all. The second features an unfortunate attempt at making He-Man cooler by adding a rap:
Design & Development
I’m not sure ultimately who created the visual look for Thunder Punch He-Man. The idea for giving He-Man the action feature may have begun with Roger Sweet, who created this illustration using the standard Mark Taylor He-Man visual design (but with the updated HM symbol on the chest, from the Battle Armor variant):
Image source: The Power and the Honor Foundation
There is a second piece of concept art related to Thunder Punch He-Man, below. The artist is unknown unfortunately (I checked with both Ted Mayer and Mark Taylor, and neither know who might have drawn it). The Thunder Punch costume is certainly recognizable. The shield is round, unlike the production shield, but it does look like caps are integrated into it somehow. Interestingly, He-Man is given an articulated jaw in the illustration below. Update: the concept art below is not for actual figures, but rather for a cardboard store display. A big thanks to Emiliano Santalucia for the correction!
Image source: Tomart’s Action Figure Digest
On January 3, 1985, Mattel filed a Patent Claim for Thunder Punch He-Man’s action feature. The inventors are listed as Larry H. Renger and Mike T. McKittrick. The gist of the design is that when the torso was twisted back, a spring loaded hammer inside the chest would cock. Upon releasing the torso, it would twist back to center and the hammer would be released, striking against the cap loaded in the backpack and making a loud bang sound to coincide with He-Man’s punch.
A close to final design for the figure can be seen in the cross sell art for the figure, as shown below. Really the only difference here from the production figure is that this one is shown with a gray sword and silver shield, while the actual figure was produced with a gold sword. Some versions had a vac metal silver shield, and others had a vac metal gold shield:
Cross sell art closeup, from The Art of He-Man
Action Figure
From Mattel’s 1985 dealer catalogGold shield versionSilver shield version
Sculpt wise, the figure featured all new parts apart from the head and sword. The legs were based on the original, but he was given bigger feet to make him more stable. The sculpt unfortunately on the arms and torso is a bit soft and unfinished looking compared to the original. Befitting his action feature, his right fist is closed, ready at any time for a thunder punch. He also has painted bracers, something previous versions didn’t get.
Thunder Punch He-ManOriginal He-Man
His boots have white fur tops, which was actually how He-Man had been previously illustrated by Rudy Obrero and R.L. Allen. Earl Norem would occasionally depict him like that as well:
He has a new harness design, sculpted onto the chest rather than as a separate piece. He keeps the “H” logo that first appeared on Battle Armor He-Man, and which also appeared on the side of the Dragon Walker and on Flying Fists He-Man. The symbol looks like a blend between an H and an M.
His power sword can fit in his shield, but the shield can also be used to carry a ring of caps.
Packaging
Thunder Punch He-Man came on an oversized card, with art on the front by William George, and art on the back by Errol McCarthy:
Line art by William George. Image source: He-Man.org
Artwork by William George, image courtesy of Jukka IssakainenLine art by Errol McCarthy. Image source: He-Man.org
Errol McCarthy also made several other illustrations featuring Thunder Punch He-Man:
The figure came with two rings of caps, but you could also purchase more He-Man branded caps on a separate card (made by Larami). The figure would work with any brand, as long as it was the same size and formation (images via He-Man.org):
Thunder Punch He-Man was also released in two gift sets – one with Orko and one with Roboto.
Style Guide
The 1987 Style Guide makes mention of He-Man’s thunder punch power, as well as his Battle Armor and his Power Sword:
Weapons: His Sword of Power is fused with the combined wisdom and strength of all ancient Eternian Elders. The Battle Armor designed for him by Man-At-Arms allows him to withstand the mightiest blows of battle and the special gift from the Sorceress allows He-Man to deliver a punch so powerful, it creates a thunderous boom that strikes fear in the hearts of all who are evil and helps He-Man blast through barriers of all kinds.
1987 Style Guide
Comics and Stories
The figure came packed with the minicomic, The Treachery of Modulok, which also came with Modulok, of course. In the story, when Prince Adam transforms to He-Man, he finds himself wearing his new Thunder Punch costume. The Sorceress explains that it’s a gift from Castle Grayskull. Later in the story, he uses his new power to punch through Hordak’s force field and stop Skeletor in his Land Shark from reaching Castle Grayskull:
Thunder Punch He-Man appears in the 1986 winter issue of Masters of the Universe Magazine, using his punching power to make a shortcut through Hordak’s maze:
Artwork
Thunder Punch He-Man appeared on a couple of posters by William George, in Joe Chiodo’s box art for Mantisaur, and in the box art for Monstroid (artist unknown):
Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by Joe ChiodoArtist unknown
Thunder Punch He-Man to me isn’t the most visually exciting of the He-Man variants, but his action feature was one of the most fun to play with in the vintage MOTU line.
Thunder Punch He-Man in Action
Øyvind Meisfjord has graciously contributed the following image and video showing Thunder Punch He-Man in action:
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Name: Saurod Faction: Evil Warriors Approximate US release date: August 8, 1987
I didn’t see the 1987 Masters of the Universe Movie (or really know anything about it, other than one was made) until probably the early 90s, when I saw it on TV. Even though I considered myself too old for toys at the time, I still felt a little affronted that the designs of the main characters had been changed so much. Despite myself, I stayed for it and watched the whole movie. It was actually a pretty fun little film. As an adult I can really appreciate the beauty of the new designs, even if I might question the wisdom of straying so far from the source material.
Of the newly introduced characters, Saurod was undoubtedly the coolest. What’s not to like about an armored lizard man that can shoot sparks from his mouth?
