Evil Horde

Mantenna: Evil spy with the pop-out eyes (1985)

Written by Adam McCombs

Name: Mantenna
Faction: Evil Horde
Approximate US release date: August 20, 1985

I got Mantenna at the same time I got Leech, for Christmas in 1985. While I gravitated toward Leech at first, I kept coming back to Mantenna. His telescoping eyeball action feature wasn’t all that much fun, but his bizarre appearance kept drawing me back in. What was this guy? He looked like a cross between an ant, an Elephant, and a space alien.

Image courtesy of Axel Giménez

The design for Mantenna seems to originate with this Filmation illustration (below) by Curtis Cim, shared by James Eatock and The Power and the Honor Foundation. Many of the key aspects are already there, including the pop-out eyes and four legs.

Ted Mayer took the design and translated it into a something closer to the toy design, making it even more chitinous and alien-looking, Mantenna is certainly the weirdest looking figure in the Masters of the Universe toyline. According to the Power and the Honor Foundation Catalog, Mantenna’s early working names were Sensor (also a working name for Zodac) and Raydor. All of his names are puns on devices used to sense things from a distance – hence his large, pop-out eyes and oversized ears.

This early version of the character (below) has the early detachable horde insignia. He also has white teeth, red hands, and lacks the horde emblem shinguards he would get later in his design evolution.

Image Source: Tomart’s Action Figure Digest issue 202
Image source: The Power and the Honor Foundation/The Art of He-Man. His eyes appear to have some kind of hypnotic power.

This revised drawing by Ted Mayer gives the character red teeth, and the standard Horde insignia on his check, shin guards, and left arm. He was given a yellow belt and black trunks. He also had a strange staff weapon with some kind of creature wrapped around it. Hordak had a similar weapon in early concept art as well.

Image source: The Power and the Honor Foundation Catalog

The prototype Mantenna is featured in the 1985 Mattel dealer catalog. The shape is finalized, but there are some color differences between this and the final toy. He has orange sides, rather than black. His chest insignia is outlined in black, as are his red teeth. His eyes seem to also have orange and red veins.

Mantenna’s cross sell artwork represents another intermediate step in his design – his sides are mostly black, there is still a strip of red or orange under his armpits. His teeth are also still outlined in black.

The final Mantenna has fully black sides and simplified teeth. At this point it’s really not obvious that they’re actually teeth. It really looks much grosser than that. It’s not obvious at first, but the toy does retain the original concept of having four legs – but the legs were fused together in pairs.

There is another Mantenna variant that has a color scheme on his chest closer to the cross sell art (with orange around the head of the bat design). It had a black lever in back, but the bats on his shin guards were not painted red:

Mantenna’s pop-up eye mechanism was also patented, although it seems like a simple enough design. The patent was filed December 17, 1984, and it was trademarked on September 10, 1984.

Mantenna was sold on his own single card, as well as in a JCPenny giftset with Leech.

Image source: KMKA

Mantenna’s minicomic isn’t a fan favorite. I remember not being able to get through it as a kid – the artwork seemed too jumbled and hastily done. It should also be noted that although Mantenna’s name is in the title, he barely makes an appearance in it.

In The Power of the Evil Horde, illustrated by Bruce Timm, Mantenna has the ability to fire stun rays out of his eyes. The artwork here is, as you might expect, far superior to the previous comic.

In the She-Ra/Princess of Power Bible, Mantenna is described this way:

Image courtesy of Allison Troy

In the Mattel Style Guide (illustrated by Errol McCarthy), Mantenna is characterized this way:

Power: frightening ability to see and hear over great distances with his highly sensitive ears and periscope scanners.

Character Profile: Mantenna can do more than just see with those wild eyes. He can fire a variety of horrible beams from them as well, including paralysis beams, stun beams, etc. Mantenna is also an agile scout and often goes out well ahead of his companions to make sure their way is clear for marauding, pillaging and the like. Since he is no slouch in the combat area, either, Mantenna rarely needs assistance on his scouting missions.

The 1985 Golden story, The Horde, seems to draw directly from Ted Mayer’s concept art in its depiction of both Mantenna and Leech:

Mantenna’s grotesque appearance was toned down for the She-Ra cartoon series. He lost most of the fins on his limbs, and his mouth lost its sphincter-like look (or the insect-like look of the original Filmation concept design). He was also given simple yellow eyes rather than the bloodshot eyes of his action figure. Changes were made to his hands, feet, and costume as well. He was generally depicted a bumbling henchman, often dropped through a trap door by Hordak.

Dusan M. pointed out that this is an intermediate design – final design sheets had a visible tongue.

The Filmation Mantenna did have the ability to shoot various beams from his eyes, which he occasionally used to devastating effect:

Mantenna maintains his Filmation look in this Evil Horde poster by Earl Norem. It appeared in the Summer 1985 issue of Masters of the Universe Magazine (US version).

