Heroic Warriors

Roboto: Heroic mechanical warrior (1985)

Written by Adam McCombs

Name: Roboto
Faction: Heroic Warriors
Approximate US release date: February 28, 1985

My first exposure to Roboto came on the playground in third grade. I had gone to the same elementary school during kindergarten and first grade. But in second grade, we moved away for a year to a smaller town, which turned out to be something of a He-Man vacuum. All of the kids there seemed to be into either Voltron or Thundercats. But when I returned to my old school in the third grade, I found He-Man was still going strong there.

One chilly day on the playground, one of my friends brought out his Roboto and Two Bad figures. I never had either of these figures myself, but I was pretty impressed with both of them. Roboto had all kinds of bells and whistles – a transparent chest that showed moving gears as you twisted his waist, with an automatically-moving jaw. And you could change out three attachments on his right arm, like Trap Jaw.

The next year I had lost most of my interest in MOTU, but I begged my mom for a G.I. Joe B.A.T.S. Figure. It seemed to have been Hasbro’s answer to Roboto, albeit with a hologram sticker that only simulated a transparent chest.

Design & Development

Roboto’s genesis seems to lie in a concept illustrated by Ted Mayer, called Transparent Man. In the sketch you can see that this concept was meant to be an almost completely transparent figure, covered with mechanical bits.

From Tomart’s Action Figure Digest. Image courtesy of Jukka Issakainen.
From the Power and the Honor Foundation catalog. Per the book, the image was dated July 7, 1984.

We can get a bead on what a more fully developed Roboto looked like from his minicomic depiction. First minicomic appearances are often based on unfinished concept artwork or prototypes for toys:

At this point in his development, Roboto has a red and orange color scheme, rather than the red, purple and blue colors of the final toy. In the comic we see that there is a very literal “heart” in Roboto’s chest, but no indication of the rotating gears of the toy:

Production Figure

The final Roboto toy is very similar to the minicomics design, albeit with a change in color scheme and simplified design on the chest. I would suspect the external sculpted chest detail in the illustration would have made it harder to see through the chest into the figure’s working gears, which may be why it was not used on the final figure. By turning the figure’s waist, the mouth would open and close as the gears spun around. The figure’s heart was partially obscured behind the central red gear:

Roboto cross sell artwork

Roboto included three removable arm attachments. Aside from the laser canon (shown above), he also had a robotic claw and an axe:

From behind you can also make out his central “heart” inside his chest:

As seen in most of the above figure shots, over time the legs of vintage Roboto figures have started to leech a purple residue. This can be cleaned off with a magic sponge, but it will eventually return.

Speaking of his legs, they are reused from Man-E-Faces. His arms are based off of Trap Jaw’s, but with some additional sculpted mechanical detail added.

Packaging

Roboto was released on the standard blister card, with artwork on the reverse by Errol McCarthy. The artwork feature’s Roboto’s prototype orange and red color scheme:

Scan by Starcrusader

Roboto was also released in a few giftsets as well – one with Hordak and Sy-Klone, one with Thunder Punch He-Man, and another with Mekaneck. Photos are available at Grayskull Museum.

Roboto was depicted in some additional pieces of artwork by Errol McCarthy, for T-shirt designs as well as the MOTU Style Guide::

Roboto’s Style Guide description reads:

Role: Invincible mechanical warrior; the most powerful robot in the universe.

Power: The strength of a robot combined with the ability for endless battle.

Character Profile: Roboto would be little more than a fighting automaton were it not for the “heart” given him by his creator, Man-At-Arms. Though his heart gives Roboto the capacity to feel compassion and other human emotions, it is also his weak spot. Skeletor has already stolen the heart of Roboto once, turning the robot into an evil war machine. With his heart intact, however, Roboto is one of the bravest and indefatigable warriors in Eternia.

Minicomics

The Battle of Roboto establishes Roboto’s origin as the creation of Man-At-Arms. The story works to explain Roboto’s features, as well as the idea behind the heart in his chest:

Image source: Dark Horse
Image source: Dark Horse

In the story, Skeletor is able to take control of Roboto by removing his heart. Roboto becomes a very dangerous weapon due to his great strength:

Image source: Dark Horse
Image source: Dark Horse

In the end the heroes are able to restore Roboto to normal by returning his heart to his chest. However, Roboto worries that he is too dangerous a weapon should he ever be compromised again. In response, the Sorceress casts a spell of protection on him to prevent Skeletor from taking control of him again.

