Heroic Warriors

Fisto: Heroic hand-to-hand fighter (1984)

Written by Adam McCombs

Name: Fisto
Faction: Heroic Warriors
Approximate US release date: August 3, 1984

My  introduction to Fisto came in first grade, when a classmate pulled out several of his newest He-Man figures to show the rest of us. The three figures I remember him showing us were Tri-Klops, Jitsu and Fisto.

I already owned Tri-Klops from back in Kindergarten, but I hadn’t seen these two new figures with their spring-loaded right arms that terminated in either a giant metallic fist or chopping hand. The entire group was suitably impressed, and we each took turns testing out their action features.

In the commercial above, Fisto is pitted against Clawful, another character from 1984 with an enlarged right “hand”. I don’t know if that’s because the Jitsu action figure wasn’t quite ready yet, or if they thought that Clawful would sell more. Jitsu seems like a more obvious nemesis for Fisto.

Image source: Wishbook

Fisto was created by Mattel designer Colin Bailey (see: my interview with Martin Arriola). Although no concept art for Fisto has been either found or at least made public, there is an image of his prototype.

The image below, which can be found on both He-Man.org and Masters Unbound, shows a prototype built around the basic He-Man buck. The sculpt for his metal fist and armor is a bit rough, with noticeable divots and irregularities. He seems to have larger eyebrows compared to the final toy. This version also has the standard He-Man arms. The final version of Fisto would have enlarged deltoids to accommodate the width needed for the spring-loaded arm mechanism. He would also be given a closed left hand to allow him to better hold his sword. In this case, the sword is an unmodified copy of Tri-Klops’ sword, but the final toy’s sword would be cast in purple.

The cross sell artwork created for Fisto, at first glance, appears to be identical to the finished toy. But upon further examination, this one still has the standard He-Man arms, complete with open left hand. This time his sword is the correct purple color:

Image courtesy of Axel Giménez

Compare that to the final toy, which has the changes discussed previously:

The sword, I think, is an odd choice, given the figure’s action feature. I would think a blunt weapon, like a mace or a hammer, would be better suited to Fisto’s fighting style.

Like many MOTU figures, Fisto was had some variations depending on country of origin or date of manufacture. Malaysian figures have a larger, more hollow head, with much darker purple boots, belt and armor. Various Hong Kong figures have medium or light purple armor, belt and boots. Some have brown hair, and others have auburn or bright red hair:

There were also a couple of versions that came with a purple Jitsu sword.

For the single carded figure, the artwork on the back was done by the venerable Errol McCarthy, which shows Fisto giving Skeletor a knock-out punch:

Here is the line art from the Fisto cardback, via He-Man.org:

Some more great Fisto-related artwork from McCarthy:

Fisto was sold in a JCPenny two-pack with Buzz-Off. The box had minimal artwork – the black and white line art that Mattel shipped out to retailers for use in ad copy.

Image via Grayskull Museum

Fisto was also sold in a gift set with Stridor, with great piece of artwork that seems to have been illustrated by William Garland, based on its style.

Image via Grayskull Museum

Fisto is often associated with Stridor, just as Jitsu is associated with Night Stalker. It’s a rather unique relationship. In general He-Man seems to be given the heroic vehicles and steeds and Skeletor is given their evil counterparts. But Fisto seems to have been deemed a strong enough character to merit his own steed. That’s certainly the case in one of my favorite mini comics – The Clash of Arms.

In the story, Fisto, riding on Stridor, is ambushed by Clawful, Tri-Klops, Webstor, and Jitsu. He is captured and forced to fight for his life in Skeletor’s arena. He’s successful in beating off Clawful and Jitsu in turn, but Whiplash nearly spells the end for Fisto before He-Man comes in and breaks up the fight.

Another notable Fisto story in the mini comics is Masks of Power. In this tale, Fisto and He-Man are obliged to team up with Mer-Man and Skeletor to stop two little demons who have stolen powerful masks and threaten to take the power sword.