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Reviews

Rudy Obrero & Errol McCarthy portfolios

Written by Adam McCombs

I haven’t had as much time as I’d like for writing blog posts lately, so I’ve tried to focus more on toy features than reviews of current offerings related to the vintage toyline. However, I would like to give a quick review of two portfolios from two of my favorite artists – Rudy Obrero and Errol McCarthy.

Produced by The Power and the Honor Foundation in collaboration with Super7, the portfolios consist of large, high definition prints of the artwork used on the original packaging. In Errol McCarthy’s case, it was the artwork used on the back of carded figures, starting in 1983, when the cardbacks switched away from the “8-back” format. In Rudy Obrero’s case, it was packaging for playsets, vehicles and beasts, starting at the beginning of the the line in 1982.

The quality and presentation is very similar to the Mark Taylor portfolio that was released in the fall of 2016. On the back of both portfolios we get a nice photo and biography of each of the artists:

Rudy Obrero’s portfolio comes with the following pieces:

  • Battle Cat
  • Battle Cat charcoal drawing
  • Battle Ram
  • Castle Grayskull
  • He-Man and Battle Cat
  • He-Man and Wind Raider
  • Wind Raider

Rudy is my favorite artist to work on the Masters of the Universe toyline, so this set is particularly dear to me. The chance to have nice crisp versions of Rudy’s Frazetta-like interpretation of these characters on one’s wall is not to be missed. The inclusion of the original charcoal artwork for Battle Cat (the first piece of box art done for the toyline) is the icing on the cake. The original is owned by Eamon O’Donoghue, so we have him to thank that this piece is included in this collection.

Note that in the charcoal drawing, He-Man’s pose is different from the final illustration in oils, and Castle Grayskull has the “pawn” piece on the top from the original prototype.

If you check out part one of my feature on MOTU box art, you might notice that there were some changes made to some of these pieces when they were printed on the actual packaging. The most obvious is Battle Ram – the image was reversed and lightened for the packaging. He-Man and Wind Raider, Castle Grayskull, and Battle Cat were also lightened and color shifted.

This particular portfolio does not include any of the illustrations Rudy did for toys that came out in 1983 – perhaps they will appear in a future collection.

Errol McCarthy’s portfolio is of a more uniform size – the cardback illustration dimensions were all equally proportioned, while the box packaging was not. The McCarthy portfolio, like Rudy Obrero’s portfolio, focuses on the first year of the toyline. However, it also includes two pieces that were produced for 1983 and 1987 (Evil-Lyn and Faker, respectively). Faker was actually released in 1983 (or perhaps early 1982), but his original release featured the 8-back card. His re-release in 1987 featured the artwork included in this portfolio. Perhaps Errol’s illustration was done earlier, but not used until 1987 – I’m not certain.

Update: Miguel Ángel in the comments confirms that the Faker artwork was indeed done much earlier than 1987. Thanks Miguel!

In Argentina, the 8-back blisters never came into use. The figure of Faker was always packed with the blister that had the illustration of Errol McCarthy in the reverse and went on sale between December of 1984 and January of 1985. Obviously, that illustration of McCarthy about Faker already existed in 1984 and I dare to say that it was created in the same stage that the artist made those others for the 8 initial characters and those that would join them in the second wave … With the intention to relaunch and / or re-pack Faker in 1983, as with the other 8 of 1982? I would say yes, although for some reason that would only take place in 1987. The illustration itself, however, was much earlier.

Errol McCarthy’s portfolio comes with the following pieces:

  • He-Man
  • Man-At-Arms
  • Teela
  • Stratos
  • Skeletor
  • Beast Man
  • Mer-Man
  • Zodac
  • Evil-Lyn
  • Faker

Errol McCarthy is another one of my favorite MOTU artists. His vision for Eternia, like Rudy Obrero’s includes plenty of rocky and volcanic looking landscapes. But he also has some cleaner, more familiar looking locations that speak to me as well. In fact, two of my favorite pieces are Teela and He-Man, which place the characters in a region with windswept, rolling hills.

Errol McCarthy was perhaps the most prolific Masters of the Universe artist. He not only did artwork for cardbacks through the life of the toyline, he also produced quite a lot of illustrations for merchandising and marketing purposes. I suspect if there was enough interest, there could be at least another 10-20 portfolios of his work.

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Heroic Beasts

Stridor: Heroic Armored War Horse (1984)

Written by Adam McCombs

Name: Stridor
Faction: Heroic Warriors
Approximate US release date: June 3, 1984

I never owned Stridor as a kid – I only had his evil counterpart, Night Stalker. Both of them were more interesting to look at than they were to play with, having no action features and articulation only in their guns and tails.