Image source: Dark Horse
Image source: Dark Horse

Animation

Roboto’s origin story in the Filmation He-Man cartoon is quite different. Roboto crash landed onto Eternia. As revealed in the episode, “Happy Birthday Roboto”, originally he had come from the planet Robotica, which was filled with mechanical beings like himself. As with the minicomic characterization, Roboto was immensely powerful in the Filmation cartoon.

Design-wise, the animated Roboto generally followed the design of the action figure, albeit simplified for animation. The most obvious difference is the mouth plate area, which has less of a steep slope to it compared to the figure.

Roboto model sheet. Vectorized and colored by Jukka Issakainen
Roboto model sheet with alternative concept colors. Vectorized and colored by Jukka Issakainen.
Image courtesy of Jukka Issakainen
Image courtesy of Jukka Issakainen
Image courtesy of Jukka Issakainen

Other Media

Roboto appeared in quite a number of different stories and activities in comics and magazines over the years. He was the subject of a word search in the Spring 1985 issue of Masters of the Universe Magazine:

Image source: He-Man.org

That same issue also includes a brilliant poster by Earl Norem, depicting Roboto battling against flying Roton vehicles:

In issue 34 of the 1987 run of the UK MOTU Magazine, Roboto and Man-At-Arms are attacked on their Jet Sleds by Dragstor, who is piloting the Fright Fighter. The two heroes’ remaining Jet Sled is damaged, but they are able to repair it using some parts from Roboto:

Image source: He-Man.org
Image source: He-Man.org

In issue 12 of the 1989 run of the UK MOTU Magazine, we see He-Man and Roboto in Viper Tower (which for some reason is identified as the headquarters of the Heroic Warriors). From there they enter a dimensional portal to travel to a distant planet, where they battle alien robots:

Image source: He-Man.org
Image source: He-Man.org

In the He-Man newspaper comic story, “Day of the Comet”, we see a Filmation-like Roboto assembled with the heroic warriors:

Image source: Dark Horse

In the Golden Book story He-Man Smells Trouble, Roboto accidentally causes some damage to a stage when he mistake’s Orko’s magic for a real threat. Orko in turn hurts Roboto’s feelings, and he wanders away. Roboto ends up briefly teaming up with Stinkor, who also had his feelings hurt by the evil warriors. Together they encounter some other robots who actually resemble some of Ted Mayer’s concept art for the figure:

Roboto appears in a couple of MOTU posters by William George:

Image courtesy of Jukka Issakainen
Image courtesy of Jukka Issakainen

Roboto (in his concept colors) was featured in a series of Fuzzy Iron-Ons included in boxes of Rice Krispies:

Image source: He-Man.org

Roboto in Action

Øyvind Meisfjord has graciously shared the following image and video of Roboto in action!

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Heroic Warriors

Rokkon: Young heroic battling boulder (1986)

Written by Adam McCombs

Name: Rokkon
Faction: Heroic Warriors
Approximate US release date: February 2, 1986

The last Masters of the Universe figures I would ever get as a kid were Rokkon, Stonedar and Modulok, for my birthday in 1986. All three were a surprise, and they were all a bit out in left field compared to the figures I had until that point, which mostly reused the same few basic muscular body types that originated with He-Man, Skeletor and Beast Man.

Image source: Orange Slime

Of the two rock/comet warriors, Stonedar was my favorite, mostly because I liked the cratered surface of his outer shell, as opposed to the quartz-like surface of Rokkon’s shell.

It seems that 1986 was the year of the transforming rock toys. That same year, Hasbro released their Inhumanoids toyline, with the heroic character Granok, who could transform from a pile of rocks into a tall rock creature. Tonka also released their Rock Lords toyline, a spinoff from the GoBots series:

These transforming rock toys seem to get regularly panned in articles about 80s toys today (particularly the Rock Lords), but I’ve always liked them. Granok was the only character I owned from the Inhumanoids line, and he was one of my favorite toys growing up. He didn’t make a very convincing pile of rocks, but he was a pretty great-looking rock warrior. Rokkon was kind of the opposite – he made for a very convincing comet or rock, but as a warrior he looked a bit awkward.

Design & Development

Rokkon emerged from a series of designs for transforming rock characters by Ted Mayer. None of the extant concepts below is identical to either Stonedar or Rokkon, but the basic idea is evident:

Image source: The Power and the Honor Foundation Catalog
Image source: Tomart’s Action Figure Digest

Both Ted Mayer and Roger Sweet are listed as inventors on the patent application, which was filed January 14, 1986.