In Skeletor’s Dragon, Fisto doesn’t play a major role, but there is a fun sequence where the heroes are testing their strength. Fisto bests Man-At-Arms at the “tower of power”, but of course when He-Man takes his turn, he sends the mechanism into orbit:

Fisto plays some substantial roles in several of the Golden Books stories. In Secret of the Dragon’s Egg, Fisto, again paired with Stridor, leads the search for the coveted Dragon’s egg, and battles against Beast Man and invented villain Goat Man:

In The Magic Mirror, Fisto is replaced by a mirror image duplicate (Skeletor in a magical disguise).  Skeletor is discovered when He-Man notices that “Fisto’s” steel fist is on his left hand rather than his right.

In Demons of the Deep, Fisto, He-Man and Ram Man discover an underwater duplicate of Castle Grayskull inhabited by Skeletor, who controls some nasty robot sea monsters.

In the Filmation He-Man cartoon, Fisto’s design is, as usual, simplified for animation. The most noticeable change in design here is that he is given an enlarged fist even compared to the one on the Mattel toy.

Fisto is also given an origin story. In “Fisto’s Forest”, we learn that Fisto, like Man-E-Faces, started out as a villain. He’s a loner who lives in the woods and makes trouble for anyone he comes across. Eventually (and somewhat abruptly) he sees the error in his ways and joins forces with He-Man.

Personally, I remember Fisto best from the episode, “To Save Skeletor.” In the story, Fisto and his compatriots must save the evil warriors (Trap Jaw, in the frame below) from the Lovecraftian demon Sh’Gora.

Fisto appears in a number of posters, including works by Esteban Maroto, Earl Norem and William George:

Artwork by Esteban Maroto
Artwork by Earl Norem
Artwork by William George

In my mind, Fisto is one of the few heroic warriors who I could see as a leading character in his own spin-off series (I’d say the same Teela and perhaps Zodac). Like most characters released after 1982, he’s a bit gimmicky, but not to the point where he becomes overly silly. I could see a series of comics where Fisto and Stridor explore the savage wastes of Eternia, challenging evil warlords, winning the hearts of bar maids, and causing lesser men to quake at the sight of his mighty beard.

Want to support the blog? Consider becoming a Patreon supporter. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!

Artwork

Box Art From A-Z, Part One: 1982

Written by Adam McCombs

One of the best things about getting new He-Man toys as a kid was the box art. The toys were of course amazing and fun, but personally I spent almost as much time staring at the boxes as playing with the toys. I remember being pretty heartbroken when my mother made me throw away my Castle Grayskull and Battle Ram boxes. She saw them as clutter, but for me they were almost stories in and of themselves. You could see whole adventures unfolding in a single painted scene.

Unfortunately, good photographs or scans of the original art are not available for every piece. If you happen to have a nicer images than I do (higher resolution, better composition, etc), please do feel free to share, and I’ll make an update! For pictures of the packaging itself, a neutral (white or black) background is preferred. High resolution scans of the artwork, where it appears without logos, would be ideal. Bottom line – if you have better images than I do, please share them!

One final note: I’m defining box art as the front-facing painted artwork that appeared on boxed Masters of the Universe toys. The illustrations on blister card packaging, then, are outside the scope of this series.

Part One: 1982

Name: Battle Cat
Year: 1982
Artist: Rudy Obrero
Description: He-Man sits astride an unhelmeted Battle Cat, with his axe and shield at the ready. Castle Grayskull looms in the background, partially shrouded in mist.

Name: Battle Ram
Year: 1982
Artist: Rudy Obrero
Description: Due to the folded shape of the box, this piece of artwork is in two sections. In the top two thirds of the artwork, He-Man flies the front half of the Battle Ram (Sky Sled) against enemies on similar flying vehicles, while a battle rages below. Several back halves of Battle Rams are launching missiles. Skeletor, Beast Man, Stratos, Man-at-Arms and Teela are seen, along side a warrior with a horned helmet, and Castle Grayskull in the background. The bottom section of the artwork features He-Man navigating rocky terrain in the complete Battle Ram, as several evil Sky Sleds attack him from the air.

