The artwork for this set comes from He-Man.org. As far as I know there was no cross sell art produced for either Tytus or Megator. So, instead I’ve included the front artwork from the packaging, by William George. All four of these figures were released at the tail end of the line, in Europe only.
Masters of the Universe, for all its diversity and creativity, was quite an economical toyline, creatively (and sometimes uncreatively) using and reusing the same molds over and over again throughout its run. Sometimes this was done fairly invisibly, and other times it was as plain as the nose on Faker‘s face.
In this series I’ll be cataloging the reuse of existing molds, in context of what is known and what is likely about which figures were created in what order. For example, He-Man’s prototype was almost certainly finished before Man-At-Arms, so Man-At-Arms reused He-Man’s legs, rather than vice versa. I’ll also include parts that were reused from other toylines.
Sometimes existing parts were modified for use in new toys. For example, Beast Man’s chest seems to have been based on He-Man’s chest sculpt, albeit with a great deal of hair added to it. This didn’t save money on tooling, but it did save some time and effort for the sculptor. I’ll point this out whenever I see it. Whenever a modified part is used again, however, I’ll refer to it as belonging to the toy that used it first (for example, Stratos and Zodac reuse Beast Man’s chest).
I won’t comment on “invisible” parts, such as neck pegs or waist springs that are normally not seen.
First, the toys from 1988 that had (at the time) all new parts. For fun, I’m including unproduced toys as well.
Laser Power He-man
“Ambush” Playset (unproduced)
These 1988 designs reused some existing parts:
Laser Power He-Man (Spanish version)
Laser Light Skeletor
There were at least six additional figures planned as part of the 1988 line, but they were never released. These were to be entirely constructed from existing parts, no doubt as a way to inject some quick cash into the dying line at minimal cost. We only know the original name of one of them (Strobo), so I’ll make up names for the others:
Note: The above artwork is by Errol McCarthy, sourced from He-Man.org. I’m assuming “Sumuran’s” arms and legs would reuse He-Man’s, although the artist draws them without gauntlets or boots, so it’s possible they might have been new parts.
One of the defining characteristics of the packaging artwork of William George is the inclusion of small dinosaur or dragon-like creatures in the background and foreground of the illustration. They add a dimension to the illustration that goes beyond simply demonstrating the product – there is also some world-building going on. The Eternia of William George is a hostile, dangerous and often desolate place, where threats come in all sizes.
I’ll only be focusing on creatures that William George invented for his paintings, not creatures that were part of the products for sale.
Battle Armor He-Man and Road Ripper (1984)
Dragon Walker (1984)
Road Ripper (1984)
Land Shark (1985)
Land Shark & Battle Armor Skeletor
Laser Bolt (1986)
Scubattack Power Gear (1987)
Update: Axel Giménez pointed out to me that there is another William George creature, outside of the box art. In his Bashasaurus poster, he includes one of his familiar little creatures on the rocks near Dragon Blaster Skeletor. It looks a bit like the creature in the Land Shark box art:
One of the best things about getting new He-Man toys as a kid was the box art. The toys were of course amazing and fun, but personally I spent almost as much time staring at the boxes as playing with the toys. I remember being pretty heartbroken when my mother made me throw away my Castle Grayskull and Battle Ram boxes. She saw them as clutter, but for me they were almost stories in and of themselves. You could see whole adventures unfolding in a single painted scene.
Unfortunately, good photographs or scans of the original art are not available for every piece. If you happen to have a nicer images than I do (higher resolution, better composition, etc), please do feel free to share, and I’ll make an update! For pictures of the packaging itself, a neutral (white or black) background is preferred. High resolution scans of the artwork, where it appears without logos, would be ideal. Bottom line – if you have better images than I do, please share them!
One final note: I’m defining box art as the front-facing painted artwork that appeared on boxed Masters of the Universe toys. The illustrations on blister card packaging, then, are outside the scope of this series.
Part Seven: 1988
Name: Megator Year: 1988 Artist: William George Description: Megator wreaks havoc, smashing down castle walls as villagers flee in terror. He-Ro faces him boldly, magical staff at the ready. An archer woman, possibly tribal chieftess Sharella, runs toward Megator’s left flank.
Name: Tytus Year: 1988 Artist: William George Description: In a scene framed by medieval-looking castles, Tytus lifts King Hiss off the ground using his body snatcher weapon. He-Ro rushes into battle against Snake Face, Tung Lashor and Sssqueeze.
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