Rokkon was sculpted by Eddy Mosqueda, a designer at Mattel. At the Lords of Power Facebook page, Eddy chimed in with the following information and picture:

I sculpted the “Rock-On” figure when I was working at Mattel. I still own a Tooling Copy of it.

Here is a photo of a Rokkon “Test-Shot” in beige that I still own. I’m still going to have to get the Tooling Copy and photograph it when I get it from a box, in a larger box, in a closet, in my basement!

Eddy Mosqueda
Image source: Eddy Mosqueda, shared at the Lords of Power Facebook page

Action Figure

The figure itself has an eye-catching blue, orange, silver and purple color scheme. The cross sell art and early catalog photos of the toy (below) show with without pupils and with a light purple gun:

Image source: Grayskull Museum
Image source: Grayskull Museum

The figure has a crystalline outer surface, suggestive of some exotic mineral or outer space rock. Rokkon’s transformation into a rock was achieved simply by posing him in the fetal position. For me the play pattern with Rokkon was to leave him as a boulder until an unsuspecting evil warrior walked by. Then Rokkon would leap into action, getting the best of the bad guy using the element of surprise.

Packaging

Rokkon was initially packaged on a card that proclaimed him a “Young heroic battling boulder.” The front of the card said, “Invincible boulder transforms into master of defense!” However, on subsequent versions, Rokkon was called a “Young heroic comet warrior” and “Invincible meteor transforms into mighty warrior.”

The change may have been made to capitalize on Halley’s Comet, which passed close to the earth in 1986 (thanks to Matthew Martin for pointing out that connection to me). The first version (below, left) features artwork by Errol McCarthy (I believe) on the front, while the second version features artwork by William George on the front.

Image courtesy of Jukka Issakainen

Comics & Characterization:

In the minicomic that accompanied the figure, Rock People to the Rescue, Stonedar and Rokkon would hurl themselves downhill in rock form at their enemies. In this issue they put the hurt on Kobra Khan and Webstor, which is in contrast to later stories that would paint the rock warriors as pacifists.

In Escape From The Slime Pit, the rock people are pacifists who hesitate even to defend themselves from the Evil Horde. In the end they defeat the Horde by dazzling them with their shiny armor – a feature that is also mentioned on the back of the packaging. It’s not the most compelling idea for an attack strategy. It perhaps doesn’t help that the armor on the toy isn’t particularly shiny, making the “feature” feel like something of a stretch.

The 1987 Style Guide described Rokkon this way:

Power: Transforms from mighty meteorite into warrior. As a meteor, he can roll into battle to surprise attackers. His rocky body can deflect laser blasts.

Character Profile: Member of the Comet Warriors, a race from another planet.

EDIT: Thanks to Jukka Issakainen for providing a higher-quality image of Rokkon and Stonedar’s Style Guide page.

There was also a fact file published on both comet warriors in the 1989 UK MOTU Annual:

Image source: He-Man.org

Animation

Rokkon did not appear in the original Filmation He-Man series, but he did make a couple of appearances in She-Ra. As in the Slime Pit comic and style guide, the rock people are characterized as pacifists. They come to Etheria because the star of their home solar system is on the verge of exploding. The comet warriors immediately get into trouble with the Evil Horde.

In the model sheet below, we see that Rokkon’s early working name in the series was Flint. The name may have been changed because of the G.I. Joe character with the same name:

Other Artwork

Earl Norem illustrated both Stonedar and Rokkon for a poster for the winter 1986 Masters of the Universe Magazine, and, as Matthew Martin pointed out in my previous article about Stonedar, the scene is reminiscent of the illustration that Errol McCarthy did for the style guide (or perhaps, considering the dates, it’s actually vice versa).

Rokkon also appears in William George’s Eternia poster:

Image courtesy of Jukka Issakainen
Image source: Steve Macrocranios

Rokkon in Action

Øyvind Meisfjord has kindly contributed the following image and video of Rokkon in action:

Special thanks to Larry Hubbard for providing the Rokkon figure photographed for this article.

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Heroic Warriors

Laser Power He-Man: Heroic Master of Light Energy (1988)

Written by Adam McCombs

Name: Laser Power He-Man
Faction: Heroic Warriors
Approximate US release date: None – released in Europe in 1988

Laser Power He-Man was released Italy and Spain a year after the end of the Masters of the Universe toyline in the US. He was a figure most North American fans were not aware of until they discovered it online years later. That was certainly true for me. Because the figure was produced in limited numbers overseas, it’s one of the most expensive vintage He-Man toys to acquire today. (Update: I’m also informed that there was some distribution of Laser Power He-Man in Switzerland. Thanks to Olmo for the information.)