Name: Castle Grayskull
Year: 1982
Artist: Rudy Obrero
Description: Skeletor stands ready just inside Castle Grayskull, while He-Man, Teela, Man-At-Arms, Beast Man, Stratos and Zodac prepare to attack. Several Jet Sled-like vehicles fly overhead.


Name: He-Man and Battle Cat
Year: 1982
Artist: Rudy Obrero
Description: In a misty, rocky wasteland, He-Man rides Battle Cat into battle, accompanied by Man-At-Arms. Skeletor and Beast Man ride their own Battle Cats into Battle, accompanied by Mer-Man.

box-art-logo-1
Artwork with added logos (just for fun)


Name: He-Man and Wind Raider
Year: 1982
Artist: Rudy Obrero
Description: In a misty, rocky wasteland, He-Man pilots the Wind Raider against Skeletor, Beast Man, a mysterious warrior in red, and shrouded hordes of barbarian warriors. In the background, laser fire erupts from Castle Grayskull.


Name: Wind Raider
Year: 1982
Artist: Rudy Obrero
Description: Due to the folded shape of the box, this piece of artwork is in two sections. In the top half or so, He-Man uses the Wind Raider’s anchor to destroy a section of Castle Grayskull, while unknown enemies piloting their own Wind Raiders attack him. In the lower section of the artwork, the Wind Raider has landed, and He-Man and Teela battle against Skeletor, Beast Man, Stratos and hordes of unknown enemies.

Image source: Grayskull Museum

Articles in this series:

Want to support the blog? Consider becoming a Patreon supporter. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!

Heroic Warriors

Buzz-Off: Heroic spy in the sky (1984)

Written by Adam McCombs

Name: Buzz-Off
Faction: Heroic Warriors
Approximate US release date: April 28, 1984

Buzz-Off is one of those figures that I never owned as a kid and had limited exposure to in general. I remember seeing him only once in the wild – when visiting some distant relatives for the first time. I remember their son showing me his He-Man collection, which included Mekaneck and Buzz-Off (the first time I had seen either figure in person).

My exposure to him as a character otherwise was mostly punctuated by his appearance in the Filmation cartoon episode, “Disappearing Dragons”, and his inclusion in a couple of my favorite mini comics.

Buzz-Off first appears in the December 1, 1982 Masters of the Universe Bible, under the name Bugoff. I believe that many of the characters listed in the Bible were just very early “back of the napkin” ideas without much development. In this case, Bugoff was based on a beetle rather than a bee, although Buzz-Off retained the high-tech wings in the description below:

BUGOFF* – part man, part beetle, but with high-tech wings, flies swiftly and fast. His sword and lance are his stingers. Bugoff’s beetle-like armor protects him from many dangers including some of the laser weapons of Skeletor and his crew.

*These names are not set yet and may change

In July of 1982, Colin Bailey finished an illustration of a character called Wasp Man, who has many design touches in common with the final Buzz-Off action figure. He has the wings pinned to his back, the yellow and brown striped chest, the helmet with the enlarged insect eyes, the clawed hands, and the  enlarged monster toes.

Concept Wasp Man, by Colin Bailey. Image source: The Power and the Honor Foundation/The Art of He-Man

There are a few differences from the final figures as well. Wasp Man has spiny protrusions on the sides of his lower legs, and it looks like his clawed hands were supposed to be gloves. His thighs lack the bony protrusions of the final toy. He has white fur around his shoulders and head, and his wings are white and almost moth-like. But the most obvious difference is the head – it’s a reuse of He-Man’s head. From the working name Wasp Man it doesn’t sound like he was supposed to be a kind of He-Man variant, so the idea of reusing the head from the main protagonist in this way is rather bizarre. Then again, it’s possible that part of the original He-Man head was used as a basis for Mekaneck, so it’s not unheard of.

In this early mock-up of the figure (below), we see a hand-painted mashup of parts, with He-Man’s head (with brown hair instead of blond) and limbs borrowed from Zodac. The striped chest on this piece almost seems to resemble a rib cage. You can see some very thin insect wings on his back, and of course a large helmet with a somewhat creepy-looking insectoid face.

