Name: Stratos Faction: Heroic Warriors Approximate US release date: June 3 or June 18, 1982
Released late in the first year of Masters of the Universe figures, Stratos was one of the few from that 1982 that I didn’t own as a kid. I remember encountering him for the first time at a friend’s house: “Who’s this guy? Oh yeah, I remember seeing him in the comics. Where’s his weapon? No weapon? I guess it’s cool that he can fly. Is he a flying monkey?”
Design & Development
Stratos, designed by Mark Taylor, appears to have been conceived as a villain at an early stage of his development. He’s called out as such in the 1982 licensor kit, which was made available for interested licensees in early 1982, just prior to the launch of the toys:
1982 Licensing Kit image via Michael Jay
Given the working name “Bird Man” (also, perhaps “Wing Man”) Stratos was intended to have the hairy arms and legs of Beast Man, but the furless chest of He-Man.
Artwork by Mark Taylor, showing the front, side and rear of the figure. Shared by Rebecca Salari Taylor.
The body in the B-sheet isn’t fully colored, but a bit of color on the chest indicates a tentative flesh tone or orange color scheme. However, he could also be interpreted as having a light gray body, and the warm tones on his chest could be lighting. His wings are blue, and his red backpack attaches around his waist and his neck. That design comes through in the first mini comics drawn by Alfredo Alcala, depicted as first a villain and then a hero, although he didn’t always include the jetpack:
Evil Stratos, in orange furGood Stratos, with tan fur/skin
Eventually his backpack was redesigned and his body color was changed to gray, which was reflected in the last mini comic of 1982, Battle in the Clouds. The colors of his backpack and arm feathers were also reversed:
The above depiction of Stratos was actually based on the cross sell artwork, which is shown below:
Stratos cross sell artwork. Image courtesy of Axel Giménez.
Notice in this hand-painted prototype (with another redesign to the chest harness), Stratos has a hairless chest, which matches up with the original Mark Taylor B-Sheet and the cross sell art:
1982 Licensing Kit. Source: Michael Jay
This image below gives us a closer look at the Stratos prototype. It comes from the 1984 UK Annual (which used images taken from early prototypes) and makes it clearer that Stratos had a smooth chest. This design makes him seem far less animalistic:
Image via He-Man.org. Note that the harness also lacks the feather design at the shoulders.
I thought I had found yet another prototype of Stratos in a German promotional booklet. The harness seems to have a criss-cross pattern on the front, which reminded me a little of the cross sell art. But I think this is simply a case of the photographer putting the harness on incorrectly:
Eventually it was decided that Stratos would have the same furry chest as Beast Man:
Image source: The Art of He-Man
There were some variations of early production versions of Stratos. Some came with blue wings and a red backpack, and others with red wings and a blue backpack. The rarest version had a blue beard and gray goggles.
The blue beard version of Stratos is the very first version released. It’s probably a factory error. Even though Mark Taylor’s original color scheme included a blue beard (and blue goggles), pre-production prototypes all had gray beards.
Blue wing blue beard StratosRed wing blue beard Stratos
The red wing/gray beard version is probably the most popular, as he was most frequently depicted in this color scheme:
Of course the blue wing/gray beard version has its fan base too:
The first editions of Stratos was packaged on the “eight back” style card.
Later versions were packaged in the “12 back” card and featured this scene on the card back by artist Errol McCarthy:
Strangely, Stratos is depicted with three-toed feet
Minicomics
Stratos appears fairly frequently in early minicomics, although his appearances gradually taper off in later years.
Aside from the afore-mentioned first year minicomics, Stratos takes a starring role in Siege of Avion, illustrated by Alfredo Alcala and written by Michael Halperin. The story is based on Filmation’s He-Man espisode, “Reign of the Monster”. In the story, as in the cartoon, Stratos is the leader of Avion, home to a race of bird people. Both stories revolve around the Staff of Avion and Skeletor’s plot to steal it.
DC Comics
Stratos is a supporting character throughout the 1982-1983 run of Masters of the Universe comics by DC Comics.
Stratos appears only on the cover of Fate Is The Killer, released November 1982. This is a recolored version. Image courtesy of Dejan Dimitrovski.From To Tempt The Gods, December 1982. Image source: Vaults of Grayskull
Golden Books
Stratos appears in the early Golden Book stories as well, and plays a particularly strong role in The Trap:
He also plays a strong role in The Sunbird Legacy, where we see a different take on the people of Avion. Stratos’ compatriots were shown in the familiar gray/blue/red colors but given unique headgear and wings on their backs :
Animation
Stratos made occasional appearances in the Filmation cartoon. He wasn’t depicted as a flying ape-like creature. He looks instead like a human in a kind of flight suit.
