Evil Warriors

Faker: Evil robot of Skeletor (1983)

Written by Adam McCombs

Name: Faker
Faction: Evil Warriors
Approximate US release date: April 17, 1983

When I was a kid, I was first introduced to Faker when visiting with a friend. I don’t remember him being a highly demanded figure among my peers. I liked him but I don’t remember begging my mom for a Faker figure. But among the adult collector community, Faker (along with Zodac) seems to have garnered something of a cult following. I can’t quite put my finger on why that might be, but at the gut level I’m right there with the rest of the fans.

By the time Faker was released in 1983, Mattel would have known they had a hit on their hands with Masters of the Universe. The brand had already made many millions of dollars in 1982, the year of its introduction. So was Faker released because he was cheap to make and the profit margins would be higher than other figures? Or was it because he required no new tooling and would allow Mattel to have another figure out in the market without much lead time? I tend to think it was the latter. New tooling would take time to put together, and Mattel showed they were willing to invest in new sculpts in the 1983 lineup. Meanwhile I would think they would wish to capitalize on the unexpected success of the MOTU line as quickly as possible.

Update: upon further reflection I also think Mattel was taken off guard when their lead MOTU designer, Mark Taylor, suddenly resigned. It took them some time to recover, and faker was a quick and easy way to get a figure started while they got some replacement designers started on the brand.

In terms of design, Faker is, very simply, a He-Man figure with Skeletor’s sword and armor, recast in eye-catching candy colors.

It’s been hypothesized that Faker’s blue skin was chosen because it’s the opposite color value of He-Man’s. That’s certainly true, although the negative version of He-Man doesn’t have the purple and orange elements of Faker:

Negative He-Man

In terms of parts reuse, no other figure was as direct a reuse of previous parts as Faker. Even Stinkor and Moss Man (reused from Mer-Man and Beast Man, respectively) got some scent added to their plastic or a coating of green fuzz, in the case of Moss Man. Faker is just Faker. There is something appealing about that design though. Maybe it’s the color scheme. Orange and blue are complimentary colors, after all.

The Faker prototype below is just a repainted He-Man figure. You can see in the image below a bit of the original color coming through on one of the legs. The prototype has the same orange color on the hair as on the armor and sword, compared to the final toy that had dark red hair. You can see this is made from an earlier He-Man figure, because it has the irregular looking belly button common on early He-Man figures. Some production Faker figures lack the belly button, just as He-Man did starting in 1983, but others retain it. The prototype below has red eyes, while the production figure had black eyes.

Prototype Faker. Image via Lulu-Berlu.com by way of Grayskull Museum

It’s possible that the idea of Faker being a robot was not the original concept for the character. In this 1982 color-changing advertisement, illustrated by Alfredo Alcala, Faker is described as having powerful muscles, and there no mention of robotic parts:

Image source: http://www.battlegrip.com/

Faker came with the sticker on the chest, mostly hidden under the armor. It looks like it’s meant to represent his robotic control panel. To me it actually looks more like a reel-to-reel tape system. I like to think that Faker would be rocking out to The Fixx as he launched his assault on Castle Grayskull. The sticker was created by Mattel designer Martin Arriola:

When Faker was released in 1983, he came on the same 8-back card as the original 8 figures. He must have been released in relatively low quantities, as a carded example is tough to come by now.

A rare variant of Faker (made in Taiwan) came with Skeletor’s arms. This particular version is from 1983, but includes the updated cardback with artwork by Errol McCarthy. Unless the figure is carded, it’s really impossible to tell if the figure’s arms were swapped with Skeletors, making it a variant that really only has value if it is carded.

Faker was depicted with Skeletor’s arms in a couple of posters illustrated by William George, and in the reissue card artwork illustrated by Bruce Timm (hat tip to Antoine D.):

Faker as he appeared in William George’s 1986 Eternia poster
Faker as he appeared in William George’s 1987 Preternia poster
Faker illustrated by Bruce Timm, on the 1987 Faker reissue card

There is a lot that can be said about production variants of Faker. The version produced in France had bright purple trunks:

Interestingly, a few early versions of Faker (made in Taiwan) seem to have come with an orange copy of Skeletor’s belt and possibly his havoc staff too:

Image source: “Slayer” via Facelessone

For more discussion on that topic, see this thread.

Probably the most sought-after production variant of Faker is the Leo Toys India version. It came with all of Skeletor’s armor and accessories in either orange or red, and a rather striking bit of paint around the eyes that resembled the Lone Ranger’s mask:

Image source: MOTU Vintage Variants
Leo Faker – pink armor version

The version with pink armor seems to have been patterned after the cross sell art colors:

Faker was also unusual in that he got a re-release in 1987 after having been discontinued for years. The line was struggling at the time, and most new figures were heavily reusing old parts. It must have seemed a good time to bring Faker out of retirement.

