Evil Warriors

Clawful: Warrior with the grip of evil! (1984)

Clawful, released in 1984, was part of a series of new animal-themed figures released in the third wave of the Masters of the Universe toyline.

Clawful was an instant hit with me as a kid. I distinctly remember the existential agony of having to choose between him and Whiplash at the store. Ultimately I went with Clawful. That giant bright red snapping claw was just impossible for me to resist.

Clawful and his compatriots represented something of a return to form for Masters of the Universe. Several first wave figures were half human, half animal hybrids (Beast Man, Mer-Man, Stratos). The second wave was made up of entirely human-like figures, but the third wave gave us beastly characters like Clawful, Whiplash, Buzz-Off, Webstor and Kobra Khan.

Designed by Colin Bailey, Clawful was originally intended to reuse Skeletor’s legs. In this early prototype, he sports brown Skeletor boots, a brown version of the Castle Grayskull mace, and a head that blended into the armor with a very thick neck:

Clawful prototype

By the time he was shown in the 1984 Mattel Dealer catalog, he was sporting the standard male chest (flesh tone) with clip on armor. His neck was much slimmer as a result, and his head was smaller. He still had the Grayskull mace, but now it was in green with an extra piece to allow him to hold the mace upright (it was never very effective in that regard). He still had the Skeletor legs with brown boots. This version also appeared in the commercial:

Eventually Clawful was given the new legs that were shared by both Buzz-Off and Whiplash. They featured jagged spikes down the sides, and unique feet with one large toe/claw on each side of the foot. These were larger feet than any used in previous figures, and provided the figure with greater stability.

In the cross sell art, Clawful sported these feet, but the boots were still painted brown:

Clawful cross sell artwork. Image courtesy of Axel Giménez.

It’s evident that the change in the design of his legs happened sometime after production had already begun. Early versions of Clawful featured the Skeletor legs, but with blue boots:

The version with Buzz-Off/Whiplash legs seems to be more common, and must have been produced after the initial run:

Illustration by Errol McCarthy
Errol McCarthy’s original line art

Clawful was included in a giftset with Jitsu, but otherwise was only sold as an individual figure.

Image via Grayskull Museum

Clawful appears prominently in one of my favorite pieces of MOTU artwork – a poster by Earl Norem that appeared in the inaugural issue of the US release Masters of the Universe Magazine:

Norem’s artwork was so animated and vibrant. It really blew me away as a kid, and continues to do so now.

Clawful appeared was a main character in the Clash of Arms mini comic, which was also one of my favorites as a kid. Fisto is captured and has to face Clawful, Whiplash and Jitsu in arena combat. It was a great way to introduce new characters to kids, and was one of the more action-heavy mini comics. Clawful’s appearance is based on the early prototype here:

Clawful also appeared in several Golden Books, including Maze of Doom, Dangerous Games and Power From the Sky:

Clawful shows up in the background of the packaging illustration for Bashasaurus, along with Trap Jaw:

Artwork by William George

The Filmation version of Clawful was radically different from the vintage toy. Often when Filmation designs differed from toy designs, it was because Filmation artists were basing their work on early Mattel concept drawings. I would guess that is the case here, but I don’t know for sure:

Unlike many of Skeletor’s other henchmen in the cartoon, Clawful seemed to posses a measure of intelligence and cunning.

Heroic Vehicles

Attak Trak: Battle Machine (1983)

The Attak Trak, released in 1983, is a vehicle with a unique action feature and an interesting design history.

I saw the Attak Trak in the wild only once as a kid. I remember being at another kid’s house. I believe my mother was friends with his mother, and while they were visiting I spent some time getting to know her son. The first thing he did was show me his He-Man collection, and I remember distinctly being introduced to three toys I had never seen before: Evil-Lyn, Faker and Attak Trak. Unfortunately he had worn out the vehicle’s batteries, and I didn’t get to see it in action.

The Attak Trak was designed by Mattel visual designer Ted Mayer, who also designed the Battle Ram, Wind Raider, Eternia Playset, and many other MOTU toys.

In my interview with Ted, he had this to say about the Attak Trak:

[The Attak Trak] started out as a mechanical toy submission that Mattel bought from an outside inventor. It was given to me to make in to a He-Man vehicle. I did about four different design directions, of which they picked one.

Ted didn’t specify who the outside inventor was, but I believe it was Marvin Glass and Associates. They filed a patent for a four wheel drive toy on August 10, 1981, and it was published on April 19, 1983:

Notice the mechanical feature is identical to the Attak Trak’s. The visual design, however, is a fairly generic-looking toy tank.

Ted Mayer stepped in to give the vehicle a Masters of the Universe feel. He submitted the following drawings, which featured an elongated fantasy beast head on the front,  and an option for a canopy on top:

Attak Trak without treads. Image courtesy of Ted Mayer.
Attak Trak with treads. Image courtesy of Ted Mayer.
Attak Trak with canopy. Image courtesy of Ted Mayer.