Image source: The Power and the Honor Foundation Catalog, Volume One

Given the parts used here, as compared to the concept drawing, it’s likely that Buzz-Off’s limbs had not yet been sculpted, and the designers went with the closest analogs they had on hand.

Interestingly, there was a version of He-Man released with brown hair – often called Savage He-Man (or erroneously “Wonder Bread He-Man”), he seems to have been been given out as part of a promotion, but otherwise very little is known about him. He may not have anything to do with Buzz-Off, but I thought it was an interesting little connection.

Image courtesy of Arkangel

Roger Sweet designed a character called Mandible Man, who seems to fit the description of Bugoff from the MOTU Bible. Mandible Man even shares the limbs and torso that Buzz-Off had (also used selectively on Clawful and Whiplash). Colin Bailey’s design for Wasp Man don’t seem to exactly match those final sculpted parts, although it certainly looks like an early pass at them. Mandible Man appears to have been made with the exact final sculpted Buzz-Off/Whiplash parts in mind. Putting on our historian’s hat, that should tell us this design came after these parts were sculpted, and Wasp Man came before.

Mandible Man, by Roger Sweet. Image source: The Power and the Honor Foundation Catalog, Volume One

The final version of Buzz-Off is mostly derived from the original Colin Bailey artwork. Wisely they decided to give him a unique insect head, which has none of the creepiness of the prototype model’s mask. The final, hand-painted prototype appears in the promotional image below:

Final prototype.

The hand-painted prototype also appears in a 1984 Mattel German catalog. In this imeage you can see that the model appears to have been cast in pink and painted over by hand.

Image courtesy of Olmo

This cross sell artwork used to promote the toy is quite faithful to the design of the final prototype. The final prototype itself is identical to the final toy, except for the eye color, which was changed to blue/green for the mass-produced toy.

Buzz-Off cross sell artwork. Image courtesy of Axel Giménez

His clawed arms have the same spiky protrusions as the concept art, although now they look like a part of his anatomy. Similar structures were added to his thighs. His helmet was removable, but so loosely fitting that it was easily knocked off. For a weapon he was given a brown version of the axe from Castle Grayskull’s weapons rack, albeit with an extra loop to allow him to hold it. Even so, it didn’t work terribly well – had his claws been rotated 90 degrees, he could have held the weapon much more naturally.


One my my favorite things about Buzz-Off is the design of his chest. The brown area is covered in little bumps, while the yellow bands that go around this chest are mostly smooth, with a few alternating ridges. That makes him wonderfully tactile in hand.

His wings are quite remarkable as well. Cast in translucent yellow, they have little mechanical parts throughout the structure. There are lots of details to discover in this toy.

Although Buzz-Off’s limbs are technically new pieces, it is apparent that they were made by modifying the original arms and legs used on He-Man. The musculature, in the areas where there are no added ridges or bumps, is identical.

Update: there was a proposed Top Toys variant with pink wings that was tested but never released. Images courtesy of Rufus, via MOTUOriginsCork:

The action illustration on the back of Buzz-Off’s card was done by Errol McCarthy. There are actually two different versions of the illustration on the printed cardbacks. Both of them are different from an earlier take that Errol drew that was not used. I’ll show them in what I believe is the order of design. You can see that Buzz-Off starts off with feet that are quite bird-like in the line art version below:

Cards marked “NEW!” on the front (representing the early release cards) often feature the illustration below on the back, which is similar to the illustration above, but with feet that are a bit closer to the shape of the toy:

The more common version of the cardback illustration has feet that are closer still to the look of the toy, with thicker toes and clearer delineation between claws and feet. The image is also flipped in mirror image from the original.

McCarthy also illustrated Buzz-Off (along with many other characters) for licensed He-Man T-shirts. This one has feet reminiscent of Skeletor’s:

Image source: He-Man.org

Buzz-Off was also sold in a gift set with Moss Man and Mekaneck, and in a JC Penny two-pack with Fisto.

Image via Grayskull Museum

Buzz-Off makes a couple of appearances in the MOTU box art, in the illustrations for Battle Bones and The Fright Zone. Both were painted by William George:

Buzz-Off also shows up in a few posters by Earl Norem and William George:

Buzz-Off shows up fairly frequently in the mini comics. My favorite appearances are in He-Man and the Insect People and The Obelisk, due in large part to the artwork by Alfredo Alcala.