Image source: Wishbook

Design & Development

According to Martin Arriola, Stridor was created by Mattel designer Colin Bailey, who also worked on characters like Buzz-Off, Whiplash and Fisto. I’m not aware of any concept art that has surfaced for Stridor, but a hand-painted prototype without decals appears in a 1984 French catalog (below). The tail is shaped differently from the final toy, and the prototype helmet looks rather crude:

Image source: Grayskull Museum

The final toy was given a number of decorative stickers, and changes were made to the tail and helmet:

Stridor cross sell artwork

Production Figure

Stridor in Action

Photos and a short video of Stridor in action, contributed by Øyvind Meisfjord:

Packaging

Stridor was sold individually and in a gift set with Fisto. Both sets feature artwork by, I believe, William Garland, who also did the artwork on the three Panthor boxes.

Stridor box art

Fisto & Stridor box art

Note that Stridor is described as “Half war horse/half war machine. Stridor carries He-Man to victory!” To me that implies that he was supposed to be some kind of cyborg horse rather than a pure robot.

Comics and Storybooks

Fisto is often associated with Stridor, just as Jitsu is associated with Night Stalker. It’s a rather unique relationship. In general He-Man seems to be given the heroic vehicles and steeds and Skeletor is given their evil counterparts. But Fisto seems to have been popular enough to merit his own steed. That’s certainly the case in one of my favorite mini comics – The Clash of Arms.

In the story, Fisto, riding on Stridor, is ambushed by Clawful, Tri-Klops, Webstor, and Jitsu. He is captured and forced to fight for his life in Skeletor’s arena. He’s successful in beating off Clawful and Jitsu in turn, but Whiplash nearly spells the end for Fisto before He-Man, riding on Stridor, comes in and breaks up the fight. Stridor had apparently escaped, found He-Man, and warned him of Fisto’s plight. (Note: in this story, Stridor has a saddle rather than a bucket seat, and he is ridden like a normal horse.)

Sadly, this is the first and only appearance of Stridor in the minicomics. However, he does make a couple of appearances in Golden stories, including in Secret of the Dragon’s Egg and Teela’s Secret.

Secret of the Dragon’s Egg
Secret of the Dragon’s Egg
Teela’s Secret

Stridor also appears on the cover of this 1985 Golden coloring book:

Stridor appears a few times in the 1985 Ladybird annual, having apparently been mass-produced for battle:

Animation

A robotic horse called “Strider” appears in several Filmation He-Man episodes, including “Pawns of the Game Master” and “A Friend in Need”, but it looks nothing like the Mattel toy, and it’s not immediately obvious that there is a connection beyond the name. It’s possible Mattel derived the name for their toy from Filmation’s robot horse, but I don’t know for sure.

The familiar toy-like Stridor appears in “Origin of the Sorceress,” where we learn that Man-At-Arms created the robot horse in his laboratory. Stridor sacrifices himself in order to defeat the evil Morgoth. After he is repaired, He-Man and Man-At-Arms learn that Stridor wants to roam free, and that after his confrontation with Morgoth he had become a living thing. Consequently, they release him into the wild.

Design-wise, Filmation’s Stridor is close to his toy counterpart, except he lacks his red helmet and some of his decorative details.

Other Artwork

Stridor and Fisto were illustrated by Errol McCarthy for use in licensed T-shirts:

Image source: He-Man.org

Stridor also appeared in this 1984 poster by William George:

Stridor also appears in my favorite poster by Earl Norem, which appeared in the inaugural issue of the US Masters of the Universe Magazine:

As limited as Stridor was as a toy, he’s got a terrific design, and his partnership with Fisto lends him a rather unique position within the Masters of the Universe mythos.


Image source: Grayskull Museum

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Evil Horde

Grizzlor: Hairy henchman of The Evil Horde (1985)

Written by Adam McCombs

Name: Grizzlor
Faction: Evil Horde
Approximate US release date: August 20, 1985

I didn’t own Grizzlor as a kid, but my brother did, and (I got Leech and Mantenna at about the same time). Grizzlor is simultaneously hilarious and creepy, with his wild furry body and his vicious-looking face, like a cross between a Troll doll and mutant bear. With a predominantly brown color scheme, he’s actually one of the least colorful characters in the MOTU universe, but he certainly “pops” in other ways.

Grizzlor seems to have originated at Filmation. Several years back The Power and the Honor Foundation shared an early development image, reportedly created by Curtis Cim. The concept (below) is already quite well developed. Grizzlor wears an early version of the Horde insignia, some extra spikes, and sports five fingers, but otherwise he looks very close to his finished form.

Image source: The Power and Honor Foundation. Shared by Dusan M.

