Evil Warriors

MOTU Classics Mer-Man

Masters of the Universe Classics Mer-Man, released in April of 2009 and again as a blue variant in November of 2010, is still, for me, the best figure ever released in the Classics toyline. Part of that is certainly the painstakingly accurate reproduction of Mer-Man as he appeared in the vintage cross sell artwork, but part of it also is the shading and detail on the figure itself.

First release Classics Mer-Man in green

Source Material

The main source material for the Classics Mer-Man (green version) is explicitly the vintage cross sell artwork. It’s nearly a perfect reproduction of that depiction, and a passion project for Eric Treadaway of the Four Horsemen. The details reproduced from the artwork include:

  • Color and shape of the gloves
  • Four-fingered hands, with open left hand
  • Bare feet with smooth, yellow shin guards
  • Yellow loin cloth
  • Yellow detail on face
  • Large eyes
  • Upward pointed fins on the head
  • Sculpted gills around the neck
  • Wide chest armor with enlarged spikes
  • More detailed sword (the Classics version is more detailed still than the source material)
Scanned by the author.

The figure was augmented beyond the source material with some colored gems on the armor and some additional shading throughout the figure. There are some nods to the vintage figure as well. The most obvious one of course, is the second head, sculpted after the vintage figure, but also the green belt, which was featured on early releases of the 1982 toy.

Vintage toy style head
First release 1982 made in Taiwan figure

It should be noted that in some respects the Classics vintage style head is somewhat less detailed compared to the original vintage head. The vintage head has fins that terminate in individual protuberances, while the fins on the Classics head are rounded at the ends, and more closely resemble ears.

There is one nod to the 2002 Mer-Man figure as well – the trident accessory. Of course the 2002 figure is also influenced by the vintage cross sell art, particular in the head sculpt:

The blue version of Mer-Man that came packed with Aquaman is supposed to resemble Mer-Man as he appeared in the earliest minicomics illustrated by Alfredo Alcala. That version was based on early concept art by Mark Taylor and an early prototype sculpted by Tony Guerrero.

Alcala’s depiction of Mer-Man
Mark Taylor’s original Mer-Man B-sheet, published by Super7/The Power and the Honor Foundation. Image courtesy of Axel Giménez.
Tony Guerrero prototype Mer-Man. Image courtesy of Andy Youssi

The color scheme is similar to the minicomic version (blue skin, blue and yellow sword, full yellow boots), but it borrows wholesale the sculpt of the original green release of Mer-Man. It doesn’t have the unique boots, gloves, belt and other details of the minicomic/concept version, so it actually winds up looking like earlier versions of the cross sell artwork, which featured a blue-skinned Mer-Man:

Image courtesy of Tokyonever
Blue Mer-Man

This Mer-Man also has the green belt of the vintage toy. Note also that early concept art gave Mer-Man copper/gold/ accents on  parts of his costume, which didn’t end up in the minicomic artwork.

Evil Warriors

MOTU Classics Skeletor

My cardinal rule since starting this blog back in 2015 has been simple: vintage only. Very occasionally I’ve veered away from that, when reviewing books that cover both vintage and modern He-Man toys, for instance. But even then it was really just in passing.

So why start now? It’s not because I’ve exhausted available material about the vintage line. I’ve covered just about everything that came out from 1982-1984, but there’s still a lot left from 1985-1988.

Frankly, I’m starting to feel a little burnt out, and I’d like a change of pace. The Masters of the Universe Classics line (2008-present) is actually what drew me back into the world of He-Man and helped me to develop a more discerning eye for the kinds of things I talk about in this blog. The Classics line is an interesting mix of influences, and fans have always hotly debated which influences they thought ought to go where.

Still, I’m not going to do a traditional action figure review – there are a ton of people who have been there, done that much better than I could (Pixel Dan, The Fwoosh, Poe Ghostal, etc.) Instead, I’ll briefly discuss specific design elements and their source material.

The first Classics Skeletor was released in January of 2009, and has been reissued a couple of times since. However, I’ll focus for now only on the 2009 Skeletor.

The Classics line is generally based on vintage source material (principally toys and cross sell artwork), but in a larger scale with modern articulation and more realistic proportions. These figures are sculpted by the artists at Four Horsemen Studios, who put a great deal of care, planning and artistry into their sculptures.