In my interview with Ted Mayer, he explained:

The canopy was dropped because it costed out quite high, so they looked at dropping as many extras as possible. By this time I was also doing all the control drawings, so when they went to the engineers, things were final.

Ted submitted the following control drawings for consideration. “For some reason marketing didn’t want the gargoyle type head,” he explained. So the second design was chosen for final production.

In a Tomart’s Action Figure Digest article on the origins of Masters of the Universe, another Ted Mayer concept drawing of the Attak Trak appears, along with a black or dark brown production sample that features sticker designs not used in the final version:

Final painted prototype in red and blue

The final toy was produced in a bright red and blue color scheme:

Monogram produced a model kit version of the Attak Trak. It featured the canopy that Ted Mayer had originally designed (or something very close to it), as well as other unique details. The model was not motorized, but it was in scale with the vintage figures:

Rudy Obrero provided the artwork for the Mattel Attak Trak packaging. He has stated in interviews that it’s the least favorite piece he did for the vintage line. In the interview I conducted with him in March of this year, Rudy had this to say about the process:

It’s the last piece I did for Mattel. I started to think the art direction came from a committee, seemed as though everyone in Mattel wanted in on package art because of its success as a toy line. These pieces were done in oil paint so changes were a pain to do.

Box art scanned by me, repaired by Retroist

Rudy mentioned that various people at Mattel were constantly asking him to make small revisions on the Attak Trak artwork. It appears that two versions of his art made it to the packaging. The version below has the splash of mud removed from the front of the treads. I imagined they had it removed because the vehicle would probably stop working if run through real mud. The version without mud seems a bit easier to find, so it’s probably a version that came out shortly after the initial release.

The artwork for the Estrela Toys Attak Trak was modified for unknown reasons. The Brazilian manufacturer and licensee did the same with their versions of Castle Grayskull, Battle Ram, and other toys:

There was also an orange version of the Attak Trak. This one was released in Europe – I don’t know if there were any orange versions released in the US market. This particular version has the muddy artwork:

Interestingly, the cross sell artwork for the Attak Trak was also orange, and the vehicle was colored orange or sometimes brown in early mini comics:

Artist Errol McCarthy produced several pieces of artwork featuring the Attak Trak:

Attak Trak line art used in advertising

Early on in the mini comics, the Attak Trak was represented as having a “mind of its own.” That was expanded upon in the Filmation cartoon series. The vehicle could undertake complex tasks on its own and had a voice and personality. The Attak Trak also underwent a radical redesign:

There was, however, a more toy accurate version called the Small Trak that made an appearance in the Evilseed episode:

Filmation model sheet by Fred Carillo. Image source: James Eatock/The Power and the Honor Foundation
Image source: He-Man and She-Ra, A Complete Guide to the Classic Animated Adventures, by James Eatock and Alex Hawkey
Source: Oasi delle Anime
Source: Oasi delle Anime

Also released in 1983 was the Big Jim Spy Series All-Terrain Vehicle. The body shape was completely different from the Attak Trak, but it used the same track-flipping concept, and even shared the exact same tread design:

Image Source: Big Jim Forum

Some of my favorite Attak Trak-related artwork comes from MOTU artist R.L Allen:

Illustration by R.L. Allen
Illustration by R.L.Allen
Heroic Vehicles

Battle Ram prototype

In this post I’d like to take a closer look at the Battle Ram prototype. For a more exhaustive treatment of this vehicle, see the toy feature.

Designed by Ted Mayer and sculpted by Jim Openshaw, the Battle Ram prototype was in some ways more impressive than the final toy.

Here is the prototype Battle Ram, from various angles (also shown is the prototype helmeted He-Man figure):

Images 1, 4 and 5 are courtesy of Ted Mayer; images 2 and 3 were retrieved from He-Man.org.

The overall profile is very similar to the final toy, but when you look closely, there are many subtle differences. I’ll go over each photo of the prototype and compare it with a similar photo of the final toy, noting some of the differences in each:

Prototype angle 1
Toy angle 1
Prototype angle 2
Toy angle 2
Prototype angle 3
Toy angle 3
Prototype angle 4
Toy angle 4
Prototype angle 5
Toy angle 5

Notice in the fifth prototype image, the front half of the Battle Ram seems to have a greenish tint (in most images it looks grayish-blue). Perhaps the paint took on that tonality depending upon the lighting. That might explain the greenish coloration of Rudy Obrero’s illustration for the Battle Ram packaging. On the other hand, his color choice may have been determined by the lighting in his landscape.

Speaking of which, Rudy’s illustration is also based on the prototype Battle Ram, although it features the reptilian sticker on the front section from the final toy, as well as a modified missile:

As you can see, his illustration is quite faithful to the source material, although he did elongate the front half of the vehicle. He also gave it a jet engine nozzle at the rear, visible when in flight mode:

Alfredo Alcala’s Battle Ram cross sell art is also based on the prototype vehicle:

The prototype also shows up in the 1981 “Fast Male Action for Licensees” kit:

It was also featured in issue 90 of Tomart’s Action Figure Digest:

The prototype was very likely based on this control drawing dated May 28, 1981, drawn by Ted Mayer. It matches up almost perfectly with the prototype Battle Ram.