The Filmation Series Guide he looks a lot closer to the toy, as it predated the development of the animated look for the character:
Other Artwork
Stratos also makes some appearances in Rudy Obrero’s Castle Grayskull, Wind Raider and Battle Ram box art:
From Castle Grayskull box art
From Wind Raider box art
From Battle Ram box art
Stratos also appears in several posters by William George:
Stratos probably isn’t near the top of most people’s favorite MOTU character lists (although some people absolutely love him). As a kid he didn’t particularly spark my interest, but as an adult I find him enormously charming.
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Name: Teela Faction: Heroic Warriors Approximate US release date: June 9, 1982
I clearly remember playing with Teela as a child. I don’t know if that means I owned her, or if she belonged to a sibling, but her gold and white costume and mysterious rust-red snake armor were etched into my brain from an early age.
Teela appears early in an animated Masters of the Universe commercial, by Filmation Studios. The full video has been uploaded by James Eatock on Instagram and Facebook.
Design & Development
Teela, released in the later half of 1982, was the first female figure in the Masters of the Universe line, and probably the best. Another Mark Taylor design, Teela was conceived as a powerful heroic warrior armed with a shield and spear:
Teela originally had brown boots with white tops, a golden spear and shield, and blonde hair, as depicted in the first MOTU mini comic, He-Man and the Power Sword.
A close shave for Beast Man
We can see these colors recreated in this recolored version of the B-sheet released in the Mark Taylor Portfolio, from Super7 and The Power and the Honor Foundation:
Another version of the Teela B-sheet, with slightly different colors – gold bracers and brown boots. From the Mark Taylor “Sketches 1” portfolio. Image courtesy of Doug Feague.
It’s probably fairly well known among fans now that two separate Mark Taylor characters, Teela and Sorceress (aka Goddess), were eventually combined into a single character. Mattel’s marketing group didn’t think there was enough demand for two female action figures in one year, although it would be later shown that almost 40% of the kids who collected MOTU figures were girls. Zodac ended up being created to take the eighth spot in the 1982 lineup.
Image source: Grayskull Museum
Sorceress, or Goddess as she is usually called now, was intended to be a changeling and double agent. Her snake head dress had fangs and she had a cold, calculating expression in the concept art. She had brown boots, brown armor and a brown staff, a light green body suit, and a dark green outfit. Her outfit was very similar to Teela’s, but lacked the leaf-like overlay hanging down her front.
Colored version of Mark Taylor’s Sorceress concept art, published by Super7 and the Power and the Honor Foundation. Image courtesy of Axel Giménez.
Although Sorceress/Goddess wasn’t produced as a figure in the vintage line, she did make an appearance in the first MOTU mini comic. By that time she had been re-imagined as a noble and mysterious defender of Castle Grayskull.
It’s worth noting that although Mark Taylor envisioned her as a human woman wearing a green body suit, the comic book (art by Alfredo Alcala) portrayed her with a green face as well. When Teela and Sorceress/Goddess were combined into the same character, Teela inherited the Sorceress’ snake armor and staff, but kept her own human appearance.
It’s also worth noting that Mark Taylor’s original design for the the basic Teela buck lacked the golden collar overlay that was molded into the final figure. That piece was intended to be an additional accessory. Sorceress/Goddess would have had a unique head, and the snake armor would have gone over the basic body design below:
Fun fact: Teela’s spiky tiara was based on a hair accessory owned by Mark Taylor’s wife, Rebecca. In fact, Teela was also based on Rebecca! Image source: Rebecca Salari Taylor
The first known prototype of Teela exists only in fragmentary form. Sculpted by Tony Guerrero, this Teela was quite racy, in the style of Frank Frazetta’s female characters. The straps on her bikini have circular ornaments on them, recalling Mark’s Taylor’s B-sheet.
Images courtesy of Rebecca Salari Taylor
It’s possible that this version of Teela was the basis for Teela as she appeared in DC Comics’ 1982 story, To Tempt The Gods:
Image source: Vaults of Grayskull
The cross sell art depicts Teela with reddish-brown boots and armor (these could appear more red or more brown, depending on the printing) and Goddess’ snake staff in gold:
Image Source: Axel Giménez
However, Mattel’s prototype for this version of Teela had a more vibrant color scheme. In the model below, Teela is carrying the gold spear and shield from the original concept Teela drawing. In marketing materials she is depicted playing the same role that the Goddess/Sorceress did in the first mini comic.