In Insect People, He-Man, Teela, Buzz-Off and Mekaneck discover a race of insect-like people living under ground. Apparently, however, they are unrelated to Buzz-Off and no mention is made of any kind of connection between the two (mini comic images via the He-Man and the Masters of the Universe Mini Comic Collection).

In The Obelisk, Buzz-Off plays a much more active role in the story, first as spy, and then as a warrior who manages to send Skeletor running:

Buzz-Off is also a major character in Grizzlor: The Legend Comes Alive! Buzz-Off scares his compatriots (Man-At-Arms, Fisto, and Teela) with a spooky campfire story about a legendary monster called Grizzlor, who turns out to be very real.

Buzz-Off is a frequent collaborator with Mekaneck, not only in the mini comics but also in the Filmation He-Man cartoon series. Both of them are supposed to be spies, although in a fight I think Buzz-Off’s claws and axe (or stinger lance, which he used in the cartoon) would come in a lot more handy than Mekaneck’s periscoping neck and ornate club.

In the cartoon, Buzz-Off is part of an entire race of bee people. This is one of the few times an animalistic character is said to be part of a larger race of sentient beings in the cartoon series.

Several years back, The Power and the Honor Foundation shared this early model sheet for Buzz-Off (edit: Dušan Mitrović informs me that this was called Bug-Off at the time), which is based off of Colin Bailey’s original concept drawings. Often Filmation would go with concept designs rather than final toy designs given the lead time required to produce an episode. In this, case, however, they ended up going with a simplified version of the final toy design.

Buzz-Off is also a recurring character in the Golden Books series of He-Man books, although perhaps his strongest appearance is in The Rock Warriors:

Buzz-Off seems to have been fairly popular, given the relative frequency of his appearances in the cartoon and mini comics. He was even offered as a Halloween costume by Ben Cooper back in 1985:


Conceptually, Buzz-Off is not so different from characters like Mer-Man or Beast Man. Like them, he is a kind of human/animal hybrid. The bee motif does make him seem less serious, but he remains a personal favorite of mine.

Image source: Wishbook

Want to support the blog? Consider becoming a Patreon supporter. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!

Evil Vehicles

Roton: Evil assault vehicle! (1984)

roton-graphic

Written by Adam McCombs

Name: Roton
Faction: Evil Warriors
Approximate US release date: March 11, 1984

Roton was a toy that, as a kid, I admired from afar, but was never able to own (at least until many years later). I remember very clearly going over to my friend Tyson’s house in first grade and being bowled over by his collection, which dwarfed mine. Among other things I got to see in person for the first time toys like Zodac, Stratos, and the amazing Roton.

roton-fr-catalog

Design & Development

December 1, 1982 marks the earliest known mention of Roton, where it appears in the Masters of the Universe Bible. It was originally conceived as a vehicle for the heroic warriors:

ROTON – when this vehicle’s in the fight, He-Man’s enemies scatter, literally. He-Man rides atop the round vehicle which has a swiftly moving buzzsaw sipping around its center. Instead of blades, the buzzsaw’s blunted, club-like appendages sweep away anything or anyone in the way.

In a way, conceptually the Roton seems to have been merged with another early idea, called the Tornado Traveler (also from the MOTU Bible):

“TORNADO TRAVELER* – a wild, whipping flying craft which only Skeletor can control through the skies of both Infinita and Eternia. Whenever it appears it’s preceded by a violent windstorm.”

While the Roton seems to have been originally intended as a ground assault vehicle, its spinning blades make it look like it could plausibly fly, and so it was often depicted that way.

A couple of early concept drawings related to the Roton appear in The Power and the Honor Foundation‘s Catalog Volume One. Both are illustrated by Ed Watts.