Design & Development
Saurod was designed for the movie by William Stout. Stout actually went through a number of lizard/dinosaur designs, and several were closer to beasts than to anything humanoid. All of his designs below are, in my opinion, gorgeous:
Image source: MOTU Art Facebook Page Image source: MOTU Art Facebook Page
Stout’s lizard concept evolved into a more upright, human-like creature, initially with minimal armor and a muscular build:
Image source: The Power of Grayskull documentary, via Dušan M.Image source: The Power of Grayskull documentary, via Dušan M.
The character continued to evolve to include a helmet and mask design, body armor, and slimmer build:
Image source: The Power of Grayskull documentary, via Dušan M. Image source: The Power of Grayskull documentary, via Dušan M.
Claudio Mazzoli took Stout’s design (above) and turned it into a full-color painting:
Image Source: The Art of He-Man
The costume continued to evolve until the nearly final movie look, pictured below:
Image source: MOTU Art Facebook Page
The costume for the character (played by Pons Maar) was exquisitely detailed and quite convincing, even given the low budget for the film:
Image source: He-Man.org
Image source: He-Man.org Saurod had retractable claws in the movie.
Sadly, in the Movie, Saurod didn’t get a lot screen time. Skeletor destroyed him as an example after his henchmen failed to recover the Cosmic Key:
Image source: He-Man.org
Mattel translated the movie design into an action feature, which was released in 1987. The prototype, shown below, is very similar to the final figure, except for the gun which is smaller and silver rather than black. They eyes are also round with white pupils:
Image via Grayskull Museum
The cross sell artwork was apparently based off of the prototype, as it features the same silver gun:
Toy & Packaging
The final toy was produced in a metallic bronze plastic, similar-looking to that used on various figures in the New Adventures of He-Man toyline (especially Hoove). The figure is sculpted with all new parts, just like the other two movie figures. Because he’s so radically different-looking from most other MOTU figures, he can look out of place on the shelf, but he does seem to fit well with late designs like Blast Attak and Laser Light Skeletor.
Saurod can have varying degrees of a dark overspray on the armor. Sometimes it’s barely present, and other times it’s applied very liberally:
Minimal oversprayHeavy overspray
The details on the sculpture seem quite soft, especially compared to the movie costume. It does have quite a fun action feature – pushing the lever on the figures back causes sparks to shoot out of the mouth. The movie character, however, didn’t have this ability (he did have retractable claws). On the back of the packaging, the sparks are called out as a “laser”, although in the commercial he is said to shoot lightning from his mouth.
I presume the artwork on the front of the card was done by Bruce Timm, who did several similar pieces. The art on the back was done by Errol McCarthy.
Errol McCarthy original line art. Image source: He-Man.org
Saurod, along with Megator, was the last figure of the original MOTU line that Mattel filed a trademark on – April 27, 1987.
Comics and Stories
Saurod, Gwildor and Blade were all packaged with the same minicomic: The Cosmic Key. The story doesn’t have anything to do with the movie, however. A cosmic force called the Evil Cloud gives Skeletor evil powers, including the ability to summon Saurod and Blade, and He-Man must call on Gwildor to stop the power of the entity.
Saurod has a much heavier build in the comic than his actual toy had. That makes me think that perhaps at an earlier stage of design, Mattel had planned to with reuse one of the existing heavily muscled body types for the figure.
Update: Javier Peña in the comments noted that some of the panels in the above comic were retraced from “The Terror Claws Strike” (also “The Ultimate Battleground”), illustrated by Bruce Timm. Now Jukka Issakainen has shared this collage he created of the copied panels:
Image via Jukka Issakainen
Some versions of the minicomic actually had the Powers of Grayskull artwork on the back, which would have been the artwork on the front of the cards for He-Ro and Eldor, had they been produced:
Saurod makes a couple of appearances in the US Masters of the Universe Magazine. In the 1987 Summer issue, Saurod shoots actual lasers from his mouth, but is thwarted by Snout Spout:
Image source: He-Man.org
In the 1988 Winter issue, Saurod and Blade team up with Hordak against He-Man and She-Ra:
In issue 10 of the 1987 Star Comics MOTU series, Saurod shoots out sparks, just like his action feature. They seem to have some kind of venomous quality, as they knock out Man-At-Arms and there appears to be no “antidote.”
Saurod also appears in the November 1987 Star Comics story, The Motion Picture, based on the plot from the film. The artwork replicates the movie designs (or prototype designs) only for the newly introduced characters. Established characters like He-Man, Skeletor and Evil-Lyn are drawn with their classic toy looks:
Saurod also appears in the He-Man newspaper comic strips. Thanks to Dušan M. for pointing that out. Dušan notes: “He’s bit more human-like and carries a flame thrower. Like with some other new characters, the colourist doesn’t seem to have had a proper colouring reference so his colours constantly change.”
Image source: Dark Horse
Advertising
Saurod showed up in a few ads and catalogs, although of course coming at the end of the line he doesn’t appear in all that many:
Image source: Orange Slime
Artwork
Saurod makes an appearance in William George’s Preternia poster, as well as in a movie poster by Earl Norem:
Artwork by William GeorgeArtwork by Earl Norem
Saurod Resurrected
One curiosity: The Saurod costume was actually reused for another film: Star Hunter (1996), a low budget take on the Predator franchise. I learned about this via the Spanish language Blog de Salguero.
Star Hunter, 1996. The external armor is the same, but the pieces underneath have been changed.
Saurod In Action
Øyvind Meisfjord has contributed the following image and videos of Saurod in action:
This is the Italian release of Saurod, which has copper colored armor on its limbs.
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