Ad sheet artwork based on the prototype. Scan by Battle Ram Blog.
This image of a prototype Teela appeared on the side of the Castle Grayskull box
Licensing kit image featuring prototype Teela in a scene reminiscent of the first mini comic
Another view of the prototype from the 1982 Mattel dealer catalog:
At some point along the way, it was decided Teela would come with the snake staff rather than the spear, and it along with the shield would be colored the same red as her armor. This third iteration prototype gives her Barbie-like leg articulation. She also retains the white tops to her boots and the green detail on her snake armor. The shield looks rougher than the final version.
Another view, from an ad in issue one of the 1983 run of Muppet Magazine. Image source: Battle Grip/Phillip Reed
I believe the image below is the same prototype as the above, only without the snake armor. Frustratingly, it’s very low resolution and hard to make out the details:
Image source: Plaid Stallions
Update: here’s another image of the same prototype, courtesy of Andy Youssi:
Several test runs were done of Teela’s head, one with her hair in a bun (chosen for the final toy), and one with long, flowing hair. Update: it looks like the long-haired version was actually an early attempt at making She-Ra (or perhaps Leela, as she was known early on). Early versions of She-Ra were closely modeled on Teela. Thanks to Emiliano Santalucia for the information!
Source: Grayskullmuseum.comSource: Grayskullmuseum.com. Note the long-haired version on the right.
Yet another variation appears in the 1982 JCPenny Christmas Catalog (below). Here again Teela looks like the final toy, except the tops of her boots and her forearm bracers are painted white. She apparently does not have the green snake eyes.
Image source: RM Hart
In the 1983 Mattel Dealer Catalog, Teela appears in her final form, except she retains the green eyes on her snake headdress. This detail appears in earlier prototypes as well. I’m unaware of any production models with this detail, but this does look like a factory example rather than one painted by hand. Perhaps this is like the Battle Cat with the striped tail – an early test model that never went into full production.
Update: collector John Oswald has acquired one of these factory sample Teela figures with the green snake eyes. He was kind enough to share these photos of her, as well as additional photos from the 1983 Mattel catalog showing this particular variant:
Images courtesy of Unsung WoodworksImages courtesy of Unsung WoodworksImages courtesy of Unsung WoodworksImages courtesy of Unsung Woodworks
Production Toy
The final toy (initially produced in Taiwan) features the ball-in-socket leg articulation used in the male figures. She loses the white detail on her boots and the green detail on her snake armor. The sculpt is noticeably softer than the earliest prototypes.
Notice that the right boot has a larger heel than the left boot. This allows her to stand on the ball of her right foot (as the first prototype depicts) with some measure of stability.
There was a lot of inconsistency in the application of paint on the figure’s face. The look could vary wildly depending on the country of manufacture:
Image source: Mantisaur82
In 1984, some Hong Kong reissues were released with brownish boots and hair, and brighter red accessories (more on Hong Kong Teela variants here):
Packaging
Teela was sold in a number of configurations. She was available as a single carded figure, on “8 back” and reissue cards:
1982 release1983 release1984 release
The tag line on Teela’s cardback art seems to present her as a kind of sorceress, which is indicative of her roots in the Goddess/Sorceress character:
Teela the sorceress
She was also sold in a gift set package with Zoar. This one is rare and hard to find now:
Another rare item is the Heroric Warriors gift set, featuring He-Man, Teela, and Ram Man:
Teela was also sold in a JC Penny gift set, with minimal cross sell line art on a brown box:
Source: Grayskull Museum
Appearances in Artwork
Artistic depictions of Teela in card art, box art and other media were all over the map, taking cues from the vintage toy, prototypes, and other sources.
Minicomics
Teela’s first appears as a warrior woman with no real back story in the Alcala mini comics. The first attempt at giving her a backstory occurred in Mark Texeira’s Tale of Teela mini comic, where Skeletor makes a clone of the Goddess (here depicted with without the green skin) in order to take her as his bride. By depicting Teela as a clone of the Goddess, the attempt seems to be to brand Teela as a kind of two-in-one toy. Take off the armor, and she’s Teela, fearsome warrior. Put it on and she can be Goddess, mystical guardian of Grayskull.