Notably, this late version of Faker came with a hard rubber head rather than the soft polyvinyl of the original release. In my opinion the hard heads don’t look as nice. The sculpt seems a bit off and doesn’t have the nice matte finish quality of the hollow polyvinyl heads. As Rahul notes in the comments, these ones had heads cast in orange with painted on faces, instead of the blue cast heads of the original release. Some versions have the larger Thunder Punch He-Man feet as well:

Faker reissue with large feet
Faker reissue with regular feet

Faker didn’t appear in a lot of media. He didn’t show up in a mini comic until his 1987 release with the Search for Keldor mini comic, where he was swiftly dispatched with a spear to the heart from King Randor:

Image via Jukka Issakainen

Faker starred in his own commercial. Apparently this was produced in 1982. Could the figure have been released in 1982? Possibly, but if so, very late in the year. Update: from further research, Faker was not released until Spring 1983.

Faker doesn’t appear anywhere in the 1982 dealer Catalog. He shows up for the first time in the 1983 edition:

Image source

Faker made a brief appearance in the 1984 Masters of the Universe Annual:

He also appeared a few times in illustrations by R.L. Allen and Fred Carillo:

From the Golden Giant Picture Book coloring book (Evil Warriors version), illustrated by Fred Carillo. Image via Bustatoons Blog.
Illustrated by R.L.Allen
Illustrated by R.L. Allen

Faker made a single appearance in the Filmation cartoon. While his design was a bit boring (it’s just He-Man with glowing eyes), it made a lot more sense, plot-wise. If Faker is supposed to be an evil He-Man impersonator, he would only be effective in that role with the same coloring and clothing as the real McCoy. But then, if you wanted something like that as a kid, you would just buy two He-Man figures. I don’t know of many moms who would have gone for that.

At the end of the episode, He-Man defeats Faker and sends him falling down the bottomless pit near Castle Grayskull. Skeletor makes it known that he plans to restore Faker somehow. I like to think that either the trip down the hole or the restoration would somehow have left him permanently blue.

He’s mentioned in the Filmation Series Guide, which predated the airing of the show:

He’s given a similar origin story in the 1984 UK Masters of the Universe Annual:

Image source: Vaults of Grayskull

Finally, making up the whole of Skeletor’s evil gang is Faker, a being created by Skeletor himself with the aim of looking exactly like He-Man, to create maximum trouble and confusion. Unfortunately for Skeletor something went wrong in the spell, and Faker is a miscoloured and negative version of He-Man, easily detectable as the evil being he is. Through magic, Skeletor can make him into an exact likeness, but the spell lasts only a very short time, and the evil creature is soon revealed.

This explains where Faker came from, and why is he blue. The reference to him being “miscoloured and negative” suggests the film negative theory for Faker’s origin may have some merit. Unlike the bio from the Filmation Series Guide, the Annual doesn’t mention that Faker lacks knowledge of He-Man’s secret identity.

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Catalogs

1984 Mattel Toys Dealer Catalog

Written by Adam McCombs

Here is the 1984 Mattel Toys Dealer Catalog. Intended for retailers, Mattel’s dealer catalogs showcased all the latest and greatest releases, along with existing products within its various current (at the time) toy lines. New products are highlighted here with a “New For 84” graphic. New releases included:

  • Snake Mountain
  • Dragon Walker
  • Road Ripper
  • Stridor
  • Roton
  • Battle Armor He-Man
  • Battle Armor Skeletor
  • Fisto
  • Buzz-Off
  • Orko
  • Prince Adam
  • Whiplash
  • Clawful
  • Webstor
  • Kobra Khan
  • Jitsu
  • Weapons Pack

Interestingly, Mekanek is not marked as “New For 84”, but he also doesn’t appear in the 1983 catalog. He seems to have been an in-between figure. I tend to think of him as a third wave figure for various reasons, but more about him another time.

(Source: Orange Slime)

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07

I’m including close-up shots for some of the “new for ’84” items, although the resolution isn’t great. As you can probably tell, Orko is an early prototype, not the final figure. Many of the others seem to be late stage prototypes that are painted by hand. Clawful has Skeletor feet with brown boots (he also showed up like that in the cross sell art). Whiplash has meaner-looking eyes and a purple spear. The gold detail on Jitsu’s boots are is a bit brighter than final. Buzz Off has metallic blue eyes instead of metallic green (again, this showed up in the cross sell art). Battle Armor He-Man’s “H” symbol is colored a dark red. The Weapons Pak weapons are hand-painted. All in all not dramatic differences, but worth noting.

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Promotional Items

Masters of the Universe store display (1982)

By Adam McCombs

This Masters of the Universe store display is an interesting piece. On the side with Castle Grayskull, it features a number of hand-painted prototypes or early casts, including Teela, Wind Raider, Battle Cat and Zodac. It also features a hand painted version of Castle Grayskull that was used in a lot of promotional materials. It’s the same sculpt as the final version, but the paint detail is a lot finer than what you found on any of the production castles.