Design & Development

In my interview with David Wolfram, he gave some great information behind the development of the Laser Power He-Man, and his evil counterpart, Laser-Light Skeletor:

Laser light Skeletor and the corresponding He-Man were both done for the international markets. The domestic MOTU line was essentially dead after the 1986 (or maybe 1987, it is hard to remember precisely). Pre-Toy Fair, which was a Mattel-only event held in August in Scottsdale for many years. I remember the marketing person saying that no domestic buyers even wanted to go in the gallery.

However, the international markets were a couple of years behind in their product cycle, so they wanted a few pieces of new news. It just so happens that one of the new MOTU segments we had been looking at was a “Power Crystal” segment with crystals “powering” vehicles, interacting with playsets, etc. The He-man and Skeletor were borrowed from that segment.

While MOTU was tanking domestically, it was still going strong internationally, which was a year behind in the product cycle. This was done to have something new for that market. LISA (the light transmitting plastic) was a fairly new “shiny toy” for the designers at the time, so that was the hook for that segment. I think Martin did the final He-Man design. I frankly don’t remember for what purpose I did that awful He-Man illustration for, but I’m sure that it was after the fact (and most likely rushed), and I’m sorry that it has survived.

David Wolfram

A few things to unpack there. David mentions some artwork that he did for Laser Power He-Man. Martin Arriola was the actual designer of the figure, but David did a study of the character, seen below. The concept has white boots and a kind of white collar at this stage of his design. He has the familiar combined “HM” emblem on his belt, used on figures like Battle Armor and Thunder Punch He-Man:

Artwork by David Wolfram. Image source: The Art of He-Man/The Power and the Honor Foundation

David also mentions a power crystal segment, where crystals would be used to power playsets and interact with toys. We certainly see evidence of that in concept art by James McElroy for various crystal powered vehicles and playsets, and in an early Laser Power He-Man prototype:

Crystal powered capture accessory, by James McElroy. Image source: The Power and the Honor Foundation/Dark Horse
Crystal powered Battle Base, by James McElroy. Image source: The Power and the Honor Foundation. Laser Power He-Man is shown with the playset.

There was some discussion of making the He-Man “crystal segment” into an interactive TV series, as noted in the concept art below. Mattel abandoned that idea for He-Man and instead implemented it with Captain Power:

Image source: The Power and the Honor Foundation. Note that we see roughed out Laser Power He-Man and Laser Light Skeletor figures with the “Harm Arm”
Captain Power ad. Image source: He-Man.org

The earliest known prototype for Laser Power He-Man keeps the general shape of the concept “collar” piece, but it’s turned into a backpack. His color scheme has a lot more blue in it, which will persist to the production toy.

Behind his head you can see the green crystal that his segment would have been based on. This prototype is a kind of kit bash, with arms from the original He-Man figure, hands borrowed from Rio Blast, and what looks like the original He-Man’s legs, hacked up and straightened out. The face looks pretty close to the original He-Man, but with updated hair.

Crystal-powered Laser Power He-Man prototype. Image source: Grayskull Museum
Crystal-powered Laser Power He-Man prototype. Image source: Grayskull Museum
Image source: Antieternia Facebook page
Image source: Grayskull Museum
Image source: La Cueva del Terror

In the next stage in Laser Power He-Man’s development, we see him with his final, newly sculpted body, which included silver gloves and a smaller belt. The green crystal was removed from his backpack, and some subtle changes were made to his harness. His face has also been modified. Instead of bearing his teeth, he’s been given a more placid expression.

Image source: Grayskull Museum
Image source: MOTU Vintage Toys Facebook page
Image source: Grayskull Museum

Interestingly, a New Adventures sized version of this early Laser Power He-Man design was created by Mattel, as shown in the was prototype image below. Perhaps Mattel was originally considering using the Laser Power He-Man design as their New Adventures He-Man:

Image via Geeks Antiques

Action Figure

The final Laser Power He-Man figure design has a somewhat simplified harness/backpack design, and a much modified light up power sword design, but otherwise is fairly similar to the previous prototype:

Laser Power He-Man cross sell art, with unpainted gloves.

As with Laser Light Skeletor, the figure’s light up feature is activated by raising his right arm. A wire is snaked from the sword, under the armor on the right arm (which seems to exist only to hide the wire) and into the backpack. The light in the sword is powered by an AA battery that fits in the backpack.