Animation
In Filmation, Teela is the natural daughter of the Sorceress. The identity of her mother has been hidden from her, but it is made clear in the series that Teela will someday replace her mother as the guardian of Grayskull.
Design-wise, Teela’s look is a bit different compared to the toy. She has a simplified costume with an enlarged collar. Most of the decorative details were removed from her costume for ease of animation, and her costume top was made entirely gold. She retains her white-topped boots that appeared in early concepts and prototypes:
In Filmation’s animated toy commercial, produced in 1982 (shown at the beginning of this article), Teela’s design is closely modeled on Mark Taylor’s concept art:
Source: Dušan M
Other Depictions
Some of my favorite depictions of Teela come from Errol McCarthy’s licensing kit and style guide artwork. I love how dynamic she is here:
My all time favorite look for Teela comes from a puffy sticker that came with Kellogg’s cereal. I distinctly remember getting Teela and Battle Armor He-Man. The Teela sticker comes from the cross sell art, but gives the character red armor and boots instead of brown, and retains the gold staff. I don’t know why, but I’ve always thought it was the perfect look for her.
And of course there were many other depictions of the Warrior Goddess:
1987 Movie
Early concept art for the 1987 movie envisioned Teela in a two-piece bikini with her snake armor over top:
The costume actually used for the movie was a radical departure from any prior version of Teela, with only a few visual references to the original toy design.
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Name: Man-E-Faces Faction: Heroic Warriors Approximate US release date: February 20, 1983
I distinctly remember when I got Man-E-Faces (along with Ram Man) as a present, probably for my birthday in 1983. There was something endlessly fascinating about his ability to change faces at will. In my mind it was his way of disguising himself. Sure, no one would be fooled given his very distinctive silhouette, but that’s how I thought of it.
Man-E-Faces was something of a sea change for the line as it had existed in 1982. He was given all new parts (legs shared with Trap Jaw, who came out the same year) and a new gimmick – a rotating head drum that allowed you to display three distinct faces: human, robot, and monster. His design had more technology integrated into it than any MOTU figure that had come out before, although it was more steam punk than Star Trek.
Incidentally, his blaster was later reused as a tail gun for a couple of the Voltron lions:
Update: here is an exquisite Man-E-Faces test shot figure, shared by its owner (a collector from Norway). This authenticated piece was originally acquired from Josh Van Pelt of the Power and the Honor Foundation. This particular test shot was featured in Lee’s Action Figure and Toy Review #96 (October 2000), which also showed off some Grizzlor, Hordak, Dragon Blaster Skeletor and Sy-Klone test shots!
The single-carded Man-E-Faces was released in a couple of different flavors – standard, featuring his red blaster, and a deluxe version (released early on) with pink chest tubes (often referred to now as Man-E-Weapons) that came with five bonus weapons from the Castle Grayskull set, but cast in maroon.
The “Man-E-Weapons” packout. MOC images via LGC AuctionsThe early cardback had a different layout than subsequent versions
Man-E-Faces was also released in a three-pack with Battle Armor He-Man and Man-At-Arms, a J.C. Penny two-pack with Faker, a J.C. Penny two-pack with Battle Armor He-Man, and in a giftset with Skeletor and Panthor:
Image courtesy of Tokyonever
Errol McCarthy did the cardback illustration and style guide art for Man-E-Faces, as he did for most of the figures in the line. The updated release lacking the extra weapons and with the revised cardback design is shown below:
Update: A Man-E-Mystery!
Here’s something you don’t see every day: a Canadian mint on card Man-E-Faces found by spiritofsnakemountain on Instagram. First thing’s first: stapled to the front of the card is an instant win contest, which involved solving a math problem, filling out your name, and mailing the card to a PO box in New Brunswick, Canada.
Below the form was a photo of Masters of the Universe characters, largely prototype versions of them.
Included in the photo is:
Early “proof of concept” Kobra Khan mockup, using a blue Skeletor body
Clawful prototype with the large head and brown boots
Fisto prototype (note the open left hand)
Orko prototype, hiding in Snake Mountain
Dragon Walker with no iris or black shading
I wouldn’t be surprised if Battle Armor He-Man, Battle Armor Skeletor and Mekaneck were hard copies or early factory samples too.
So, to add to that curiosity, this Man-E-Faces came with the wave 1 minicomic, the French Canadian edition of King of Castle Grayskull. I’ve never seen a 1983 figure with a 1st wave comic before. On the back of the card it has the layout characteristic of first edition Man-E-Faces.