First issue Masters of the Universe Classics Skeletor

Source Material

The main piece of source material for the Classics Skeletor is very clearly the vintage cross sell artwork. Nearly all of the design elements are taken directly from that artwork, including:

  • Shape of the forearm fins
  • Bare, three-toed feet
  • Smooth shin guards
  • Simplified face paint (compared to the vintage toy). Note that this varies from figure to figure.
  • Sword shape
  • Wide baltea and large belt decoration

There is comparatively little influence on the Classics figure from the vintage toy, although of course neither design is radically different from the other. The main influences from the vintage toy include:

  • Larger bat on chest armor, compared to cross sell art
  • Black furry trunks instead of purple (from reissue versions of the vintage toy)
First issue vintage toy with purple trunks.
Reissue vintage toy with black trunks.

There are a few liberties taken in the Classics Skeletor figure, in regards to source material. They include:

  • Larger staff with different proportions on the handle
  • Enlarged arm “fins”
  • Smoother forearms
  • Additional boney detail on the face
  • Two-toned sword
  • Darker purple costume
  • Full sword as well as half sword
  • Additional color detail on the center of the chest armor, and throughout the costume
  • Dark blue toe claws

I do think the center of Skeletor’s belt is misinterpreted. It’s a stylized bird head in the cross sell artwork (and even more clearly a bird head in the original B-Sheet), but it seems to have lost any of that look in the Classics figure.

The Four Horsemen also sculpted the 2002 He-Man line, so there are often some subtle similarities to that line in the Classics. In Skeletor, that manifests as:

  • Darker colored baltea and shoulder covering
  • Shape of the armor around the back
2002 Skeletor

And that’s about it for now about MOTU Classics Skeletor. Let me know what you think. I’d like to know if there is interest in more articles like this one, or if you all think I’m crazy and should get back to purely vintage material.

Thanks to Dušan M. for informing me that Skeletor’s hanging “skirt” is called a baltea.

Evil Warriors

Beast Man prototype: a closer look

The recent “Lords of Power” series of slides shared by Andy Youssi has created quite a buzz in the fan community. One of the most interesting part of that series is a previously unknown Beast Man prototype.

Left to right: Mer-Man prototype, Beast Man prototype
Left to right: Skeletor prototype, Beast Man prototype

This prototype Beast Man’s design should actually look very familiar to those who’ve seen one of the red gorilla designs that’s been floating around the fan community for years. This one was illustrated/designed by Mark Taylor.

Illustration by Mark Taylor. Image via Grayskull Museum.

The design is based around the old Big Jim gorilla figure (which was in scale with 12-inch figures) with added armor and different coloring. However, the Beast Man prototype is much smaller, even shorter than He-Man and Skeletor, who would have been about 5.5″ tall.

I’ve done a quick and dirty recolor of Mark’s original image to match the color scheme of the prototype. This makes it even clearer how closely based it was on Mark’s illustration:

The recolored look also makes the design evolution of Beast Man all the more clear. In the final Mark Taylor design, the star on Beast Man’s belt is moved up onto Beast Man’s chest armor. The spikes are reduced in size, and the armor is given a fur covering. His spiked wrist gauntlets are moved up to his biceps and are simplified in shape. In fact, the revised arm guards resemble somewhat the shape of the original shoulder armor.

The general color scheme remains the same between the two designs, but the mustard color moves to Beast Man’s belt only. I would guess these changes were done to reduce the parts count and save costs on paint and colored plastic.

Here is a video showing one design morphing into the next, to help illustrate these changes:

And here is Mark Taylor’s final B-Sheet design:

Final Beast Man B-Sheet, by Mark Taylor. Artwork published by Super7/The Power and the Honor Foundation

And here is how these changes came together in the final Beast Man prototype:

Evil Warriors

Battle Armor Skeletor: Evil Lord of Destruction (1984)

My mother got me Battle Armor He-Man as a replacement for my original He-Man after it was destroyed. However, I still had my original Skeletor, and in that case mom logic dictated that I didn’t need Battle Armor Skeletor, since I still had the original. Kids and collectors understand that owning a standard action figure and owning a variant are two different experience, but I couldn’t make that case as a seven-year-old.

So, I had to make do with my Kellogg’s puffy sticker, and of course I played with my friends’ figures whenever I could. I was endlessly fascinated by both the designs and the action feature of the Battle Armor variants.