The Italy release (shown below) has the newly sculpted head, which some have speculated is supposed to resemble Dolph Lundgren, who played He-Man in the 1987 Masters of the Universe Movie. Alternatively, it could resemble some actor who might have starred in the (never produced) interactive He-Man TV show. That’s purely speculative – they might not have had any actors in mind for the series.

Looking at this and the early prototype closely, however, I think the most likely interpretation is that it’s just supposed to look like the original He-Man’s face sculpt, but with a more neutral expression and updated hair.

Like Laser-Light Skeletor, all of Laser Power He-Man’s tooled parts are unique to the figure:

Image source: He-Man.org
Replica figure

Laser Power He-Man was also produced in Spain. The Spanish versions are marked Italy, but they can be easily distinguished by the fact that they use the original 1982 He-Man head sculpt (images and videos courtesy of “NoPatricioNo”):

Image via eBay
The figure has ball-jointed legs, as opposed to the rubber connectors used in most MOTU figures.

Packaging

Laser Power He-Man was sold on an oversized card. There’s some nice artwork on both front and back. The artwork on front appears to be by William George, per Axel Giménez and Jukka Issakainen.

Image source: He-Man.org
Image source: He-Man.org
Artwork by William George

The card art on the front and back differs just a bit from the actual figure. It shows He-Man with bare hands, a black hilt on his laser sword, and a kind of brass knuckles like strap around his right hand. No doubt this represents a late stage concept or prototype design.

Update: I got a bit more information about dates and card types for the Laser figures from Dani Ramón Abril, of Yo Tengo el Poder :

I wanted to comment The Lasers were sold in 1988 in Europe with Eurocard (England, Germany, Italy and France) and in 1989 in Iberocard (Spain and Portugal).

Spanish Advertising

The catalog that came packed with the Spanish figures cross sell art of both figures:

Image source: He-Man.org

The cross sell art also appears on these Spanish stickers:

The Yo Tengo el Poder site has unearthed a couple of other interesting Spanish ads featuring both laser figures:

Image source: Dani Ramón Abril
Image source: Yo Tengo el Poder

There is also a great 1989 mini magazine published in Spain that features the Laser figures, which comes by way of La Cueva del Terror.

Masters of the Universe Club comic

The French Club Maitres de l’Univers magazine published a comic featuring early concept versions of Laser Power He-Man and Laser-Light Skeletor, alongside characters whose figures were released in 1987 (images are from Nathalie NHT):

Into the Future

Because Laser Power He-Man was only released in Europe and at the very tail end of the line, he doesn’t appear in many stories or comics. I think he has a pleasing futuristic design. Not as exciting as Laser-Light Skeletor perhaps, but overall a nice take on a space age He-Man.

In many ways, Laser Power He-Man represents an intermediate step in the evolution of the the New Adventures He-Man figure from the rebooted 1989 line. The “New Adventures” He-Man figure was also designed by Martin Arriola. His colors and costume are quite different from Laser Power He-Man, but he does feature a translucent “laser” sword, which persisted in Martin’s futuristic He-Man designs:

Right to left: New Adventures Thunder Punch He-Man, Battle Punch He-Man (designed by Mark Taylor), 1989 He-Man, and Laser Power He-Man (replica)

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Heroic Warriors

Thunder Punch He-Man: Heroic leader with loud power punch (1985)

Written by Adam McCombs

Name: Thunder Punch He-Man
Faction: Heroic Warriors
Approximate US release date: August 8, 1985

Thunder Punch He-Man was the “deluxe” version of He-Man that everyone in my grade school peer group coveted. The counterpart to Dragon Blaster Skeletor, Thunder Punch He-Man had a new and exciting action feature – you could load a ring of caps (of the kind typically used in toy revolvers of the era) into his backpack, twist his waist back, and he would spring forward with a power punch and a loud bang. It was quite the upgrade over the power punch feature typical of the line.

There were actually two commercials for Thunder Punch He-Man. The first was quite in line with the style of most MOTU commercials from 1982-1985, Gregorian chant and all. The second features an unfortunate attempt at making He-Man cooler by adding a rap:

Design & Development

I’m not sure ultimately who created the visual look for Thunder Punch He-Man. The idea for giving He-Man the action feature may have begun with Roger Sweet, who created this illustration using the standard Mark Taylor He-Man visual design (but with the updated HM symbol on the chest, from the Battle Armor variant):

Image source: The Power and the Honor Foundation

There is a second piece of concept art related to Thunder Punch He-Man, below. The artist is unknown unfortunately (I checked with both Ted Mayer and Mark Taylor, and neither know who might have drawn it). The Thunder Punch costume is certainly recognizable. The shield is round, unlike the production shield, but it does look like caps are integrated into it somehow. Interestingly, He-Man is given an articulated jaw in the illustration below. Update: the concept art below is not for actual figures, but rather for a cardboard store display. A big thanks to Emiliano Santalucia for the correction!