Promotional Display1
The original eight figures

Promotional Display 2
Seven of the original eight figures, plus Castle Grayskull, Battle Cat and Wind Raider

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Heroic Warriors

Teela: Warrior goddess (1982)

Written by Adam McCombs

Name: Teela
Faction: Heroic Warriors
Approximate US release date: June 9, 1982

I clearly remember playing with Teela as a child. I don’t know if that means I owned her, or if she belonged to a sibling, but her gold and white costume and mysterious rust-red snake armor were etched into my brain from an early age.

Teela appears early in an animated Masters of the Universe commercial, by Filmation Studios. The full video has been uploaded by James Eatock on Instagram and Facebook.

Design & Development

Teela, released in the later half of 1982, was the first female figure in the Masters of the Universe line, and probably the best. Another Mark Taylor design, Teela was conceived as a powerful heroic warrior armed with a shield and spear:

Teela originally had brown boots with white tops, a golden spear and shield, and blonde hair, as depicted in the first MOTU mini comic, He-Man and the Power Sword.

A close shave for Beast Man

We can see these colors recreated in this recolored version of the B-sheet released in the Mark Taylor Portfolio, from Super7 and The Power and the Honor Foundation:

Another version of the Teela B-sheet, with slightly different colors – gold bracers and brown boots. From the Mark Taylor “Sketches 1” portfolio. Image courtesy of Doug Feague.

It’s probably fairly well known among fans now that two separate Mark Taylor characters, Teela and Sorceress (aka Goddess), were eventually combined into a single character. Mattel’s marketing group didn’t think there was enough demand for two female action figures in one year, although it would be later shown that almost 40% of the kids who collected MOTU figures were girls. Zodac ended up being created to take the eighth spot in the 1982 lineup.

Image source: Grayskull Museum

Sorceress, or Goddess as she is usually called now, was intended to be a changeling and double agent. Her snake head dress had fangs and she had a cold, calculating expression in the concept art. She had brown boots, brown armor and a brown staff, a light green body suit, and a dark green outfit. Her outfit was very similar to Teela’s, but lacked the leaf-like overlay hanging down her front.

Colored version of Mark Taylor’s Sorceress concept art, published by Super7 and the Power and the Honor Foundation. Image courtesy of Axel Giménez.

Although Sorceress/Goddess wasn’t produced as a figure in the vintage line, she did make an appearance in the first MOTU mini comic. By that time she had been re-imagined as a noble and mysterious defender of Castle Grayskull.

It’s worth noting that although Mark Taylor envisioned her as a human woman wearing a green body suit, the comic book (art by Alfredo Alcala) portrayed her with a green face as well. When Teela and Sorceress/Goddess were combined into the same character, Teela inherited the Sorceress’ snake armor and staff, but kept her own human appearance.

It’s also worth noting that Mark Taylor’s original design for the the basic Teela buck lacked the golden collar overlay that was molded into the final figure. That piece was intended to be an additional accessory. Sorceress/Goddess would have had a unique head, and the snake armor would have gone over the basic body design below:

Fun fact: Teela’s spiky tiara was based on a hair accessory owned by Mark Taylor’s wife, Rebecca. In fact, Teela was also based on Rebecca! Image source: Rebecca Salari Taylor

The first known prototype of Teela exists only in fragmentary form. Sculpted by Tony Guerrero, this Teela was quite racy, in the style of Frank Frazetta’s female characters. The straps on her bikini have circular ornaments on them, recalling Mark’s Taylor’s B-sheet.

It’s possible that this version of Teela was the basis for Teela as she appeared in DC Comics’ 1982 story, To Tempt The Gods:

Image source: Vaults of Grayskull

The cross sell art depicts Teela with reddish-brown boots and armor (these could appear more red or more brown, depending on the printing) and Goddess’ snake staff in gold:

Image Source: Axel Giménez

However, Mattel’s prototype for this version of Teela had a more vibrant color scheme. In the model below, Teela is carrying the gold spear and shield from the original concept Teela drawing. In marketing materials she is depicted playing the same role that the Goddess/Sorceress did in the first mini comic.

Ad sheet artwork based on the prototype. Scan by Battle Ram Blog.
This image of a prototype Teela appeared on the side of the Castle Grayskull box
Licensing kit image featuring prototype Teela in a scene reminiscent of the first mini comic

Another view of the prototype from the 1982 Mattel dealer catalog:

At some point along the way, it was decided Teela would come with the snake staff rather than the spear, and it along with the shield would be colored the same red as her armor. This third iteration prototype gives her Barbie-like leg articulation. She also retains the white tops to her boots and the green detail on her snake armor. The shield looks rougher than the final version.