So, we have a wave 2 figure, with a wave 1 comic on a very early card, and a contest featuring prototypes for wave 3 stapled to the front. Not something you see every day. Many thanks to spiritofsnakemountain for sharing this!
Here is some additional Man-E-Faces artwork by Errol McCarthy, via He-Man.org:
Image via He-Man.org
The figure was designed by Mark Taylor, shortly before he left Mattel:
Notice that while the design details are close to the final toy, the color choices around the helmet are different. On the final toy, parts of the helmet are colored in flesh tone or orange. This image and the image below come from The Art of He-Man. Artwork by Mark Taylor.Images: Dark Horse/The Power and the Honor FoundationImage: The Power and the Honor Foundation/Dark Horse
All the classic Man-E-Faces elements are present in the B-sheet and design documents above, but the look is slightly different from the final toy, with purple detail on the shoulders and a helmet without any tan/orange accents. The figure was sculpted into a prototype, and some some ridges and sloping were added to the top of the helmet. He seems to have green accents on his shoulders and thighs:
Alfredo Alcala’s take on the character in Danger at Castle Grayskull seems to be based on the above prototype:
Man-E-Problems
The cross sell artwork is mainly based on the prototype sculpt:
Image courtesy of Axel Giménez.
An earlier incarnation of Man-E-Faces (called Multi-face) was also designed by Mark Taylor. This one featured a removable poncho. Mark mentioned that this design was inspired by indigenous Mesoamerican warriors:
There was another related Mark Taylor concept called Maska-Ra that was explored but never developed. Rather than a spinning face mechanism, Maska-Ra would have come with a variety of masks to imitate other characters, luring the unwary to their doom:
From the “Bring Your Man-E-Faces To Work” Facebook page, via The Power and the Honor Foundation Catalog
Update: another Man-E-Faces concept was recently shared by Mark Taylor’s wife, Rebecca (below). This has the removable mask idea from Maska-Ra, although it has a more conventional body. The the arms and legs contain design elements that would be used in the final figure. The chest armor recalls the design later used in Terror Claws Skeletor (1986), and the overall look may have influenced the design of the 1989 figure Flipshot:
Update: yet another quasi-Man-E-Faces concept was shared by Rebecca, with Joe Amato for the podcast Fans of Power. This version has a chitinous, insectoid look and a reversible head. The legs on this character are very similar to the final toy’s design, but otherwise this is a totally different take on the concept:
Man-E-Faces was packaged with his own mini comic (drawn by Mark Texeira), called The Ordeal of Man-E-Faces. He was depicted as an Eternian actor who was given a potion by Skeletor that would change him into a monster and bring him under Skeletor’s control. The Sorceress tries to free him from the enchantment, and in a struggle between the two powers, a third face arises – that of a neutral robot.
Comic images via Jukka Issakainen
He is also depicted as a helpless pawn of Skeletor in the Danger at Castle Grayskull comic, drawn by Alfredo Alcala:
Man-E-Faces was given other origin stories in British publications. In issue 3 of the UK Masters of the Universe Magazine, Man-E-Faces is transformed by Skeletor as punishment for mocking him in a play:
Image source: James Eatock. Brought to my attention by Joe Amato.
In the 1985 UK Masters of the Universe Annual, Man-E-Faces is again transformed by Skeletor, in a somewhat unsettling story about abductions and lab experiments. In his monster form he is evil, and in his robot form he may be controlled by anyone.
Image courtesy of Jukka Issakainen
Man-E-Faces made an appearance in the box art for Battle Bones (by William George) and the previously mentioned Battle For Eternia (by William Garland) three-pack. Man-E-Faces was slated to appear as the prisoner in the Snake Mountain box art (by William George), but at the last minute Man-At-Arms was substituted (for more on that, read this interview with package designer Bob Nall):
Image source: Jukka Issakainen
In the Filmation cartoon, MEF was an outcast who had to be gently coaxed away from evil by He-Man:
Early Filmation designs for the character, as shown in the Series Guide below, show a design that seems primarily based on the early prototype version of he character, albeit with a rather unique-looking robot face:
He also appeared in a number of adverts, promotions, catalogs and miscellaneous entertainment:
He is featured prominently in this piece of poster/puzzle artwork by R.L. Allen:
Later in life, Man-E-Faces struggled with his weight:
Artwork by Alfredo Alcala
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