Image source: Tomart’s Action Figure Digest

On January 3, 1985, Mattel filed a Patent Claim for Thunder Punch He-Man’s action feature. The inventors are listed as Larry H. Renger and Mike T. McKittrick. The gist of the design is that when the torso was twisted back, a spring loaded hammer inside the chest would cock. Upon releasing the torso, it would twist back to center and the hammer would be released, striking against the cap loaded in the backpack and making a loud bang sound to coincide with He-Man’s punch.

A close to final design for the figure can be seen in the cross sell art for the figure, as shown below. Really the only difference here from the production figure is that this one is shown with a gray sword and silver shield, while the actual figure was produced with a gold sword. Some versions had a vac metal silver shield, and others had a vac metal gold shield:

Cross sell art closeup, from The Art of He-Man

Action Figure

From Mattel’s 1985 dealer catalog

Silver shield version

Sculpt wise, the figure featured all new parts apart from the head and sword. The legs were based on the original, but he was given bigger feet to make him more stable. The sculpt unfortunately on the arms and torso is a bit soft and unfinished looking compared to the original. Befitting his action feature, his right fist is closed, ready at any time for a thunder punch. He also has painted bracers, something previous versions didn’t get.

His boots have white fur tops, which was actually how He-Man had been previously illustrated by Rudy Obrero and R.L. Allen. Earl Norem would occasionally depict him like that as well:

He has a new harness design, sculpted onto the chest rather than as a separate piece. He keeps the “H” logo that first appeared on Battle Armor He-Man, and which also appeared on the side of the Dragon Walker and on Flying Fists He-Man. The symbol looks like a blend between an H and an M.

His power sword can fit in his shield, but the shield can also be used to carry a ring of caps.

Packaging

Thunder Punch He-Man came on an oversized card, with art on the front by William George, and art on the back by Errol McCarthy:

Line art by William George. Image source: He-Man.org

Artwork by William George, image courtesy of Jukka Issakainen
Line art by Errol McCarthy. Image source: He-Man.org

Errol McCarthy also made several other illustrations featuring Thunder Punch He-Man:

The figure came with two rings of caps, but you could also purchase more He-Man branded caps on a separate card (made by Larami). The figure would work with any brand, as long as it was the same size and formation (images via He-Man.org):

Thunder Punch He-Man was also released in two gift sets – one with Orko and one with Roboto.

Style Guide

The 1987 Style Guide makes mention of He-Man’s thunder punch power, as well as his Battle Armor and his Power Sword:

Weapons: His Sword of Power is fused with the combined wisdom and strength of all ancient Eternian Elders. The Battle Armor designed for him by Man-At-Arms allows him to withstand the mightiest blows of battle and the special gift from the Sorceress allows He-Man to deliver a punch so powerful, it creates a thunderous boom that strikes fear in the hearts of all who are evil and helps He-Man blast through barriers of all kinds.

1987 Style Guide

Comics and Stories

The figure came packed with the minicomic, The Treachery of Modulok, which also came with Modulok, of course. In the story, when Prince Adam transforms to He-Man, he finds himself wearing his new Thunder Punch costume. The Sorceress explains that it’s a gift from Castle Grayskull. Later in the story, he uses his new power to punch through Hordak’s force field and stop Skeletor in his Land Shark from reaching Castle Grayskull:

Thunder Punch He-Man appears in the 1986 winter issue of Masters of the Universe Magazine, using his punching power to make a shortcut through Hordak’s maze:

Artwork

Thunder Punch He-Man appeared on a couple of posters by William George, in Joe Chiodo’s box art for Mantisaur, and in the box art for Monstroid (artist unknown):

Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by William George. Image courtesy of Jukka Issakainen.
Artwork by Joe Chiodo
Artist unknown

Thunder Punch He-Man to me isn’t the most visually exciting of the He-Man variants, but his action feature was one of the most fun to play with in the vintage MOTU line.

Thunder Punch He-Man in Action

Øyvind Meisfjord has graciously contributed the following image and video showing Thunder Punch He-Man in action:

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