Another view, from an ad in  issue one of the 1983 run of Muppet Magazine. Image source: Battle Grip/Phillip Reed

I believe the image below is the same prototype as the above, only without the snake armor. Frustratingly, it’s very low resolution and hard to make out the details:

Image source: Plaid Stallions

Update: there was also an auction many years back for what may be a wax casting prototype Teela, which has the same articulation as the previous prototypes. However this ones seems to have some differences in the design of the boots and tunic. Unfortunately the image doesn’t show a lot of detail. Many thanks to Fabio Leone for sharing this image!

Several test runs were done of Teela’s head, one with her hair in a bun (chosen for the final toy), and one with long, flowing hair:

Source: Grayskullmuseum.com
Source: Grayskullmuseum.com. Note the long-haired version on the right.

Yet another variation appears in the 1982 JCPenny Christmas Catalog (below). Here again Teela looks like the final toy, except the tops of her boots and her forearm bracers are painted white. She apparently does not have the green snake eyes.

Image source: RM Hart

In the 1983 Mattel Dealer Catalog, Teela appears in her final form, except she retains the green eyes on her snake headdress. This detail appears in earlier prototypes as well. I’m unaware of any production models with this detail, but this does look like a factory example rather than one painted by hand. Perhaps this is like the Battle Cat with the striped tail – an early test model that never went into full production.

Update: collector John Oswald has acquired one of these factory sample Teela figures with the green snake eyes. He was kind enough to share these photos of her, as well as additional photos from the 1983 Mattel catalog showing this particular variant:

Production Toy

The final toy (initially produced in Taiwan) features the ball-in-socket leg articulation used in the male figures. She loses the white detail on her boots and the green detail on her snake armor. The sculpt is noticeably softer than the earliest prototypes.

Notice that the right boot has a larger heel than the left boot. This allows her to stand on the ball of her right foot (as the first prototype depicts) with some measure of stability.

There was a lot of inconsistency in the application of paint on the figure’s face. The look could vary wildly depending on the country of manufacture:

Image source: Mantisaur82

In 1984, some Hong Kong reissues were released with brownish boots and hair, and brighter red accessories (more on Hong Kong Teela variants here):

Packaging

Teela was sold in a number of configurations. She was available as a single carded figure, on “8 back” and reissue cards:

The tag line on Teela’s cardback art seems to present her as a kind of sorceress, which is indicative of her roots in the Goddess/Sorceress character:

Teela the sorceress

She was also sold in a gift set package with Zoar. This one is rare and hard to find now:

Another rare item is the Heroric Warriors gift set, featuring He-Man, Teela, and Ram Man:

Teela was also sold in a JC Penny gift set, with minimal cross sell line art on a brown box:

Source: Grayskull Museum

Appearances in Artwork

Artistic depictions of Teela in card art, box art and other media were all over the map, taking cues from the vintage toy, prototypes, and other sources.

Minicomics

Teela’s first appears as a warrior woman with no real back story in the Alcala mini comics. The first attempt at giving her a backstory occurred in Mark Texeira’s Tale of Teela mini comic, where Skeletor makes a clone of the Goddess (here depicted with without the green skin) in order to take her as his bride. By depicting Teela as a clone of the Goddess, the attempt seems to be to brand Teela as a kind of two-in-one toy. Take off the armor, and she’s Teela, fearsome warrior. Put it on and she can be Goddess, mystical guardian of Grayskull.

Animation

In Filmation, Teela is the natural daughter of the Sorceress. The identity of her mother has been hidden from her, but it is made clear in the series that Teela will someday replace her mother as the guardian of Grayskull.

Design-wise, Teela’s look is a bit different compared to the toy. She has a simplified costume with an enlarged collar. Most of the decorative details were removed from her costume for ease of animation, and her costume top was made entirely gold. She retains her white-topped boots that appeared in early concepts and prototypes:

In Filmation’s animated toy commercial, produced in 1982 (shown at the beginning of this article), Teela’s design is closely modeled on Mark Taylor’s concept art:

Other Depictions

Some of my favorite depictions of Teela come from Errol McCarthy’s licensing kit and style guide artwork. I love how dynamic she is here:

My all time favorite look for Teela comes from a puffy sticker that came with Kellogg’s cereal. I distinctly remember getting Teela and Battle Armor He-Man.  The Teela sticker comes from the cross sell art, but gives the character red armor and boots instead of brown, and retains the gold staff. I don’t know why, but I’ve always thought it was the perfect look for her.

And of course there were many other depictions of the Warrior Goddess:

1987 Movie

Early concept art for the 1987 movie envisioned Teela in a two-piece bikini with her snake armor over top:

The costume actually used for the movie was a radical departure from any prior version of Teela, with only a few visual references to the original toy design.

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