Kellogg’s puffy sticker, artist unknown

Battle Armor Skeletor reuses the arms, legs, head, crotch and weapons of the original Skeletor, but includes a spring-loaded, rotating drum in the chest that could be activated with slight pressure, exposing three versions of a bat insignia showing varying levels of damage. The action feature was invented by Ronald H. MacBain and Tony Rhodes, and the patent was filed December 29, 1983. Martin Arriola also worked on the figure, which was trademarked on January 27, 1984. The original version of Skeletor was designed by Mark Taylor.

The cross sell artwork was based on the actual toy, so it had more accurate and updated arm “fins” and boots than the original Skeletor’s cross sell artwork:

Battle Armor Skeletor cross sell artwork.
Close-up cross sell art, featured in The Art of He-Man and the Masters of the Universe


A similar action feature was also used in Mattel’s Hot Wheels Crack-Ups cars, which debuted in 1985:

The front of  Battle Armor Skeletor’s card has a burst describing the function of the action feature. Unlike most figures released in the toy line, there is no tag line underneath his  name, although he is tagged with “Evil lord of destruction” when he appears in cross sell artwork.

Image courtesy of Deimos


Incidentally, when Skeletor was first released in 1982, his tag line was “Lord of destruction.” “Evil” was added to the front of it starting in 1983.


Errol McCarthy illustrated the fight scene on the back of the card along with the instructions, and also illustrated the figure in artwork for use in the 1987 Style Guide as well as on T-shirts and other licensed products:


In the 1987 Style Guide, Skeletor (depicted with his battle armor) is given the following bio, which draws upon the various updates and retcons done to MOTU canon over the years:

Image via He-Man.org

Once the student of Hordak on his home planet of Etheria, Skeletor trapped his mentor on Etheria and escaped through a dimension gate to Eternia. Now Skeletor embodies all that is evil in Eternia. His goal is to one day rule all of Eternia, bringing upon its citizens an unending reign of terror. For dozens of years, Skeletor waited, polishing his magical skills in anticipation of the day when he would break through the Mystical Wall that separated the good and evil areas of Eternia. On the 18th birthday of Prince Adam, Skeletor finally prevailed. It was on this fateful day that Prince Adam first transformed himself into He-man, thus saving Eternia from the evil advance of Skeletor. Skeletor is now committed to destroying He-Man and his allies.

The style guide also mentions Skeletor’s Dragon Blaster and Battle Armor variants:

Weapons: Skeletor stalks the land with his evil pet, freezing foes with the dragon’s vicious paralyzing venom. His Battle Armor gives him the power to withstand the mightiest blows of battle.

Battle Armor Skeletor was sold in a number of gift sets, which include the following:

  • Battle Armor Skeletor/Webstor
  • Battle Armor Skeletor/Webstor/Mer-Man
  • Battle Armor Skeletor/Panthor
  • Battle Armor Skeletor/Screeech
  • Battle Armor Skeletor/Panthor/Man-E-Faces
  • Battle Armor Skeletor/Land Shark
  • Battle Armor Skeletor/Battle Armor He-Man

The figure was also released in a number of unique Canadian gift sets (images from Grayskull Museum):


India-based Leo Toys released an unusual version of the figure, which featured the torso from Battle Armor He-Man in purple:


Battle Armor Skeletor, strangely, never appeared in the minicomics or in the Filmation cartoon. It does appear in the Golden Book story, The Magic Mirror (albeit with the skirt from the original Skeletor design), and on the cover of Dangerous Games:

Battle Armor Skeletor appears quite frequently on Masters of the Universe Box art, showing up in numerous paintings, most by William George:

  • Battle Armor Skeletor and Panthor
  • Battle Armor Skeletor and Screeech
  • Snake Mountain
  • Bashasaurus
  • Battle Bones
  • Dragon Walker (Euro Edition)
  • Fright Zone
  • Land Shark
  • Land Shark & Battle Armor Skeletor
  • Night Stalker
  • Spydor
  • Fright Fighter

He also appears in a 1984 poster by William George:

The same artist also illustrated both Battle Armor Skeletor and Battle Armor He-Man for the 1985 board game, Battle For Eternia (thanks to Øyvind for the reminder). The illustration on the front depicts Skeletor and He-Man taking part in the board game with a couple of children, which is strikes me as a stroke of genius. I think a lot of us imagined what it might be like to interact with these characters in real life.