Another piece of Filmation development art for the character shows a look that is much closer to the appearance of the final action feature:

Image: James Eatock/Dark Horse

In another image from The Power and the Honor Foundation, we see Grizzlor in full color as depicted by Ted Mayer. He looks very close to his final toy form, except that he is holding a rather strange-looking ornate weapon. His face is quite a dark black/brown, which is how some versions of the toy were colored, although most were produced in a lighter brown color. In this version he has two visible, prominent fangs, a hallmark of the look of the action figure.

Ted Mayer came up with a couple of somewhat related hairy henchmen concepts, including a mammoth/boar-like character (who has an identical pose to Grizzlor’s concept art) and a quite primitive-looking bear-like creature who, like Grizzlor, had two prominent fangs:

The first of the above two characters is often referred to as the Horde Mammoth by fans. However, Dušan M. pointed out a couple of interesting things about him. One, he isn’t straight Horde – his “Horde” insignia feature’s Skeletor’s face rather than Hordak’s. Another concept drawing by Ted Mayer, a Skeletor/Horde variant, features this same insignia:

The other thing about the Horde Mammoth character is he has no trunk. Other than the tusks, he looks quite like a wild boar. Grizzlor is described as a “wild boar” in the 1987 Style Guide, prompting both of us to wonder if these characters aren’t quite closely connected. The Style Guide is discussed in more detail later in this post.

A late stage Grizzlor prototype appears in Mattel’s 1985 dealer catalog. The prototype matches the look of the final toy, except that it is apparently hand-painted, and the Horde emblem on his chest is yellow:

As mentioned earlier, the most common version of the toy was produced with light brown molded plastic, and there was a rarer, darker version that took after Ted Mayer’s depiction. Both versions came with a green Horde crossbow with its spring-action  gimmick. Due to his action feature (if you can call mounds of fur an action feature), he lacked waist articulation.

Grizzlor’s cross sell art depicts the more common version of the figure. Note that Grizzlor’s unique crossbow appears in white here, rather than the final green.

Image courtesy of Axel Giménez

Underneath all that fur Grizzlor had a very plain and flat body:

In the illustration on the back of Grizzlor’s card, he’s shown mid-leap in a surprise attack against Kobra Khan.

Grizzlor was sold in two gift sets with Hordak – one of them a plain JCPenny box, and a more deluxe-looking set that came with a comic book illustrated by Bruce Timm. William George illustrated the scene on the front of the latter box, and the back was done by Bruce Timm:

Grizzlor’s name was trademarked on September 10, 1984. The name itself implies that he’s based on a grizzly bear, although looking I wouldn’t immediately associate him with that based on his face. He’s big and furry, which is I suppose close enough. However, as mentioned earlier, according to the 1987 Style Guide (illustrated by Errol McCarthy) Grizzlor is actually a kind of wild boar-like creature. Again, this brings to mind Ted Mayer’s “Horde Mammoth” character.

Power: Ability to ravage his foes with his wicked claws.

Character Profile: This humanoid boar has two sabretooth-like tusks and a large, shaggy body. He also has sharp, dangerous claws. Grizzlor has the same strength and ferocity of a wild boar, but he is no the greatest in the smarts department. Grizzlor is the prison keeper of The Evil Horde.

In the 1984 She-Ra/Princess of Power Bible, Grizzlor is given two short bios. Again his tusks are mentioned, and he his compared to a boar, but in the second version they are clarified to be more like fangs. In the first bio he’s depicted as a coward, but in the second he’s far more ferocious (thanks to Allison Troy for the copy of the She-Ra bible):

Grizzlor’s final look in the She-Ra cartoon series is somewhat more human-like than his action figure counterpart, and his harness is black rather than yellow, but it’s still a close resemblance. Grizzlor could be a bumbling underling or menacing henchman, depending upon the exigencies of the story, and also oversaw Beast Island. In some ways Grizzlor was the Beast Man to Hordak’s Skeletor.

In the minicomics Grizzlor was generally quite a menacing figure, most especially in the issue that he came packed with: Grizzlor – The Legend Comes Alive! (Illustrated by Bruce Timm.)

Grizzlor also makes appearances in:

  • Mantenna and the Menace of the Evil Horde
  • Hordak – The Ruthless Leader’s Revenge
  • The Treachery of Modulok
  • The Power of the Evil Horde
  • Escape from the Slime Pit
  • The Warrior Machine

Grizzlor also appears in the 1985 Golden story, The Horde, where it’s said that he is the Horde prison guard. Here Grizzlor actually looks very close to Ted Mayer’s depiction of him:

Grizzlor appeared in a number of posters by William George, Earl Norem, Esteban Maroto, and others:

Illustrated by William George
Illustrated by Earl Norem
Illustrated by unknown artist
Illustrated by Esteban Maroto

Grizzlor of course makes other appearances in a variety of comics and magazines, which is a topic I may explore in a future post.

Image source: Battlegrip

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