“Catapult Vehicle” – image courtesy of Ted Mayer
Heroic Warriors

Zoar: Fighting Falcon (1983)

Zoar, released in 1983, is at once a toy with a fascinating history and a character with a conflicted set of origins.

I was given Zoar as a birthday gift along with Ram Man and Man-E-Faces. I had endless fun zooming around the house with him. There was something fascinating to me about the rubbery texture of his wings and his surprisingly effective wing-flapping action feature.

Like Battle Cat, Zoar was made from a previously existing mold. The Fighting Falcon started life as The Eagle in the Big Jim toy line. Released in 1973, the Eagle featured realistic colors and was packaged in several different configurations.

Indeed, it’s possible that Zoar might have been intended to look exactly like the original Big Jim bird, if this 1982 Masters of the Universe Pop-Up Game is any indication:

Update: Tokyonever has contributed pictures of a potential Zoar prototype. It has a lot of similarities to one of the Big Jim birds, although the exact color scheme is more complex, with a mix of brown, magenta, orange, black and white. Mattel may have been trying out a number of different color combinations for use with MOTU. It can’t absolutely be confirmed the the prototype below is Zoar and not a Big Jim bird, but my opinion is that it probably was, given some of the other authentic MOTU items that were sold to Tokyonever by the same source:

Zoar was soon given a more vivid color scheme. An early prototype image shows Zoar with a reddish color scheme, sitting on an apparently gray perch. The colors don’t show well in the image, so there is some ambiguity here about the exact shades used:

Another stage of Zoar’s design can be seen on the back of this mini comic book. Zoar appears in varying shades of orange, and he’s also wearing green armor outfitted with rocket boosters and bombs:

Notice that Zoar’s tagline here is “Winged fighter” rather than “Fighting Falcon”

As an aside, the cross sell artwork for Zoar was drawn by Mattel artist Errol McCarthy. Here is the original line art:

Image source

The red and orange color schemes also appears in some of the 1983 mini comics, which were no doubt produced while Zoar was still in development. Earlier DC comics feature what appears to be a brown Zoar:

The final toy was given a much more colorful paint job, with orange wings and body and blue and white accents. His stand and bomb pack were a bright red instead of the original green.

As with his Big Jim ancestor, a lever on the back of Zoar’s legs could make his wings flap. His red bomb pack somewhat hindered the movement of his wings, but it was removable.

Zoar is featured quite prominently in this commercial from Top Toys (a licensee based in Argentina):

Zoar was sold in a number of different configurations. As a single figure, his packaging featured an illustration by the amazing Rudy Obrero. The artwork catches Zoar in mid-dive in the foreground while He-Man and Skeletor duke it out in the distance, presumably fighting over Castle Grayskull:

Zoar was also sold in a gift set with Teela. It is not known who painted the artwork, but they clearly based their depiction of Zoar on Rudy Obrero’s artwork:

Zoar was also sold in a two-pack with Ram Man, although the box itself was nothing to write home about:

Interestingly, in the early 1970s Mattel produced a flying eagle toy named Zorr (thanks to Tokyonever for pointing that out). So the name as well as the figure seem to have been recycled from a decade earlier.

Although Zoar had sometimes been associated  with the Sorceress (the version with snake armor from pre-Filmation comic books), it was Filmation that made them quite literally inseparable.

In the Filmation Series Guide, it’s made clear that the Sorceress can only leave Castle Grayskull in falcon form – as Zoar. Until the debut of the Filmation cartoon, Zoar had always been referred to as a male falcon. The Series Guide design for the Sorceress is quite radically different from both previous and final designs, of course. Presumably they were trying to move away from the snake armor version of Sorceress, to avoid confusing her with Teela.

Source: He-Man.org

The Filmation cartoon eventually settled on a design for the Sorceress that followed the cues from the toy version of Zoar. Her costume had orange wings, with blue tipped feathers and white accents. When in falcon form, she never wore the bomb pack that came with the toy.

In Zoar’s appearances in the Golden Books, she (as the animal form of the Sorceress) was more or less colored like the toy, but with some additional red accents, and sometimes with a white body:

In later mini comics, Zoar would be portrayed in pale blue or sometimes pink:

A toy-accurate version of Zoar eventually made it into the mini comics in 1985:

Notice that Teela rides on Zoar (hat tip to Jukka Issakainen). In this 1983 Kid Stuff audio book, Man-At-Arms is also said to ride on Zoar:

Man-At-Arms also rides on Zoar’s back in the Kid Stuff audio book, He-Man and Battle Cat:

Image source: He-Man.org

Like Battle Cat before him, Zoar’s existence is probably due to the desire to flesh out the MOTU toyline with minimal capital expenditure. Despite the cheapness inherent in that philosophy, a lot of truly great figures came to us in that way. I think that says something about the creativity and ingenuity of the Mattel design team.

Zoar battles his nemesis Screeech in this illustration by R.L.Allen.

Special thanks to Jukka Issakainen for providing many of the images used in this blog post.