The first is a Roger Sweet concept call the Gyro. This does not seem to be directly related to the Roton, as the drawing is dated September 17, 1983, and the Roton had its name set already in December of 1982 and the trademark filed on August 22, 1983. Still, the rotating blade concept is very similar.

gyro-ed-watts
Gyro, by Ed Watts. Image source: The Power and the Honor Foundation Catalog, Volume One

This undated drawing by Ed Watts shows a Roton that bears close resemblance to the final toy, with some key differences. The color scheme is red and white. The design around the sides is in keeping with the look of the final toy, except the decals are simple triangular shapes. The face on the front is quite different, as is the design of the seat back. All in all this version looks much less monstrous. I would guess that at this point it was still intended to be a heroic vehicle.

roton-2-ed-watts
Artwork by Ed Watts. Image via The Power and the Honor Foundation Catalog Volume One

However, up until this point in the line (1984), there hadn’t been a single vehicle produced that was specifically intended for the Evil Warriors. Perhaps with that in consideration, the design was changed to make it look more sinister:

roton-axel
Roton cross sell art. Image courtesy of Axel Giménez

The above cross sell art, which matches exactly the look of the final toy, shows what changes were made to make the Roton fit with Skeletor’s crew. The vehicle was now black, with red blades. The face on the front became much more monstrous, and organic-looking spiny plates were added to the back side of the vehicle. The shape of the twin guns on the front was also overhauled.

Packaging & Toy

William George did the packaging artwork for the Roton. In his illustration, the vehicle is cruising along the ground, as a lizard and a tiny demon-like creature look on. George often included little creatures like this in his artwork.

roton-brb-scan
Image scanned by me, repaired by Retroist

The toy itself is relatively compact and simple. No batteries were required. You simply rolled it along the ground, and an internal set of gears would cause the buzz saw to rotate with a satisfying (or annoying, if you’re a parent) clicking sound. Of all the evil vehicles, this one seems to lend itself most to fleet-building. Like the Battle Ram, it works as a ground or air assault vehicle.

Model Kit & Artwork

Monogram produced a model kit version of the toy, as they did for the Attak Trak and Talon Fighter. In the case of those two vehicles, Monogram based the models on early prototypes or concept drawings of the toys. I wonder if that isn’t also the case with the Monogram Roton. It looks closer to the final toy than the to the Ed Watts concept art, but there are a few differences as well, the canopy being the most obvious one. Larry Elmore did the packaging artwork:

Curiously, the Roton doesn’t show up once in the mini comics, while the Land Shark (released a year later) shows up in multiple comics across multiple years.

Errol McCarthy illustrated this scene of Skeletor “mowing the grass” in the Roton. I believe this was intended for use on a T-shirt:

The Roton makes some prominent appearances in Golden Books stories, including Dangerous Games, The Rock Warriors, Secret of the Dragon’s Egg, and The Magic Mirror:

The vehicle also plays a supporting role in the Lady Bird story, He-Man and the Asteroid of Doom (images via He-Man.org):

The 1985 German Masters of the Universe Magazine is mostly filled with toy photography, but it does include a short comic story, and the Roton is a formidable presence:

The Roton appears in the background of a few different posters by Earl Norem and William George:

1984-crop
1984 poster by William George
lake-of-mystery-norem-crop
From “Lake of Mystery” by Earl Norem
norem-roboto-crop
Poster for MOTU Magazine by Earl Norem

Animation

2855614768_aef6eb084d_o

The Roton made several appearances in the Filmation He-Man cartoon, although it was never a regularly used vehicle. The Filmation design is simplified for ease of animation, and its buzz saw has longer (but fewer) blades, but otherwise it’s fairly true to the toy design:

roton-6

roton-5

Advertising Images

Of all the evil vehicles produced for the line, the Roton is my favorite. You just have to take one look at it and you immediately get what it’s about and you feel sorry for any heroic warriors who have to go up against it.

page_33
From the 1984 Mattel Dealer Catalog. Image via Orange Slime.
page_153
From the 1985 Mattel Dealer Catalog. Image via Orange Slime.
1

Roton in Action

Øyvind Meisfjord has kind contributed the following image and video of the Roton in action:

Want to support the blog? Consider becoming a Patreon supporter. You’ll also gain access to exclusive content and early access to posts on the blog. Thank you!